So let us be perfectly clear: we're going to do whatever we can to try and stop them.
So let us be perfectly clear: we're going to do whatever we can to try and stop them.
Silk wedding dress, 1824.
Note the elaboarte 'hem sculpture', popular ain the early 1820s. The trim is a 3D leaf pattern incorporating chiffon which is repeated on the bodice and sleeves
.
© & collection the Met Museum
#FashionHistory
Silk wedding dress, 1824.
Note the elaboarte 'hem sculpture', popular ain the early 1820s. The trim is a 3D leaf pattern incorporating chiffon which is repeated on the bodice and sleeves
.
© & collection the Met Museum
#FashionHistory
“I am whole.
I am learning.
I am letting go.
I am free.
I am talented and courageous.
I am protecting my joy.
I am brave.
I am healing.
I am loving myself. Unapologetically.”
(Alex Elle)
from Becca Anderson’s Prayers for Calm.
“I am whole.
I am learning.
I am letting go.
I am free.
I am talented and courageous.
I am protecting my joy.
I am brave.
I am healing.
I am loving myself. Unapologetically.”
(Alex Elle)
from Becca Anderson’s Prayers for Calm.
Possibly painted by Angelica Kauffman.
Fan Brise, c.1790-1820.
Ivory, pierced , gilt& painted, with medallions containing a group of figures & women. The painting is in the style of Angelica Kauffman
collection the V&A Museum
#FashionHistory
Possibly painted by Angelica Kauffman.
Fan Brise, c.1790-1820.
Ivory, pierced , gilt& painted, with medallions containing a group of figures & women. The painting is in the style of Angelica Kauffman
collection the V&A Museum
#FashionHistory
Here are two of them. Ann’s is the final. Steve Brodner, @danboriscreates.bsky.social
@anntelnaes.bsky.social
Here are two of them. Ann’s is the final. Steve Brodner, @danboriscreates.bsky.social
@anntelnaes.bsky.social
anntelnaes.substack.com/p/why-im-qui...
anntelnaes.substack.com/p/why-im-qui...
whatson.bfi.org.uk/Online/defau...
BNF Latin 2630, f1r
BNF Latin 2630, f1r
#JaneAusten #Letters
#JaneAusten #Letters