Julia Groblewski-Meiser
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juwels.bsky.social
Julia Groblewski-Meiser
@juwels.bsky.social
Doktorandin at JGU // Arthistorian, Architecture and Society, Perception in Art and Music, parametric architecture, philosophy of laws and rights.
Reposted by Julia Groblewski-Meiser
Zur Messenger-Überwachung heute Zerbes in der #ZIB2 Ich muss da widersprechen: Die Regelungen sind mit hoher Wahrscheinlichkeit NICHT zur Gänze verfassungskonfrom. Und sie sind auch deswegen nicht präzise, weil die anzuwendende Technologie gar NICHT im Gesetz bestimmt ist!
November 2, 2025 at 9:05 PM
Reposted by Julia Groblewski-Meiser
@sebastianbo.bsky.social Katelijne Schiltz edited an exciting book about the musicologist Alfred Einstein and his study "The Italian Madrigal". #musicology

doi.org/10.25371/tro...
November 1, 2025 at 12:08 PM
Reposted by Julia Groblewski-Meiser
If you cannot see the beauty in solidarity, maybe an art school is the wrong place for you
November 1, 2025 at 3:41 PM
Reposted by Julia Groblewski-Meiser
Ist Euch eigentlich schon die riesige Schwemme an (hauptsächlich) KI-generiertem Rechtsrock bei Spotify, Youtube & Co. aufgefallen?

Ich sehe darin ein gewaltiges Problem. Diese Lieder sind nicht mit dem stumpfen Nazirock der 90'er zu vergleichen, der normale Verbraucher eher abschreckte. 1/
July 29, 2025 at 3:14 PM
Reposted by Julia Groblewski-Meiser
Counterfactual pseudo-history is the default mode of AI slop. The latent spaces of #genAI are free of chronology, causality, or historical time. All visual patterns exist here simultaneously as equally accessible & exploitable resources, organized by similarity & ready to be endlessly recombined
4/
July 26, 2025 at 12:40 PM
Reposted by Julia Groblewski-Meiser
Very sad news. A huge legacy, especially his Survey of London work (for me anyways).
Very sad to hear about the death of Andrew Saint, pictured here giving huge architectural history energy with Gavin Stamp at the NT. His books all written with tremendous style across a terrific range of topics. Towards a Social Architecture, his superb history of post-war schools my favourite.
July 17, 2025 at 4:57 PM
Reposted by Julia Groblewski-Meiser
We snap photos of everything. But does more documentation mean better memories? 📸📲🤳

Not necessarily. Too many photos can drown out what really matters. Remembering is all about selection.

Talked about this with Süddeutsche Zeitung (in German): www.sueddeutsche.de/projekte/art...
Erinnerungen: Fotografieren wir zu viel?
Dank des Smartphones können wir jeden Moment festhalten. Warum das nicht unbedingt bedeutet, dass wir uns besser erinnern.
www.sueddeutsche.de
July 16, 2025 at 3:21 PM
Reposted by Julia Groblewski-Meiser
Attractive job offer at the University of Zurich:

Lecturer Teaching position in Digital Methods for the Study of Visual Cultural Data, 100%, permanent position

Please share widely!

#DigitalHumanitie #JobAlert

jobs.uzh.ch/job-vacancie...
UZH: Lecturer Teaching
The Art History Department (Program Directorate) in collaboration of the departments of Film Studies, Archaeology, Media and Communication, and Educational Sciences of the University of Zurich is seek...
jobs.uzh.ch
July 11, 2025 at 1:47 PM
Reposted by Julia Groblewski-Meiser
Take a look at the new #BookReview of "Urban regeneration in Europe edited by Uwe Altrock & Detlef Kurth". Reviewed by Sandrine Simmon.
doi.org/10.1080/1753...
May 13, 2025 at 1:45 PM
Reposted by Julia Groblewski-Meiser
Goethe’s Weltliteratur champions a world without borders, where cultures learn from each other, while Wagner’s Gesamtkunstwerk sought to forge a “pure” national identity through art.

Goethe’s Weltliteratur vs. Wagner’s Gesamtkunstwerk
www.ardatunca.net/en/post/goet...
Goethe’s Weltliteratur vs. Wagner’s Gesamtkunstwerk
If we compare Wagner’s Gesamtkunstwerk (Total Artwork) to Goethe’s Weltliteratur (World Literature), we find two artistic visions that seek unity—but in fundamentally different ways, reflecting their ...
www.ardatunca.net
March 22, 2025 at 6:07 AM
Reposted by Julia Groblewski-Meiser
SAS Hotel in Copenhagen, Denmark (1960), designed by Arne Jacobsen - ‘Gesamtkunstwerk’ from the early days of transcontinental flights; interior is only partly in original condition but room 606 has been restored to its original design arnejacobsen.com/works/sas-ro...
January 28, 2025 at 8:00 PM
Reposted by Julia Groblewski-Meiser
Die Rede von der «Eigenverantwortung» – oder wieso der #Liberalismus ganz ohne grossen Bruch in den Faschismus kippen kann.

Ein Essay von @alexstruwe.bsky.social

www.woz.ch/2523/essa...
Essay: Die falsche Gleichheit
Alle bekommen, was sie verdienen? Das Prinzip der Eigenverantwortung stützt seit jeher die Ungleichheit. So können im Namen des Liberalismus auch Zwang und Gewalt beliebig aufgedreht werden – bis zum Faschismus.
www.woz.ch
June 8, 2025 at 1:12 PM
Reposted by Julia Groblewski-Meiser
«Today, as we struggle with fascism's afterlives and repetitions, it helps to remember that it came to power ... not as a form of ‹totalitarianism› fusing the political and the economic, but as a particularly violent strain of state-led anti-statism.» Alberto Toscano, Late Fascism, 2023
June 1, 2025 at 2:48 PM
Reposted by Julia Groblewski-Meiser
«Es ist allerhöchste Zeit, wirklich anzuerkennen, dass Faschismus kein Kampfbegriff ist, sondern eine Analyse jetziger Zustände und dass der digitale Raum ein Werkzeug geworden ist, durch das ... faschistische Ideologien ... verbreitet werden ...» Jochen Dreier über die #r25
@re-publica.com
June 1, 2025 at 2:56 PM
Reposted by Julia Groblewski-Meiser
June 1, 2025 at 2:01 PM
Reposted by Julia Groblewski-Meiser
«We're going to invest more and more in AI, right up to the point that model collapse hits hard and AI answers are so bad even a brain-dead CEO can't ignore it. How long will it take? I think it's already happening, but so far, I seem to be the only one calling it.»
AI model collapse is not what we paid for
Opinion: Prediction: General-purpose AI could start getting worse
www.theregister.com
June 1, 2025 at 4:59 PM
Reposted by Julia Groblewski-Meiser
... there are more than enough reproductions. But when I saw Bellini's and Carpaccio's paintings in the very places for which they were created 500 years ago, I couldn't help but be saddened by how shallow and meaningless the idea of statistically synthesizing digital images seems in comparison
2/
May 10, 2025 at 3:04 PM
Reposted by Julia Groblewski-Meiser
The first Observer overseen by Tortoise Media - and what a picture they got to kick it off.
April 26, 2025 at 8:11 PM
Reposted by Julia Groblewski-Meiser
Unser Call for Papers für den 38. Deutschen Kongress für #kunstgeschichte ist da! Vorschläge für Beiträge zu neun Sektionen können ab sofort bis 8. Juni 2025 eingereicht werden! #kunstgeschichte2026 #wissen2026
@zikg.eu @lmumuenchen.bsky.social
⬇️
kunstgeschichte-kong...
April 23, 2025 at 9:46 AM
Reposted by Julia Groblewski-Meiser
🙄
April 24, 2025 at 5:10 PM
Reposted by Julia Groblewski-Meiser
CFP: Multisensory Design and its Management Implications at Sites of Heritage

https://arthist.net/archive/47327

Multisensory Design and its Management Implications at Sites of Heritage
Alexandra Skedzuhn-Safir. Eingabeschluss : 30.05.2025
arthist.net
April 24, 2025 at 6:58 PM
Reposted by Julia Groblewski-Meiser
CFP: 12th JBSC Conference, Networks of (Ex)Change (Delft/Rotterdam, 26-27 Nov 25)

https://arthist.net/archive/47320

12th JBSC Conference, Networks of (Ex)Change (Delft/Rotterdam, 26-27 Nov 25)
Stef Dingen. Delft and Rotterdam, the Netherlands, 26.–27.11.2025, Eingabeschluss : 22.05.2024
arthist.net
April 24, 2025 at 6:58 PM
Reposted by Julia Groblewski-Meiser
"They wanted their enemies to feel vis-à-vis very real threats the way they had felt about imaginary ones."

Sehr lesenswert. Wenn Metaphorik buchstäblich (und potenziell tödlich) wird.
I wrote about moral panics as permission structure: what it means to have to live other people's (imaginary) fears for real.
open.substack.com/pub/adrianda...
Welcome to the Desert of the Imaginary
On Moral Panic as Permission Structure
open.substack.com
April 24, 2025 at 4:54 PM
Reposted by Julia Groblewski-Meiser
It’s 2025, AI is literally firing people and combing through your most sensitive personal data in federal stores, it’s making decisions about your medical care and your immigration status, and we still think the most expedient vector of critique is the news that they are statistical models.
April 24, 2025 at 6:33 PM