Happy birthday Michael Mann 🎂
📷 Deborah Feingold, 1985
“He is a director and producer, an organizer of TV series, a visionary of modern style who somehow integrates the fluency of Max Ophuls with the iconic poise of the most hip TV commercials.”
- David Thomson
📷 Deborah Feingold, 1985
“He is a director and producer, an organizer of TV series, a visionary of modern style who somehow integrates the fluency of Max Ophuls with the iconic poise of the most hip TV commercials.”
- David Thomson
February 5, 2026 at 4:16 PM
Happy birthday Michael Mann 🎂
📷 Deborah Feingold, 1985
“He is a director and producer, an organizer of TV series, a visionary of modern style who somehow integrates the fluency of Max Ophuls with the iconic poise of the most hip TV commercials.”
- David Thomson
📷 Deborah Feingold, 1985
“He is a director and producer, an organizer of TV series, a visionary of modern style who somehow integrates the fluency of Max Ophuls with the iconic poise of the most hip TV commercials.”
- David Thomson
@feminaridens.bsky.social 's collage work continues to evolve in her 9th and newest zine, every page a visual feast and thoughtfully written, in her tribute to the cinema of 1949, highlighting filmmakers from Kenneth Anger and Tex Avery to Max Ophuls and Yasujiro Ozu.
February 6, 2026 at 3:45 PM
@feminaridens.bsky.social 's collage work continues to evolve in her 9th and newest zine, every page a visual feast and thoughtfully written, in her tribute to the cinema of 1949, highlighting filmmakers from Kenneth Anger and Tex Avery to Max Ophuls and Yasujiro Ozu.
Stellar day yesterday in NYC with the kid: coffee at www.barolivernyc.com, Ophuls film at
@metrographnyc.bsky.social
and late lunch at www.nychanbat.com
Highly recommend all three
@metrographnyc.bsky.social
and late lunch at www.nychanbat.com
Highly recommend all three
HOME | BAR OLIVER NYC
BAR OLIVER, NYC . BEER, WINE, PINTXOS, VERMOUTH. 1 Oliver St, New York.
www.barolivernyc.com
February 1, 2026 at 3:17 PM
Stellar day yesterday in NYC with the kid: coffee at www.barolivernyc.com, Ophuls film at
@metrographnyc.bsky.social
and late lunch at www.nychanbat.com
Highly recommend all three
@metrographnyc.bsky.social
and late lunch at www.nychanbat.com
Highly recommend all three
Max Ophuls's first absolute masterwork, La Tendre Ennemie (The Tender Enemy), from 1936—with form and invention as advanced as its bittersweet comedy is refined—is playing at @metrographnyc.bsky.social at noon, in 35mm.; word about it, and about Ophuls-ism overall: www.newyorker.com/culture/rich...
Max Ophüls’s Unheralded Masterwork “The Tender Enemy”
The film shows the power of simple tricks to realize a fantastic, supernatural, yet sharply logical and piercingly dramatic story.
www.newyorker.com
January 31, 2026 at 8:27 AM
Max Ophuls's first absolute masterwork, La Tendre Ennemie (The Tender Enemy), from 1936—with form and invention as advanced as its bittersweet comedy is refined—is playing at @metrographnyc.bsky.social at noon, in 35mm.; word about it, and about Ophuls-ism overall: www.newyorker.com/culture/rich...
My number 1 Radiance Film release of 2025: Rosa la Rose by Paul Vecchiali
The direction from Vecchiali is exceptional, he designs incredibly detailed and well choreographed long takes, full of swoops and pans that would rival Max Ophuls. The ensemble led by Marianne Basler are great also.
The direction from Vecchiali is exceptional, he designs incredibly detailed and well choreographed long takes, full of swoops and pans that would rival Max Ophuls. The ensemble led by Marianne Basler are great also.
January 30, 2026 at 8:13 PM
My number 1 Radiance Film release of 2025: Rosa la Rose by Paul Vecchiali
The direction from Vecchiali is exceptional, he designs incredibly detailed and well choreographed long takes, full of swoops and pans that would rival Max Ophuls. The ensemble led by Marianne Basler are great also.
The direction from Vecchiali is exceptional, he designs incredibly detailed and well choreographed long takes, full of swoops and pans that would rival Max Ophuls. The ensemble led by Marianne Basler are great also.
(Falta Barry Lyndon pq eu não anoto reassistidos)
(Ok, Terra e Liberdade é reassistido, mas ainda não tinha visto este século)
(Ok, Terra e Liberdade é reassistido, mas ainda não tinha visto este século)
January 30, 2026 at 11:36 PM
(Falta Barry Lyndon pq eu não anoto reassistidos)
(Ok, Terra e Liberdade é reassistido, mas ainda não tinha visto este século)
(Ok, Terra e Liberdade é reassistido, mas ainda não tinha visto este século)
LADY L. by Romain Gary (from Penguin’s archive series). A charming, hugely enjoyable romp about love, longstanding secrets and idealism vs personal desires. It’s short and reads like a 19th century novella - reminiscent of Louise de Vilmorin’s MADAME DE… (as per the Max Ophuls film).
January 29, 2026 at 10:19 PM
LADY L. by Romain Gary (from Penguin’s archive series). A charming, hugely enjoyable romp about love, longstanding secrets and idealism vs personal desires. It’s short and reads like a 19th century novella - reminiscent of Louise de Vilmorin’s MADAME DE… (as per the Max Ophuls film).
Letter from an Unknown Woman (1948) by Max Ophüls
January 27, 2026 at 6:16 AM
Letter from an Unknown Woman (1948) by Max Ophüls
#ComingUpOnTCM
THE SORROW AND THE PITY (1969) Helmut Tausend, Marcel Verdier, Alexis Grave
Dir.: Marcel Ophuls 8:00 AM PT
Examines France's role in World War II during the years of 1940-1944,
4h 11m | Documentary | TV-14
#TCM #TCMParty
THE SORROW AND THE PITY (1969) Helmut Tausend, Marcel Verdier, Alexis Grave
Dir.: Marcel Ophuls 8:00 AM PT
Examines France's role in World War II during the years of 1940-1944,
4h 11m | Documentary | TV-14
#TCM #TCMParty
January 27, 2026 at 3:31 PM
#ComingUpOnTCM
THE SORROW AND THE PITY (1969) Helmut Tausend, Marcel Verdier, Alexis Grave
Dir.: Marcel Ophuls 8:00 AM PT
Examines France's role in World War II during the years of 1940-1944,
4h 11m | Documentary | TV-14
#TCM #TCMParty
THE SORROW AND THE PITY (1969) Helmut Tausend, Marcel Verdier, Alexis Grave
Dir.: Marcel Ophuls 8:00 AM PT
Examines France's role in World War II during the years of 1940-1944,
4h 11m | Documentary | TV-14
#TCM #TCMParty
THE SORROW AND THE PITY (1969) — 11:00 am ET — 4h 25m
(TCM Daytime: Holocaust Remembrance Day)
; directed by Marcel Ophuls
Documents France's role in World War II during the years of 1940-1944 in epic proportions.
#TCM #TCMParty
(TCM Daytime: Holocaust Remembrance Day)
; directed by Marcel Ophuls
Documents France's role in World War II during the years of 1940-1944 in epic proportions.
#TCM #TCMParty
Holocaust Remembrance Day
January 27 at 6am ET | 4 Movies
www.tcm.com
January 27, 2026 at 3:30 PM
kenne echt viel zu viel leute die grad beim max ophüls sind
January 25, 2026 at 8:27 AM
kenne echt viel zu viel leute die grad beim max ophüls sind
So, ihr Lieben, heute Abend ist für mich mal wieder Ophüls angesagt. Gute Nacht! Und bis morgen.
January 23, 2026 at 7:14 PM
So, ihr Lieben, heute Abend ist für mich mal wieder Ophüls angesagt. Gute Nacht! Und bis morgen.
I have huge list piled up & this has been on forever. So a little random other than loving O&E versions & sorting through 40s-50s French film (Ophuls, Renoir, Carne, Cocteau etc).
What did you make of it?
What did you make of it?
January 22, 2026 at 10:22 AM
I have huge list piled up & this has been on forever. So a little random other than loving O&E versions & sorting through 40s-50s French film (Ophuls, Renoir, Carne, Cocteau etc).
What did you make of it?
What did you make of it?
Derzeit läuft die 47. Ausgabe des Filmfestival Max Ophüls Preis. Im Programm seht ihr u. a. DIE NOCH UNBEKANNTEN TAGE von Jola Wieczorek. @leagronenberg.bsky.social spricht im FILMLÖWIN-Interview mit der Regisseurin über dieses sehr persönliche Filmprojekt .
filmloewin.de/ffmop-2026-d...
filmloewin.de/ffmop-2026-d...
FFMOP 2026: Die noch unbekannten Tage - Jola Wieczorek im Interview - Filmlöwin
Interview mit Filmemacherin Jola Wieczorek zu DIE NOCH UNBEKANNTEN TAGE über Demenz, Erinnerung, Identität und Migration.
filmloewin.de
January 21, 2026 at 9:06 AM
Derzeit läuft die 47. Ausgabe des Filmfestival Max Ophüls Preis. Im Programm seht ihr u. a. DIE NOCH UNBEKANNTEN TAGE von Jola Wieczorek. @leagronenberg.bsky.social spricht im FILMLÖWIN-Interview mit der Regisseurin über dieses sehr persönliche Filmprojekt .
filmloewin.de/ffmop-2026-d...
filmloewin.de/ffmop-2026-d...
Auch in diesem Jahr präsentiert das Filmfestival Max Ophüls Preis, das am Montag in Saarbrücken beginnt, vielversprechende queere Filme. Viele Werke kann man sich auch online anschauen
Schwuler Kicker und "Hanteln für Heten" an der Saar
(Film & TV - Aktuell) Auch in diesem Jahr präsentiert das Filmfestival Max Ophüls Preis, das am Montag in Saarbrücken beginnt, vielversprechende queere Filme. Viele Werke kann man sich auch online anschauen.
www.queer.de
January 18, 2026 at 11:47 AM
Auch in diesem Jahr präsentiert das Filmfestival Max Ophüls Preis, das am Montag in Saarbrücken beginnt, vielversprechende queere Filme. Viele Werke kann man sich auch online anschauen
working on a hypothesis, that if a movie has a duel scene, there's a disproportionate probability that it's a great movie, or, at least, really good. examples (no real order):
ANTON CHEKHOV’S THE DUEL (Kosashvili)
BARRY LYNDON (Kubrick)
THE DUELLISTS (R. Scott)
THE EARRINGS OF MADAME DE... (Ophuls)
ANTON CHEKHOV’S THE DUEL (Kosashvili)
BARRY LYNDON (Kubrick)
THE DUELLISTS (R. Scott)
THE EARRINGS OF MADAME DE... (Ophuls)
January 9, 2026 at 4:34 PM
working on a hypothesis, that if a movie has a duel scene, there's a disproportionate probability that it's a great movie, or, at least, really good. examples (no real order):
ANTON CHEKHOV’S THE DUEL (Kosashvili)
BARRY LYNDON (Kubrick)
THE DUELLISTS (R. Scott)
THE EARRINGS OF MADAME DE... (Ophuls)
ANTON CHEKHOV’S THE DUEL (Kosashvili)
BARRY LYNDON (Kubrick)
THE DUELLISTS (R. Scott)
THE EARRINGS OF MADAME DE... (Ophuls)
Anything by Marcel Ophuls
January 3, 2026 at 2:38 AM
Anything by Marcel Ophuls
January 2, 2026 at 8:28 AM
12/23/55: Max Ophüls w/Lola Montes
Not peak Max for us, but essential & a visual feast
More:
Laura Mulvey: lolajournal.com/7/lola_monte...
@bilgeebiri.bsky.social: www.villagevoice.com/revel-in-the...
Chris Wisniewski: reverseshot.org/features/152...
Not peak Max for us, but essential & a visual feast
More:
Laura Mulvey: lolajournal.com/7/lola_monte...
@bilgeebiri.bsky.social: www.villagevoice.com/revel-in-the...
Chris Wisniewski: reverseshot.org/features/152...
Lola Montes
Articles written on films showing in the Museum of the Moving Image's SEE IT BIG series, co-programmed by Reverse Shot editors Michael Koresky and Jeff Reichert
reverseshot.org
December 23, 2025 at 8:06 PM
12/23/55: Max Ophüls w/Lola Montes
Not peak Max for us, but essential & a visual feast
More:
Laura Mulvey: lolajournal.com/7/lola_monte...
@bilgeebiri.bsky.social: www.villagevoice.com/revel-in-the...
Chris Wisniewski: reverseshot.org/features/152...
Not peak Max for us, but essential & a visual feast
More:
Laura Mulvey: lolajournal.com/7/lola_monte...
@bilgeebiri.bsky.social: www.villagevoice.com/revel-in-the...
Chris Wisniewski: reverseshot.org/features/152...
Wir können es selbst noch nicht ganz fassen: Unser Kurzfilm "Leise gehst du vor mir her" wird seine Weltpremiere auf dem Filmfestival Max Ophüls Preis feiern!🥳
Ein riesiges Dankeschön an das Team und alle, die uns bei diesem Projekt unterstützt haben💘💐
🔗 janick.at/lgdvmh
Ein riesiges Dankeschön an das Team und alle, die uns bei diesem Projekt unterstützt haben💘💐
🔗 janick.at/lgdvmh
December 18, 2025 at 11:51 AM
Wir können es selbst noch nicht ganz fassen: Unser Kurzfilm "Leise gehst du vor mir her" wird seine Weltpremiere auf dem Filmfestival Max Ophüls Preis feiern!🥳
Ein riesiges Dankeschön an das Team und alle, die uns bei diesem Projekt unterstützt haben💘💐
🔗 janick.at/lgdvmh
Ein riesiges Dankeschön an das Team und alle, die uns bei diesem Projekt unterstützt haben💘💐
🔗 janick.at/lgdvmh
La première victime d’une guerre, c’est la vérité. Dixit Rudyard Kipling, repris par Marcel Ophuls.
December 16, 2025 at 11:08 PM
La première victime d’une guerre, c’est la vérité. Dixit Rudyard Kipling, repris par Marcel Ophuls.
EN LIVE ET EN DOCUMENTAIRE !
"Le chagrin et la pitié" - La France de Vichy dynamitée de Joseph Beauregard (2024)
www.twitch.tv/lantistream
"Le chagrin et la pitié" - La France de Vichy dynamitée de Joseph Beauregard (2024)
www.twitch.tv/lantistream
December 16, 2025 at 6:24 PM
EN LIVE ET EN DOCUMENTAIRE !
"Le chagrin et la pitié" - La France de Vichy dynamitée de Joseph Beauregard (2024)
www.twitch.tv/lantistream
"Le chagrin et la pitié" - La France de Vichy dynamitée de Joseph Beauregard (2024)
www.twitch.tv/lantistream
“I don’t like neutrality,” the late documentarian Marcel Ophuls wrote. “You can vote Green, Red, Pink, or Black. But never White. It’s in the life of nations, like in the life of people, sooner or later. You always have to take sides for someone or something.”
Aaron Labaree revisits his work:
Aaron Labaree revisits his work:
A Good Neighbor - Boston Review
The late Marcel Ophuls made films about the twentieth century’s great crimes—and the trail of guilt they left behind.
www.bostonreview.net
December 15, 2025 at 4:36 PM
“I don’t like neutrality,” the late documentarian Marcel Ophuls wrote. “You can vote Green, Red, Pink, or Black. But never White. It’s in the life of nations, like in the life of people, sooner or later. You always have to take sides for someone or something.”
Aaron Labaree revisits his work:
Aaron Labaree revisits his work: