Dean Frey
@dean.bsky.social
aka Deny Fear
📷 Robert De Niro Sr. by Rudy Burkhardt, 1958
Profile:
Nicola D'Ascenzo's "His Master's Voice" stained-glass window
"And when you look along the way we've come, there are spirals of vultures wheeling."
- Bruce Chatwin
📷 Robert De Niro Sr. by Rudy Burkhardt, 1958
Profile:
Nicola D'Ascenzo's "His Master's Voice" stained-glass window
"And when you look along the way we've come, there are spirals of vultures wheeling."
- Bruce Chatwin
Pinned
Dean Frey
@dean.bsky.social
· Nov 20
Another cup of coffee? No thanks, I've had plenty... Ha ha ha ha ha! I'm just kidding. Keep 'em coming. ☕️☕️☕️
Lew Baxter in Her Own Money, 1922
This is a print from the great French photographer Roger Corbeau's silent Hollywood film collection.
Lew Baxter in Her Own Money, 1922
This is a print from the great French photographer Roger Corbeau's silent Hollywood film collection.
You're not listening to jazz right. *This* is how you listen to jazz:
Hans Buter
Jazz café 'De Groene Kalebas', Amsterdam, 1950s
Hans Buter
Jazz café 'De Groene Kalebas', Amsterdam, 1950s
February 16, 2026 at 6:23 PM
You're not listening to jazz right. *This* is how you listen to jazz:
Hans Buter
Jazz café 'De Groene Kalebas', Amsterdam, 1950s
Hans Buter
Jazz café 'De Groene Kalebas', Amsterdam, 1950s
On Edgar Bergen's birthday, here he is relaxing in his dressing room with a colleague 🎂
📷 John Florea, 1942
📷 John Florea, 1942
February 16, 2026 at 6:10 PM
On Edgar Bergen's birthday, here he is relaxing in his dressing room with a colleague 🎂
📷 John Florea, 1942
📷 John Florea, 1942
Reposted by Dean Frey
It's a shame he never took on the role of Nero Wolfe.
February 16, 2026 at 4:15 PM
It's a shame he never took on the role of Nero Wolfe.
Reposted by Dean Frey
He looks like a Dickens character come to life.
February 16, 2026 at 4:50 PM
He looks like a Dickens character come to life.
Reposted by Dean Frey
good old orson. loved his spuds well buttered. his last gig was a hoffmeister commercial. 'follow the bear'. can't find a link for it, sadly.
February 16, 2026 at 3:46 PM
good old orson. loved his spuds well buttered. his last gig was a hoffmeister commercial. 'follow the bear'. can't find a link for it, sadly.
Celebrate the John Schlesinger Centennial 🎂💯
📷 Eve Arnold, 1977
"I love the feeling of things underneath, of things not spelled out."
📷 Eve Arnold, 1977
"I love the feeling of things underneath, of things not spelled out."
February 16, 2026 at 3:32 PM
Celebrate the John Schlesinger Centennial 🎂💯
📷 Eve Arnold, 1977
"I love the feeling of things underneath, of things not spelled out."
📷 Eve Arnold, 1977
"I love the feeling of things underneath, of things not spelled out."
Reposted by Dean Frey
Vidal, Vonnegut, Mailer: a wonderful group portrait by Timothy Greenfield-Sanders
February 16, 2025 at 4:01 PM
Vidal, Vonnegut, Mailer: a wonderful group portrait by Timothy Greenfield-Sanders
Reposted by Dean Frey
Buck Angel by Timothy Greenfield-Sanders
From his 2016 project The Trans List, forty portraits that explore the range of experiences lived by Americans who identify as transgender.
sunypress.edu/Books/T/The-...
From his 2016 project The Trans List, forty portraits that explore the range of experiences lived by Americans who identify as transgender.
sunypress.edu/Books/T/The-...
February 16, 2025 at 3:59 PM
Buck Angel by Timothy Greenfield-Sanders
From his 2016 project The Trans List, forty portraits that explore the range of experiences lived by Americans who identify as transgender.
sunypress.edu/Books/T/The-...
From his 2016 project The Trans List, forty portraits that explore the range of experiences lived by Americans who identify as transgender.
sunypress.edu/Books/T/The-...
Reposted by Dean Frey
Orson Welles by Timothy Greenfield-Sanders, 1979
February 16, 2025 at 3:58 PM
Orson Welles by Timothy Greenfield-Sanders, 1979
Reposted by Dean Frey
Melvin van Peebles by Timothy Greenfield-Sanders, 2008
February 16, 2025 at 3:56 PM
Melvin van Peebles by Timothy Greenfield-Sanders, 2008
Reposted by Dean Frey
Timothy Greenfield-Sanders' photo for Vanity Fair, February 2003.
Robert Caro, Joan Didion, Knopf Editor-in-Chief Sonny Mehta, Richard Russo, Richard Ford, Peter Carey, Toni Morrison & Carl Hiaasen.
A print inscribed "For Joan" was sold at Didion's estate sale in November 2022.
Robert Caro, Joan Didion, Knopf Editor-in-Chief Sonny Mehta, Richard Russo, Richard Ford, Peter Carey, Toni Morrison & Carl Hiaasen.
A print inscribed "For Joan" was sold at Didion's estate sale in November 2022.
February 16, 2025 at 3:55 PM
Timothy Greenfield-Sanders' photo for Vanity Fair, February 2003.
Robert Caro, Joan Didion, Knopf Editor-in-Chief Sonny Mehta, Richard Russo, Richard Ford, Peter Carey, Toni Morrison & Carl Hiaasen.
A print inscribed "For Joan" was sold at Didion's estate sale in November 2022.
Robert Caro, Joan Didion, Knopf Editor-in-Chief Sonny Mehta, Richard Russo, Richard Ford, Peter Carey, Toni Morrison & Carl Hiaasen.
A print inscribed "For Joan" was sold at Didion's estate sale in November 2022.
Reposted by Dean Frey
Timothy Greenfield-Sanders
Marisol, from the series Art World, 1994
Marisol, from the series Art World, 1994
February 16, 2025 at 3:50 PM
Timothy Greenfield-Sanders
Marisol, from the series Art World, 1994
Marisol, from the series Art World, 1994
Reposted by Dean Frey
Helen Frankenthaler by Timothy Greenfield-Sanders, 1981
February 16, 2025 at 3:50 PM
Helen Frankenthaler by Timothy Greenfield-Sanders, 1981
Reposted by Dean Frey
Happy birthday Timothy Greenfield-Sanders 🎂
📷 Jennifer S. Altman, 2016
"His portraits teach us more about identity & self-realization, about how people see themselves & how they strive to be seen, than we can capture in many thousands of words."
- Cinny Kennard
📷 Jennifer S. Altman, 2016
"His portraits teach us more about identity & self-realization, about how people see themselves & how they strive to be seen, than we can capture in many thousands of words."
- Cinny Kennard
February 16, 2025 at 3:49 PM
Happy birthday Timothy Greenfield-Sanders 🎂
📷 Jennifer S. Altman, 2016
"His portraits teach us more about identity & self-realization, about how people see themselves & how they strive to be seen, than we can capture in many thousands of words."
- Cinny Kennard
📷 Jennifer S. Altman, 2016
"His portraits teach us more about identity & self-realization, about how people see themselves & how they strive to be seen, than we can capture in many thousands of words."
- Cinny Kennard
Reposted by Dean Frey
Katharine Cornell as Countess Ellen Olenska in Edith Wharton's The Age of Innocence
📷 Vandamm, NYPL digital collection, 1929
📷 Vandamm, NYPL digital collection, 1929
February 16, 2025 at 3:47 PM
Katharine Cornell as Countess Ellen Olenska in Edith Wharton's The Age of Innocence
📷 Vandamm, NYPL digital collection, 1929
📷 Vandamm, NYPL digital collection, 1929
Reposted by Dean Frey
Katharine Cornell as Madeleine Carey in Edward Sheldon & Margaret Ayer Barnes's Dishonored Lady
📷 Vandamm, NYPL digital collection, 1930
📷 Vandamm, NYPL digital collection, 1930
February 16, 2025 at 3:46 PM
Katharine Cornell as Madeleine Carey in Edward Sheldon & Margaret Ayer Barnes's Dishonored Lady
📷 Vandamm, NYPL digital collection, 1930
📷 Vandamm, NYPL digital collection, 1930
Reposted by Dean Frey
Remembering Katharine Cornell on her birthday 🎂
📷 William Auerbach-Levy
"Her acting is quite as remarkable for the carefulness of its design as for the fire of her presence."
- Brooks Atkinson
📷 William Auerbach-Levy
"Her acting is quite as remarkable for the carefulness of its design as for the fire of her presence."
- Brooks Atkinson
February 16, 2025 at 3:45 PM
Remembering Katharine Cornell on her birthday 🎂
📷 William Auerbach-Levy
"Her acting is quite as remarkable for the carefulness of its design as for the fire of her presence."
- Brooks Atkinson
📷 William Auerbach-Levy
"Her acting is quite as remarkable for the carefulness of its design as for the fire of her presence."
- Brooks Atkinson
Reposted by Dean Frey
Spiegelman has always had a lot of insight into his own art, and it really comes through in the Maus, from the 'Prisoner on Hell Planet' sequence to the self-reflexive opening of Part II. I know it's one of the most acclaimed books of all time but it still amazes me how deep it is
Happy birthday Art Spiegelman 🎂
📷 Roger Ressmeyer, 1986
"The subject of Maus is the retrieval of memory & ultimately, the creation of memory. It’s about choices being made, of finding what one can tell, and what one can reveal beyond what one knows one is revealing."
📷 Roger Ressmeyer, 1986
"The subject of Maus is the retrieval of memory & ultimately, the creation of memory. It’s about choices being made, of finding what one can tell, and what one can reveal beyond what one knows one is revealing."
February 16, 2026 at 3:58 AM
Spiegelman has always had a lot of insight into his own art, and it really comes through in the Maus, from the 'Prisoner on Hell Planet' sequence to the self-reflexive opening of Part II. I know it's one of the most acclaimed books of all time but it still amazes me how deep it is
Reposted by Dean Frey
Open the pod bay door, Maggie.
February 16, 2026 at 2:56 AM
Open the pod bay door, Maggie.
Reposted by Dean Frey
Hal 9000 ?!?
February 16, 2026 at 2:11 AM
Hal 9000 ?!?
Maggie Smith as Lady Macbeth at the Stratford Festival in 1978, directed by Robin Phillips. Macbeth was played by Douglas Rain.
The artist of the sketch is the great designer Daphne Dare.
internetshakespeare.uvic.ca/Theater/prod...
The artist of the sketch is the great designer Daphne Dare.
internetshakespeare.uvic.ca/Theater/prod...
February 16, 2026 at 1:41 AM
Maggie Smith as Lady Macbeth at the Stratford Festival in 1978, directed by Robin Phillips. Macbeth was played by Douglas Rain.
The artist of the sketch is the great designer Daphne Dare.
internetshakespeare.uvic.ca/Theater/prod...
The artist of the sketch is the great designer Daphne Dare.
internetshakespeare.uvic.ca/Theater/prod...
Came across this tiger on my jungle walk today.
February 16, 2026 at 1:09 AM
Came across this tiger on my jungle walk today.
Reposted by Dean Frey
I was on the concert board that brought them to UChicago in 1982. Fripp stood in spotlight all by himself, Adrian Belew wore a pink suit, and their manager admonished me, “These aren’t rock and rollers. They’re gentlemen.”
February 15, 2026 at 7:20 PM
I was on the concert board that brought them to UChicago in 1982. Fripp stood in spotlight all by himself, Adrian Belew wore a pink suit, and their manager admonished me, “These aren’t rock and rollers. They’re gentlemen.”
Reposted by Dean Frey
He didn't deserve her, or anybody.
February 15, 2026 at 5:21 PM
He didn't deserve her, or anybody.
Reposted by Dean Frey
I was there !
The last role on stage for June Anderson done without microphone and she did not disappoint!
The last role on stage for June Anderson done without microphone and she did not disappoint!
February 15, 2026 at 5:30 PM
I was there !
The last role on stage for June Anderson done without microphone and she did not disappoint!
The last role on stage for June Anderson done without microphone and she did not disappoint!