Video by reporter Louis Krauss, who is on the scene.
Video by reporter Louis Krauss, who is on the scene.
Jim Jarmusch's DOWN BY LAW (1986) is a breezy character study wrapped in a prison break.
We discuss Tom Waits, Roberto Benigni, self-imposed isolation, and its deceptive simplicity on today's episode!
(links in 🧵)
#movie #podcast #filmsky
The photo:
The photo:
We covered HIS MOTORBIKE, HER ISLAND (1986) five years ago, when it seemed like nobody in the US had seen it.
Now that it’s playing at @trylon.org, we’ve republished our old episode. As a treat.
Pinecast: bit.ly/47ShXqf
Apple: apple.co/3ePGKBl
Spot: spoti.fi/32tGNOo
We covered HIS MOTORBIKE, HER ISLAND (1986) five years ago, when it seemed like nobody in the US had seen it.
Now that it’s playing at @trylon.org, we’ve republished our old episode. As a treat.
Pinecast: bit.ly/47ShXqf
Apple: apple.co/3ePGKBl
Spot: spoti.fi/32tGNOo
THE GIRL WHO LEAPT THROUGH TIME (1983) is a different kind of time travel tale, rife with teen drama and melancholy, told in a way only HAUSU (1977) auteur Nobuhiko Ōbayashi could.
Here's our look at it!
(links in 🧵)
#japanesefilm #scifi #80s
THE GIRL WHO LEAPT THROUGH TIME (1983) is a different kind of time travel tale, rife with teen drama and melancholy, told in a way only HAUSU (1977) auteur Nobuhiko Ōbayashi could.
Here's our look at it!
(links in 🧵)
#japanesefilm #scifi #80s
Obviously a standout among Kurosawa and Kobayashi's casts, but he also really tore up the screen as the lead, the villain, and occasionally both — like in Kihachi Okamoto's SWORD OF DOOM (1966).
Rest easy, king
Obviously a standout among Kurosawa and Kobayashi's casts, but he also really tore up the screen as the lead, the villain, and occasionally both — like in Kihachi Okamoto's SWORD OF DOOM (1966).
Rest easy, king
electrek.co/2025/11/04/a...
Long thread 🧵
Long thread 🧵
We covered it earlier this year with @finnematic.bsky.social — check out our discussion on this moody, broody, “2000s emo kid” formative text!
We covered it earlier this year with @finnematic.bsky.social — check out our discussion on this moody, broody, “2000s emo kid” formative text!
Timelessly spooky, hopelessly terrifying, and maybe truly evil — no Halloween is complete without THE EXORCIST (1973).
We dug deep on Friedkin's classic in episode 354 (with a special appearance by @metallicaisrad.bsky.social)!
(links in 🧵)
#70s #movieween #horror #theexorcist
Timelessly spooky, hopelessly terrifying, and maybe truly evil — no Halloween is complete without THE EXORCIST (1973).
We dug deep on Friedkin's classic in episode 354 (with a special appearance by @metallicaisrad.bsky.social)!
(links in 🧵)
#70s #movieween #horror #theexorcist
Also, the Cody's Noteys is an all-time best
“Wicker Dan" Nagan (@adapperdanman.bsky.social) is back for some wicky, witchy fun with THE WICKER MAN (1973)!
Yes, the original! Fewer bees, but more self-imposed chastity and insidious power imbalances. Check it out!
(links in 🧵)
#filmsky #Halloween2025 #horror
Also, the Cody's Noteys is an all-time best
“Wicker Dan" Nagan (@adapperdanman.bsky.social) is back for some wicky, witchy fun with THE WICKER MAN (1973)!
Yes, the original! Fewer bees, but more self-imposed chastity and insidious power imbalances. Check it out!
(links in 🧵)
#filmsky #Halloween2025 #horror
“Wicker Dan" Nagan (@adapperdanman.bsky.social) is back for some wicky, witchy fun with THE WICKER MAN (1973)!
Yes, the original! Fewer bees, but more self-imposed chastity and insidious power imbalances. Check it out!
(links in 🧵)
#filmsky #Halloween2025 #horror