Jason Mittell
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jmittell.bsky.social
Jason Mittell
@jmittell.bsky.social

Media studies professor at Middlebury College; video essayist & author of videographic book on Breaking Bad; author of written books on TV, narrative theory, etc.; journal manager of @intransition.bsky.social . [he/him] https://linktr.ee/jmittell .. more

Jason Mittell is a professor of American studies and film and media culture at Middlebury College whose research interests include the history of television, media, culture, new media, and digital humanities. He is author of four books, Genre and Television (2004), Television and American Culture (2009), Complex TV: The Poetics of Contemporary Television Storytelling, and Narrative Theory and Adaptation. He also co-edited How To Watch Television and co-authored The Videographic Essay: Practice and Pedagogy. His digital-humanities activities focus primarily on videographic media criticism and, in 2015, he co-founded the first "Scholarship in Sound & Image" workshop, supported by a grant from the National Endowment for the Humanities. Moreover, he is journal manager and co-editor of [in]Transition: Journal of Videographic Film & Moving Studies, published by the Open Library of Humanities and supported by the Society for Cinema and Media Studies. .. more

Communication & Media Studies 39%
Art 14%
Pinned
There wasn't a good list of accounts related to video essays - so I made this starter pack! Who did I miss? Who do you know who should join Bluesky to share & talk about video essays?
go.bsky.app/PtthhCc

Many of them don't matter themselves, but their presence is felt - when you walk into a store filled with Pokemon merch or see kids wearing Spider-Man backpacks, you feel their significance.

And I grew up in original Star Wars era - the toys, books, merch, etc. really mattered a ton!

Reposted by Jason Mittell

don't forget to set your clocks back tonight

I never suggested such paratexts don't exist - I said that they lack the widespread relevance and ubiquity of other blockbusters. The point is that these broader circulations are what makes a franchise feel "significant", not box office. If you have to look it up, it's not broadly "significant."

I saw this post earlier, and decided to spend much of this lazy Saturday watching this 2.5 hour Minecraft video, despite never playing the game or watching these types of things. No regrets! Amazing film-making and collective storytelling created an epic fantasy narrative - highly recommended!
razor made me watch this video. she swore up and down despite it seeming like slop that it's actually peak

AND GOD DAMN IT SHE'S NOT EXAGGERATING. IF THIS WERE ON LETTERBOXD I'D GIVE IT A 5. ZERO HYPERBOLE

i cannot fucking BELIEVE how good this is. what the fuck. emergent storytelling is beautiful
We ended up accidentally watching this whole video yesterday, and against all odds, it ended up being one of the greatest pieces of cinema I've ever experienced:

youtu.be/ef568d0CrRY?...

I think the key gap here is the lack of culturally significant "paratexts" emerging from the franchise. Most blockbusters generate toys, games, costumes, fan creations, remixes, etc. that become ubiquitous & establish "significance." It's telling that the most prominent AVATAR paratext is... this:
Papyrus - SNL
YouTube video by Saturday Night Live
www.youtube.com

Uber prototyping

Reposted by Jason Mittell

razor made me watch this video. she swore up and down despite it seeming like slop that it's actually peak

AND GOD DAMN IT SHE'S NOT EXAGGERATING. IF THIS WERE ON LETTERBOXD I'D GIVE IT A 5. ZERO HYPERBOLE

i cannot fucking BELIEVE how good this is. what the fuck. emergent storytelling is beautiful
We ended up accidentally watching this whole video yesterday, and against all odds, it ended up being one of the greatest pieces of cinema I've ever experienced:

youtu.be/ef568d0CrRY?...
1000 Players Simulate Civilization: Rich & Poor
YouTube video by ish
youtu.be

Star Wars action figures, lunch boxes, etc. were ubiquitous in the 80s. It seems like Avatar only culturally exists in movie theaters.

Reposted by Jason Mittell

This wonderful @michaelschulman.bsky.social piece about puzzles & Sondheim is stuffed with funny, sticky details: www.newyorker.com/magazine/202...

Committee Royale
Make a Bond movie academic

Live and Let Cite
Make a Bond Movie academic

The writer's use of the word 'never' is problematic, and rewording might better serve the paper (1983)
Make a Bond movie academic

Live and Let Cite
Make a Bond Movie academic

The writer's use of the word 'never' is problematic, and rewording might better serve the paper (1983)
Make a Bond Movie academic

Best, Russia

Reposted by Jason Mittell

Time for the best Christmas post

Reposted by Jason Mittell

UPDATE

I have updated my story linked below with a high-quality broadcast version of the 60 Minutes segment that was pulled by Bari Weiss.

Here it is (no paywall): bit.ly/4qn6Jn5

I'm Thursday morning, second slot. Meh

Reposted by Jason Mittell

For this week's That's Marvelous newsletter I regrettably wrote a little bit about Bari Weiss (but also I happily wrote a little bit about dogs)! Read it here: www.thatsmarvelousnewsletter.com/163-60-minut...

Reposted by Jason Mittell

Had an absolute blast with this Time Out exclusive:

'Die Hard' screenwriter @stevenedesouza.bsky.social ranking 10 'Die Hard'-inspired action flicks www.timeout.com/news/10-die-...
10 ‘Die Hard’ clones ranked by the screenwriter of ‘Die Hard’
Yippee-ki-yay! Steven E de Souza sorts the ‘Die Hards’ from the try hards
www.timeout.com

Reposted by Jason Mittell

Here is Sharyn Alfonsi’s email to her ‘60 Minutes’ colleagues in full:

AWAY FROM HER: fascinating narrative patterns and techniques and not standard male canon

Since when does visual allusion = hackery? Feel free to dislike something, but condemning art for referring to other art in interesting ways is just petty

I did month of my 10th bday and was satisfied with the results

Well-argued, but it doesn't sufficiently account for how compelling Rhea Seehorn is to watch doing pretty much anything. I was utterly enthralled by ep 5, with her living a solo life for nearly the whole time. (I also have watched most eps in the afternoon, so I was wide awake...)

That stings...
[I think you're a couple of years older than me]

And it's telling that many of my students do not differentiate between film and TV anymore: same screens, same platforms, and often same narrative franchises/modes. They often watch films in 30-minute segments and binge hours of TV interchangeably. I'm old enough to think that is wrong!

Yeah, some narrative aspects of LOST work better weekly and others via binge. But the cultural engagement, theorizing, podcast listening, Lostpedia-editing, etc. is simply impossible via binge, and that's a quantifiable loss. And that's the essence of television for me: a shared cultural experience!

Agreed - but I think there's an analytic case to be made for a broader cultural norm to maximize the pleasures and possibilities of the medium, which transcends individual preference. For instance: my 20-something daughters experiencing SEVERANCE weekly was revelatory to them about what TV could be.

The #1 movie when you were 10 years old is how your 2026 is going to go.

(If only...)

There's a key difference between what people "prefer" conceptually (control, flexibility) and what is "better" in actuality (shared experiences, the glorious frustration of serialized gaps). Wanting to watch the next episode but being unable to is not preferred, but it is better for the experience.

You should vehemently argue for the weekly-release model just so you can maintain your culturally elite status of screener-privilege
"This promise of an AI future, is really just a collective anxiety that wealthy people have about how well they're gonna be able to control us in the future."

- @tressiemcphd.bsky.social with an absolute mic drop moment about AI bullshit.

Incredible words.
Listen to all of it!

Reposted by Jason Mittell

Starting in 2027, Santa will be renamed Trump. Thank you for your attention to this matter.