2/6/62: All Night Long - Basil Dearden gem w/(brilliant) Patrick McGoohan + Dave Brubeck & a party of faves (look for Richard Attenborough)
Ophüls-worthy camera moves
More:
@peutetre.bsky.social: criterioncast.com/column/a-jou...
Rosenbaum: jonathanrosenbaum.net/1988/07/all-...

@feminaridens.bsky.social 's collage work continues to evolve in her 9th and newest zine, every page a visual feast and thoughtfully written, in her tribute to the cinema of 1949, highlighting filmmakers from Kenneth Anger and Tex Avery to Max Ophuls and Yasujiro Ozu.

Happy birthday Michael Mann 🎂
📷 Deborah Feingold, 1985

“He is a director and producer, an organizer of TV series, a visionary of modern style who somehow integrates the fluency of Max Ophuls with the iconic poise of the most hip TV commercials.”
- David Thomson

A Good Neighbor

The late Marcel Ophuls made films about the twentieth century’s great crimes—and the trail of guilt they left behind. www.bostonreview.net/articles/a-g...

Narrativist principles of pre code Hollywood cinema

Psychoanalysis in Spanish surrealism

Sociology and postmodernity in the films of Douglas Sirk

Classical romance and pre and post war European identity in the work of Max Ophuls and Jean Renoir

Pedro Almodovar, eroticism, queerness and sexuality

Mercredi 20h, on poursuit le cycle Splendeur du mélodrame hollywoodien avec LETTRE D'UNE INCONNUE de Max Ophüls. Séance présentée par Charlotte Garson.
www.cda95.fr/fr/films/let...

LOLA MONTES (Max Ophüls, 1958)

At the end of her life, the most beautiful courtesan in 19th century Europe - a lover of kings and composers - is reduced to appearing as an object of public fascination in a circus, reenacting notorious scenes from her own life.

Stellar day yesterday in NYC with the kid: coffee at www.barolivernyc.com, Ophuls film at
@metrographnyc.bsky.social
and late lunch at www.nychanbat.com
Highly recommend all three

Teil unserer Berichterstattung zum Programm des diesjährigen Filmfestival Max Ophüls Preis ist auch eine Kurzkritik zu RUN ME WILD von Catharina Lott. Nachzulesen auf unserer Webseite.

filmloewin.de/run-me-wild-...

Das diesjährige Filmfestival Max Ophüls Preis war (mal wieder) deprimierend mies, ohne Highlights. Nicht alles gesehen, aber der Median spricht für sich. #ffmop26 letterboxd.com/reeft/tag/ff...

Max Ophuls's first absolute masterwork, La Tendre Ennemie (The Tender Enemy), from 1936—with form and invention as advanced as its bittersweet comedy is refined—is playing at @metrographnyc.bsky.social at noon, in 35mm.; word about it, and about Ophuls-ism overall: www.newyorker.com/culture/rich...

Diesmal weniger Besucher und weniger Auslastung beim Filmfestival Max Ophüls Preis in Saarbrücken.

#kino #film #deutscherfilm #saarland #saarbrücken #festival

(Falta Barry Lyndon pq eu não anoto reassistidos)
(Ok, Terra e Liberdade é reassistido, mas ainda não tinha visto este século)

Interrompemos nossa programação para mais uma edição espetacular e inédita de

RESENHA RELÂMPAGO

*sobe tema da Resenha Relâmpago*

Vimos Desejos Proibidos. Muito bom.

Filme: Desejos Proibidos (1953)
Nota: Muito bom.

My number 1 Radiance Film release of 2025: Rosa la Rose by Paul Vecchiali

The direction from Vecchiali is exceptional, he designs incredibly detailed and well choreographed long takes, full of swoops and pans that would rival Max Ophuls. The ensemble led by Marianne Basler are great also.

LADY L. by Romain Gary (from Penguin’s archive series). A charming, hugely enjoyable romp about love, longstanding secrets and idealism vs personal desires. It’s short and reads like a 19th century novella - reminiscent of Louise de Vilmorin’s MADAME DE… (as per the Max Ophuls film).

Sollte man Nazis besser erschießen oder besser mit ihnen reden? Im neuen artechock-Podcast spricht der Filmwissenschaftler Benjamin "Ben" Seyferth mit Rüdiger Suchsland über seinen Großvater, den großen Dokumentarfilmregisseur Marcel Ophüls...
open.spotify.com/episode/57KG...

Heute startet "Scham", der Kino-Erstling von Max-Ophüls-Preisträger Lukas Röder, im Kino. Wir sprachen mit Hauptdarsteller und ActOut-Teilnehmer Til Schindler über das Psycho-Kammerspiel, Traumata in der Familie und queere Repräsentation

Beim Max Ophüls Preis gerade als bester Spielfilm ausgezeichnet: Ben Voits GROPIUSSTADT SUPERNOVA entdeckt das Kosmische im Alltäglichen und verbindet beides zu einem Großstadtdrama mit kleinen Brüchen und großer Energie. Die Festivalkritik von Joachim Kurz: tinyurl.com/2vyu4jrn

_The Sorrow and the Pity_ is Marcel Ophuls’ magnum opus! Lucky you.

It's too bad I can't find a place for people to view "The Sorrow and the Pity" ( Le Chagrin et la Pitié by Marcel Ophüls) freely. If ever there were a time to watch that film, it's now.
Seek it out if you are on...
#democracyhashtag/democracy" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link">#democracy #usaref="/hashtag/usa" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link">#usa #gopref="/hashtag/gop" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link">#gop #fascists/hashtag/fascists" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link">#fascists #fascism"/hashtag/fascism" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link">#fascism

👉 Vote 'em Out!

#ComingUpOnTCM

THE SORROW AND THE PITY (1969) Helmut Tausend, Marcel Verdier, Alexis Grave
Dir.: Marcel Ophuls 8:00 AM PT

Examines France's role in World War II during the years of 1940-1944,

4h 11m | Documentary | TV-14

#TCM #TCMParty

THE SORROW AND THE PITY (1969) — 11:00 am ET — 4h 25m
(TCM Daytime: Holocaust Remembrance Day)

; directed by Marcel Ophuls

Documents France's role in World War II during the years of 1940-1944 in epic proportions.

#TCM #TCMParty

Letter from an Unknown Woman (1948) by Max Ophüls

Kubrick loved Max Ophüls for his ability to move the camera.

faroutmagazine.co.uk/how-max-ophu...