Wesley Osam
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mwosam.bsky.social
Wesley Osam
@mwosam.bsky.social
Wanting to write more for the blog but my attention span right now is so short I'm barely getting through a sentence without getting distracted.

Not great for reading, either; I'm switching between a dozen books at any given time.
November 16, 2025 at 5:14 PM
William Hope Hodgson was an amazing inventor of monsters. One of my favorites came from the Carnacki story "The Whistling Room," about... well, what it sounds like.

Other favorites include the revenant from Percival Landon's "Thurnley Abbey," and L. P. Hartley's Traveling Grave.
What's your favourite monster/creature from literature? I'm thinking Tuunbaq from Dan Simmon's The Terror, the triffids from Wyndham's Day of the Triffids, the demon from M.R. James' Casting The Runes, Grendel, Pennywise, etc.
November 16, 2025 at 1:55 AM
A thing the Simpsons writers eventually figured out was that the kind of stories they were telling didn't have to resolve everything at the end of an episode: Homer can quit his job for the thousandth time and everyone will go along with him being back at the nuclear plant the following week.
November 11, 2025 at 1:37 PM
Reposted by Wesley Osam
One of the seminal moments of my media literacy education was tuning in to the S2 premiere of Sledge Hammer to see how they handled Sledge causing a nuclear apocalypse at the end of S1.

They scrolled "THE EARLY YEARS" under the title for a few seconds, then chugged along as if nothing happened.
November 11, 2025 at 1:13 PM
Reposted by Wesley Osam
What you need to do is have them not be the protagonist at all, but the person who *helps* the protagonist. Sherlock Holmes is never the one to whom the interesting thing happens, he's the one who investigates interesting things happening to others.
November 11, 2025 at 1:27 PM
Reposted by Wesley Osam
The real problem for Bond is also the problem for Batman, Doctor Who, and dozens of similar characters -- the idea that a melodrama hero must also be a dramatic protagonist. The two roles are fundamentally irreconcilable. I blame George Lucas and Joseph Campbell.
November 11, 2025 at 1:18 PM
Reposted by Wesley Osam
Don Draper is a fantasy of being a 21st century man going back to the 1950s and thinking thoughts like "oh but of course a woman is as good at creativity as a man". It's a fantasy of superiority every bit as seductive as fantasies of 'inferior peoples' who 'need to be governed' by colonisers.
November 3, 2025 at 12:03 PM
Reposted by Wesley Osam
and this feels something big that's happened to us as a culture. a total moral superiority to the past (my instinct is that this is technocratic in origin, but interested to hear other explanations) to the point that we really cannot believe it was like that.
November 3, 2025 at 12:02 PM
A really great thread on contemporary attitudes to the past, in and out of SF; reminds me of some of what John Rieder wrote about in Colonialism and the Emergence of Science Fiction.
I know nothing, nothing about clothing. My only thought right now about all this is: the specific thing they're going for I THINK is "would have been an exciting maverick in 1955". Everyone always wants to have been a 'man out of time'. That is exactly who Don Draper is. It's a sci-fi fantasy.
November 3, 2025 at 1:35 PM
Reposted by Wesley Osam
Tolkien was not, in fact, very interested in realism at all. He was interested in religion, and myth, and language. The mistake people keep making is conflating realism for detail: they're not the same thing, and detail need not be the enemy of imagination.
November 1, 2025 at 10:56 AM
Reposted by Wesley Osam
TWENTY DAYS OF TURIN is a magical book. Post-fascist Italian weird horror novel that seems to predict the internet, our deep need to pour ourselves into it, the isolation and web of espionage it creates, the way it is exploited by power.

Adored it
October 31, 2025 at 12:59 AM
Reposted by Wesley Osam
it's not that you can't give a classic a bad review but there's a certain smugness about the way some people do it that I find intolerable. oh you didn't like the great gatsby? should we throw a party? should we invite ernest hemingway
October 30, 2025 at 3:07 PM
An unconscious assumption behind a lot of online discourse is that we’re political spectators, not citizens with collective agency/responsibility; like The Democrats are a sports team and our role is merely to yell at the TV when they play badly.
A lot of discourse lately about how Democrats fail at messaging. They do often struggle, though a lot of the problem is a hostile media. But it isn’t entirely on elected Dems—we need to admit this is an area where we, ordinary citizens, collectively have a role to play.
October 28, 2025 at 11:00 PM
A lot of discourse lately about how Democrats fail at messaging. They do often struggle, though a lot of the problem is a hostile media. But it isn’t entirely on elected Dems—we need to admit this is an area where we, ordinary citizens, collectively have a role to play.
October 28, 2025 at 10:59 PM
Reposted by Wesley Osam
and because i can imagine the bad faith reading of this, what i am *not* saying is that everything about the extant democratic party is hunky dory other than its total absence of a communications/propaganda infrastructure. what i *am* saying is that this absence puts a hard limit on reaching voters
the democratic party’s basic problem is it has almost no control over how its message reaches the ears of voters, especially outside of presidential election years. but rather than devote serious time, attention and cash to that problem its consultants and pundits want to fight factional battles
October 27, 2025 at 6:45 PM
Reposted by Wesley Osam
October 27, 2025 at 4:26 PM
At the #comics site: The Man Who Loved His Job

www.superdoomedplanet.com/comic/?p=1644
The Man Who Loved His Job
Visit the post for more.
www.superdoomedplanet.com
October 19, 2025 at 3:24 PM
Reposted by Wesley Osam
more genre fiction should embrace the fact that History is Unknowable even for very well recorded periods of time
October 19, 2025 at 2:00 PM
Reposted by Wesley Osam
tremendously admire his work and the way he talks abt an exploratory creative process BUT it is very sad to me how little that sort of thinking & working is possible. like u need to have an enormously successful career in a medium that isn't yet perfectly industrialized in order to get to this point
"How Hayao Miyazaki Creates" (from Hayao Miyazaki and the Heron documentary)
www.youtube.com/watch?v=x01T...
October 19, 2025 at 2:02 PM
Reposted by Wesley Osam
sometimes i think we lost something with the disappearance of not just cheap but cheap *looking* mass market paperback versions of "prestige" books
October 13, 2025 at 6:48 PM
Reposted by Wesley Osam
if you approach even pretty difficult or experimental writers with the presumption that they’re simply trying to while away and afternoon or figure something out, same as every other writer on earth, you may or may not finish the book, but there probably won’t be bad feelings either way
October 13, 2025 at 6:46 PM
Keep Off
Visit the post for more.
www.superdoomedplanet.com
October 12, 2025 at 4:16 PM
Reposted by Wesley Osam
I think movies have done a lot to convince people that art or writing or any creative endeavor is when you come up with an "idea" because your dumb friend said a phrase, and all the rest of making it is busy work, a montage, and wouldn't you like to skip the montage? well good news, AI can do it
October 10, 2025 at 3:00 PM