Happy Birthday!
youtu.be/GZdJ-DOn2ss?...
Happy Birthday!
youtu.be/GZdJ-DOn2ss?...
New Yorker
February 10, 2014
💘
New Yorker
February 10, 2014
💘
String Quartet in D major (1931)
Composed a decade before his official Quartet No. 1 (also in D), we hear Britten absorbing 'English' influences from his teachers at the RCM, and from the madrigals he was singing and studying at the time.
String Quartet in D major (1931)
Composed a decade before his official Quartet No. 1 (also in D), we hear Britten absorbing 'English' influences from his teachers at the RCM, and from the madrigals he was singing and studying at the time.
String Quartet in D major (1931)
Composed a decade before his official Quartet No. 1 (also in D), we hear Britten absorbing 'English' influences from his teachers at the RCM, and from the madrigals he was singing and studying at the time.
String Quartet in D major (1931)
Composed a decade before his official Quartet No. 1 (also in D), we hear Britten absorbing 'English' influences from his teachers at the RCM, and from the madrigals he was singing and studying at the time.
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
Lovely to find that on this recording of Holst conducting The Planets, his daughter, Imogen Holst, wrote the sleeve notes. She was also a composer.
Lovely to find that on this recording of Holst conducting The Planets, his daughter, Imogen Holst, wrote the sleeve notes. She was also a composer.
12 Variations on a Theme, for piano (1931)
Britten's first piano piece at the RCM tries on a host of stylistic hats in successive variations (John Bridcut hears Satie, Hindemith and Shostakovich) and cocks a few snooks at his composition teacher Ireland's strict rules.
12 Variations on a Theme, for piano (1931)
Britten's first piano piece at the RCM tries on a host of stylistic hats in successive variations (John Bridcut hears Satie, Hindemith and Shostakovich) and cocks a few snooks at his composition teacher Ireland's strict rules.
#ClassicalMusic #BadBunny #Superbowl
youtube.com/watch?v=WqGE...
*And we’d call it ‘cut time.’
#ClassicalMusic #BadBunny #Superbowl
youtube.com/watch?v=WqGE...
*And we’d call it ‘cut time.’
Do come and listen if you're in Oxford, or watch the livestream. And we'd be hugely grateful for any donations!
www.justgiving.com/campaign/tal...
Do come and listen if you're in Oxford, or watch the livestream. And we'd be hugely grateful for any donations!
www.justgiving.com/campaign/tal...
Williams turned to American composer Howard Hanson.
1/6
#filmsky #musicsky #moviesky
#filmsky #moviesky #filmscores
#filmsky #moviesky #filmscores
12 Variations on a Theme, for piano (1931)
Britten's first piano piece at the RCM tries on a host of stylistic hats in successive variations (John Bridcut hears Satie, Hindemith and Shostakovich) and cocks a few snooks at his composition teacher Ireland's strict rules.
12 Variations on a Theme, for piano (1931)
Britten's first piano piece at the RCM tries on a host of stylistic hats in successive variations (John Bridcut hears Satie, Hindemith and Shostakovich) and cocks a few snooks at his composition teacher Ireland's strict rules.
Tit for Tat (1928-31, rev. 1968)
in his mid-50s, Britten gathered up and revised "very slightly" five childhood settings of Walter de la Mare. "Once or twice, when the fumblings were too obvious, the experienced middle-aged composer has come to the aid of the beginner."
Tit for Tat (1928-31, rev. 1968)
in his mid-50s, Britten gathered up and revised "very slightly" five childhood settings of Walter de la Mare. "Once or twice, when the fumblings were too obvious, the experienced middle-aged composer has come to the aid of the beginner."
Tit for Tat (1928-31, rev. 1968)
in his mid-50s, Britten gathered up and revised "very slightly" five childhood settings of Walter de la Mare. "Once or twice, when the fumblings were too obvious, the experienced middle-aged composer has come to the aid of the beginner."
Tit for Tat (1928-31, rev. 1968)
in his mid-50s, Britten gathered up and revised "very slightly" five childhood settings of Walter de la Mare. "Once or twice, when the fumblings were too obvious, the experienced middle-aged composer has come to the aid of the beginner."
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...