I taped sheets over every mirror, shaved by touch, brushed my teeth blind. Tonight the power died. In the dark glass I finally looked. I was still there. Behind me, smiling, was the thing that had been avoiding me. It raised my hands as I screamed.
Tell me what you're working on, what you've just released.
Repost others. Be generous with that button.
And if you've not yet done the chat, go back, answer the questions, then promo. It's the right thing to do.
#HorrorWritersChat
I taped sheets over every mirror, shaved by touch, brushed my teeth blind. Tonight the power died. In the dark glass I finally looked. I was still there. Behind me, smiling, was the thing that had been avoiding me. It raised my hands as I screamed.
The scenes I put off are the ones that viscerally turn my stomach. The darkest moments, the eclipse before the light returns.
Here at #HorrorWritersChat we really do like to peel back those insecurities and fears and expose them to the light. You can do this.
Which scene do you keep putting off? And why?
The scenes I put off are the ones that viscerally turn my stomach. The darkest moments, the eclipse before the light returns.
I like moral and ethical quandries. I want to know whether or not you will take the easy path even though it may not be to morally correct one. I want to know which choices make you toss, turn, and lose sleep.
This question is not about the comfortable places that we go with horror. But the uncomfortable ones. The ones that turn us inside out even as we write them. The ones that make us wonder who we are, at the end. #HorrorWritersChat
I like moral and ethical quandries. I want to know whether or not you will take the easy path even though it may not be to morally correct one. I want to know which choices make you toss, turn, and lose sleep.
Hi! Im KD Martin and I write primarily political and societal horror. When I started writing in the genre I didnt expect that all my darkest ideas would become reality.
You know the drill. Four questions, repost as many as you like, no links: promo at the end.
First I want to know.
What makes you write the kind of horror that you write?
Hi! Im KD Martin and I write primarily political and societal horror. When I started writing in the genre I didnt expect that all my darkest ideas would become reality.
#HorrorWritersChat
Here at #HorrorWritersChat we really do like to peel back those insecurities and fears and expose them to the light. You can do this.
Which scene do you keep putting off? And why?
#HorrorWritersChat
(I also stream if you are into that!)
#HorrorWritersChat
whisperinginbloom.wordpress.com
(I also stream if you are into that!)
#HorrorWritersChat
whisperinginbloom.wordpress.com
#HorrorWritersChat
#HorrorWritersChat
#HorrorWritersChat
Here at #HorrorWritersChat we really do like to peel back those insecurities and fears and expose them to the light. You can do this.
Which scene do you keep putting off? And why?
#HorrorWritersChat
I think what draws me to the former the most is the sense of the sublime, while the latter is the sense of violation and the weight of it all.
(I also just kinda really like monsters)
#HorrorWritersChat
You know the drill. Four questions, repost as many as you like, no links: promo at the end.
First I want to know.
What makes you write the kind of horror that you write?
I think what draws me to the former the most is the sense of the sublime, while the latter is the sense of violation and the weight of it all.
(I also just kinda really like monsters)
#HorrorWritersChat
You know the drill. Four questions, repost as many as you like, no links: promo at the end.
First I want to know.
What makes you write the kind of horror that you write?
She convinced herself everything was fine, if she didn't look at the pictures on the wall or the ring on her finger. Her wife was just away.
But she couldn't ignore the scratching and the crying coming from the front door at night. Eventually, she'd have to welcome her home.
She convinced herself everything was fine, if she didn't look at the pictures on the wall or the ring on her finger. Her wife was just away.
But she couldn't ignore the scratching and the crying coming from the front door at night. Eventually, she'd have to welcome her home.
In one of my WIPs, a man tortures a woman to death. I've written the scenes before and a few after, but I haven't gotten around to writing that scene. I have been putting it off because I know such things happen in real life, and describing it in detail is going to be hard.
Here at #HorrorWritersChat we really do like to peel back those insecurities and fears and expose them to the light. You can do this.
Which scene do you keep putting off? And why?
In one of my WIPs, a man tortures a woman to death. I've written the scenes before and a few after, but I haven't gotten around to writing that scene. I have been putting it off because I know such things happen in real life, and describing it in detail is going to be hard.
Two things come to mind. Grief, and abuse. I've experienced a lot of both throughout my life, so writing about them is hard, but cathartic. I want someone to read my works and realize that they aren't alone in what they're feeling.
This question is not about the comfortable places that we go with horror. But the uncomfortable ones. The ones that turn us inside out even as we write them. The ones that make us wonder who we are, at the end. #HorrorWritersChat
Two things come to mind. Grief, and abuse. I've experienced a lot of both throughout my life, so writing about them is hard, but cathartic. I want someone to read my works and realize that they aren't alone in what they're feeling.
You know the drill. Four questions, repost as many as you like, no links: promo at the end.
First I want to know.
What makes you write the kind of horror that you write?
I'm Opal! I write horror because I've spent my life feeling like an outsider. The person that people avoid, because they don't understand.
Also, my grandmother is a medium, so ghosts have always been a part of my life, and my dad introduced me to horror movies at a young age.
You know the drill. Four questions, repost as many as you like, no links: promo at the end.
First I want to know.
What makes you write the kind of horror that you write?
I'm Opal! I write horror because I've spent my life feeling like an outsider. The person that people avoid, because they don't understand.
Also, my grandmother is a medium, so ghosts have always been a part of my life, and my dad introduced me to horror movies at a young age.
Although only about 15% of my stories are horror, and I write mainly for screen and audio, 2 are on #podcast:
pod.link/1765924681
Rachael’s Dream ( #Audiobook, #PsychologicalThriller, #Horror, #Sci-Fi)
The Statues
( #AudioDrama, Horror, Sci-Fi)
The Eclipse
(Horror, Sci-Fi)
Although only about 15% of my stories are horror, and I write mainly for screen and audio, 2 are on #podcast:
pod.link/1765924681
Rachael’s Dream ( #Audiobook, #PsychologicalThriller, #Horror, #Sci-Fi)
The Statues
( #AudioDrama, Horror, Sci-Fi)
The Eclipse
(Horror, Sci-Fi)
There was one scene in my last book, Ruins, that I wrote that made me so uncomfortable I ended up deleting and rewriting the ending. It just went too dark so I buried it. The books better for it too. It was just shock for the sake of it.
Here at #HorrorWritersChat we really do like to peel back those insecurities and fears and expose them to the light. You can do this.
Which scene do you keep putting off? And why?
There was one scene in my last book, Ruins, that I wrote that made me so uncomfortable I ended up deleting and rewriting the ending. It just went too dark so I buried it. The books better for it too. It was just shock for the sake of it.
So. Novella. Actually featuring a lot of characters who quite simply cannot talk about or acknowledge their trauma. Even to themselves.
#HorrorWritersChat
payhip.com/b/58paC
So. Novella. Actually featuring a lot of characters who quite simply cannot talk about or acknowledge their trauma. Even to themselves.
#HorrorWritersChat
payhip.com/b/58paC
There are no more boxes left for me to use as a shield.
Dust and clatter I expect.
But there are no dolls in the box.
Just bones.
#HorrorWritersChat
There are no more boxes left for me to use as a shield.
Dust and clatter I expect.
But there are no dolls in the box.
Just bones.
#HorrorWritersChat
Even if you’re not picking up from me, consider folks posting local bookstores, indie authors and presses (like me), and their links on Bookshop. You help local business and the fight against fascism!
#StandWithMN #HorrorWritersChat
Even if you’re not picking up from me, consider folks posting local bookstores, indie authors and presses (like me), and their links on Bookshop. You help local business and the fight against fascism!
#StandWithMN #HorrorWritersChat
If yous can forgive me, here's my link. 😔 I got vampires, werewolves, and, most recently, a ghost story. Lotsa lesbians in these, too. Thanks for a good time! 🖤
If yous can forgive me, here's my link. 😔 I got vampires, werewolves, and, most recently, a ghost story. Lotsa lesbians in these, too. Thanks for a good time! 🖤
It has been a year to the day. I haven't gone into the back yard. I haven't racked the leaves, mowed the lawn, watered the garden or filled the bird feeders.
The imprints of your little paws are still calcified and enmeshed in the mud.
It has been a year to the day. I haven't gone into the back yard. I haven't racked the leaves, mowed the lawn, watered the garden or filled the bird feeders.
The imprints of your little paws are still calcified and enmeshed in the mud.
Family conflict lies at the heart of most of my work, horror or otherwise. That and a reckoning with sins of the past. I think I’m trying to understand why families act the way they do and the consequences of that.
This question is not about the comfortable places that we go with horror. But the uncomfortable ones. The ones that turn us inside out even as we write them. The ones that make us wonder who we are, at the end. #HorrorWritersChat
Family conflict lies at the heart of most of my work, horror or otherwise. That and a reckoning with sins of the past. I think I’m trying to understand why families act the way they do and the consequences of that.
He could hear it halfway down the stairwell: running water striking—a lot.
He already knew what he was going to see, but it wasn’t quite how he expected it. Water was leaking from the ceiling of the garage, directly over Wise’s drum kit. (1/2)
He could hear it halfway down the stairwell: running water striking—a lot.
He already knew what he was going to see, but it wasn’t quite how he expected it. Water was leaking from the ceiling of the garage, directly over Wise’s drum kit. (1/2)