Biographer of Stephen Sondheim.
Variety, London theatre critic.
The Stage, Associate writer.
Tristram Hawkshaw in The Archers.
Somewhat gay.
Bad news: Cynthia Erivo’s Dracula is an interval-free, 115-minute bore. She narrates tonelessly, is dwarfed by multiple big screen pre-records of herself, and is sunk by dramatically pointless tech.
No tension, no horror, no point.
Bad news: Cynthia Erivo’s Dracula is an interval-free, 115-minute bore. She narrates tonelessly, is dwarfed by multiple big screen pre-records of herself, and is sunk by dramatically pointless tech.
No tension, no horror, no point.
Cliff Richard’s Heathcliife, from the musical of that name, is everything:
2’ 55” of The Full Brontë.
EMERALD FENNELL, EAT YOUR HEART OUT.
Please thank Maisie and @sbrackenborough.bsky.social for bringing this to us.
Cliff Richard’s Heathcliife, from the musical of that name, is everything:
2’ 55” of The Full Brontë.
EMERALD FENNELL, EAT YOUR HEART OUT.
Please thank Maisie and @sbrackenborough.bsky.social for bringing this to us.
Cliff Richard’s Heathcliife, from the musical of that name, is everything:
2’ 55” of The Full Brontë.
EMERALD FENNELL, EAT YOUR HEART OUT.
Please thank Maisie and @sbrackenborough.bsky.social for bringing this to us.
Cliff Richard’s Heathcliife, from the musical of that name, is everything:
2’ 55” of The Full Brontë.
EMERALD FENNELL, EAT YOUR HEART OUT.
Please thank Maisie and @sbrackenborough.bsky.social for bringing this to us.
variety.com/2022/tv/news...
variety.com/2022/tv/news...
This delivery just arrived from someone I’ve messaged but never met.
There’s kindness here.
This delivery just arrived from someone I’ve messaged but never met.
There’s kindness here.
Happy Birthday!
youtu.be/GZdJ-DOn2ss?...
Happy Birthday!
youtu.be/GZdJ-DOn2ss?...
Without coming over all Mildred Natwick - although, why not - may I discuss pestles? I just read a recipe in the NY Times which suggested using a mortar and pestle.
In the UK we always refer them as a pestle and mortar. Discuss.
Without coming over all Mildred Natwick - although, why not - may I discuss pestles? I just read a recipe in the NY Times which suggested using a mortar and pestle.
In the UK we always refer them as a pestle and mortar. Discuss.
Now watch her in Bell, Book and Candle.
www.independent.co.uk/voices/inter...
Now watch her in Bell, Book and Candle.
www.independent.co.uk/voices/inter...
1/
How I wish I had seen this.
www.independent.co.uk/arts-enterta...
How I wish I had seen this.
www.independent.co.uk/arts-enterta...
Meanwhile, last year…
There is always a tweet.
Meanwhile, last year…
There is always a tweet.
You may not be conversant with the full majesty of birthday girl Carmen Miranda. Her film biography was entitled “Bananas is my business” and here, deliriously, is why.
The first 40 secs are “Excuse me?” Then increasing derangement begins.
youtu.be/HqgsZVOSlak?...
You may not be conversant with the full majesty of birthday girl Carmen Miranda. Her film biography was entitled “Bananas is my business” and here, deliriously, is why.
The first 40 secs are “Excuse me?” Then increasing derangement begins.
youtu.be/HqgsZVOSlak?...
This is DELICIOUS.
paneamoreechachacha.com?s=Leek+butte...
This is DELICIOUS.
paneamoreechachacha.com?s=Leek+butte...
#reasonstolovelondon
#reasonstolovelondon
Jerry Bock & Sheldon Harnick’s spry little number about financial chicanery from their Pulitzer-winning Fiorello. John Wilson conducts.
youtu.be/hayIxnLyQ6s?...
Jerry Bock & Sheldon Harnick’s spry little number about financial chicanery from their Pulitzer-winning Fiorello. John Wilson conducts.
youtu.be/hayIxnLyQ6s?...
"I can look in his eyes and see he is a man of integrity.
"He wants to do the right things. Perhaps he has been too slow to do the right things. But he must do the right things now.
"Lets judge what he does"
"I can look in his eyes and see he is a man of integrity.
"He wants to do the right things. Perhaps he has been too slow to do the right things. But he must do the right things now.
"Lets judge what he does"
Royal Scottish National Orchestra play to audiences year round: 66 full-time musicians costs us £4.2m
It’s not about one or the other, but why the vast disparity? www.thetimes.com/article/6c3e...
Royal Scottish National Orchestra play to audiences year round: 66 full-time musicians costs us £4.2m
It’s not about one or the other, but why the vast disparity? www.thetimes.com/article/6c3e...
Song, by Wendy Cope.
Song, by Wendy Cope.