You may know me as @plummie9 on the bird.
Made with French fabrics.
Achingly pretty Robe à la Française, c.1775.
Silk plain weave (taffeta) with silk supplementary warp and weft patterning, silk chenille and linen lace forming little bells.
© LA County Museum of Art
Silk, 1743-53- Spitalfields, London.
Delightful silk brocade dress, c.1750.
Newfields, Indianapolis Museum of Art
#FashionHistory #Love
Silk, 1743-53- Spitalfields, London.
Delightful silk brocade dress, c.1750.
Newfields, Indianapolis Museum of Art
#FashionHistory #Love
Pamelard.
Silk taffetta dress, 1880-90.
Worn by Clara Birch.
I love the smocking!
the Oslo Musuem
#Fashionhistory 🪡 🗃️
Pamelard.
Silk taffetta dress, 1880-90.
Worn by Clara Birch.
I love the smocking!
the Oslo Musuem
#Fashionhistory 🪡 🗃️
Afternoon dress, 1855-58.
Striped silk taffeta with woven design. Lace trim
the Met Museum
#Fashionhistory 🪡 🗃️
Afternoon dress, 1855-58.
Striped silk taffeta with woven design. Lace trim
the Met Museum
#Fashionhistory 🪡 🗃️
Attrib. to Charles Frederick Worth (1825-1895) &/or
Jean-Phillipe Worth (1856-1926),
House of Worth.
Dinner dress, 1895.
silk damask, chiffon, beads, moiré silk.
The Met Museum
#Fashionhistory 🪡 🗃️
Attrib. to Charles Frederick Worth (1825-1895) &/or
Jean-Phillipe Worth (1856-1926),
House of Worth.
Dinner dress, 1895.
silk damask, chiffon, beads, moiré silk.
The Met Museum
#Fashionhistory 🪡 🗃️
Ernest Raudnitz,
23 Rue Louis-le-Grand.
Dress, 1894-95.
Silk, silk satin, cotton lace, rhinestones, chiffon & cotton.
© the Met Museum
#FashionHistory 🪡 🗃️
Ernest Raudnitz,
23 Rue Louis-le-Grand.
Dress, 1894-95.
Silk, silk satin, cotton lace, rhinestones, chiffon & cotton.
© the Met Museum
#FashionHistory 🪡 🗃️
Charles Frederick Worth (1825–1895 )
House of Worth.
Dress, c.1885.
Silk taffeta, silk velvet, applique passementerie, lace trim, tassles
© the Met Museum
#FashionHistory 🪡 🗃️
Charles Frederick Worth (1825–1895 )
House of Worth.
Dress, c.1885.
Silk taffeta, silk velvet, applique passementerie, lace trim, tassles
© the Met Museum
#FashionHistory 🪡 🗃️
Wedding Dress, 1812.
"Pink silk crepe. Decorated with écru silk tulle and pink silk roses."
© the Rijksmuseum
#FashionHistory 🪡 🗃️
Wedding Dress, 1812.
"Pink silk crepe. Decorated with écru silk tulle and pink silk roses."
© the Rijksmuseum
#FashionHistory 🪡 🗃️
Evening gown, 1930s.
Silk velvet, beads, and rhinestones.
© the Museum at FIT
#FashionHistory 🪡 🗃️
Evening gown, 1930s.
Silk velvet, beads, and rhinestones.
© the Museum at FIT
#FashionHistory 🪡 🗃️
Evening Dress, c. 1900-14.
"Melon-hued satin mousseline de soie with short train. Japanese style, with shoulders draped "in V" &leaded, on orange chiffon yoke. Kimono/Obi style belt."
Collection & © Musées de la Haute-Saône, Champlitte.
#FashionHistory 🪡 🗃️
Evening Dress, c. 1900-14.
"Melon-hued satin mousseline de soie with short train. Japanese style, with shoulders draped "in V" &leaded, on orange chiffon yoke. Kimono/Obi style belt."
Collection & © Musées de la Haute-Saône, Champlitte.
#FashionHistory 🪡 🗃️
Elegant Silk Dress, c.1880.
Moiré silk, silk velvet, fringing & tassles.
© the Met Museum
#Fashionhistory 🪡 🗃️
Elegant Silk Dress, c.1880.
Moiré silk, silk velvet, fringing & tassles.
© the Met Museum
#Fashionhistory 🪡 🗃️
Boué Soeurs (1899-1957)
9 Rue de la Paix.
Gorgeous Evening Dress, c.1919. ❤️🔥
Silver lamé twill, net, chiffon, metal thread, silk, silk &metal appliqué & glass seed pearls.
Founded by sisters Sylvie Montegut &Jeanne d'Etreillis, née Boué.
© the Museum at FIT
#Fashionhistory🪡 🗃️
Boué Soeurs (1899-1957)
9 Rue de la Paix.
Gorgeous Evening Dress, c.1919. ❤️🔥
Silver lamé twill, net, chiffon, metal thread, silk, silk &metal appliqué & glass seed pearls.
Founded by sisters Sylvie Montegut &Jeanne d'Etreillis, née Boué.
© the Museum at FIT
#Fashionhistory🪡 🗃️
Robert.
Pretty in Pink Evening Gown, 1912-14.
Pink silk velvet, gold metallic lace, gold silk crepe chiffon, rhinestones, and silk.
© the Museum at FIT
#FashionHistory 🪡 🗃️
Robert.
Pretty in Pink Evening Gown, 1912-14.
Pink silk velvet, gold metallic lace, gold silk crepe chiffon, rhinestones, and silk.
© the Museum at FIT
#FashionHistory 🪡 🗃️
Stern Brothers.
Dress, c.1910.
Off white cotton, lace, green silk charmeuse, green silk, off white silk crepe chiffon, &silk net.
England.
Parasol, c. 1910.
Taffeta and agate.
Chapeau, unknown.
© the Museum at FIT
#Fashionhistory
Stern Brothers.
Dress, c.1910.
Off white cotton, lace, green silk charmeuse, green silk, off white silk crepe chiffon, &silk net.
England.
Parasol, c. 1910.
Taffeta and agate.
Chapeau, unknown.
© the Museum at FIT
#Fashionhistory
Paquin (1891 - 1956)
Diaphanous Slip, c.1930 ❤️🔥
Silk chiffon and Alençon lace.
© the Museum at FIT
#FashionHistory #Lingerie 🪡 🗃️
Paquin (1891 - 1956)
Diaphanous Slip, c.1930 ❤️🔥
Silk chiffon and Alençon lace.
© the Museum at FIT
#FashionHistory #Lingerie 🪡 🗃️
Stunning Ball Gown, c.1842.
I love the raspberry pink colour of the silk brocade.
"The textile was probably originally a 1740s dress which was taken apart & reconfigured into this fashionable dress in the early 1840s."
© the Met Museum
#Fashionhistory 🪡 🗃️
Stunning Ball Gown, c.1842.
I love the raspberry pink colour of the silk brocade.
"The textile was probably originally a 1740s dress which was taken apart & reconfigured into this fashionable dress in the early 1840s."
© the Met Museum
#Fashionhistory 🪡 🗃️
Lovely Afternoon Dress, 1890s.
I think it's a seersucker cotton with stripes of silk ribbon & lace. It has silk satin collar on the day bodice with chiffon or georgette. Very nice indeed!
© the Met Museum
#FashionHistory 🪡 🗃️
Lovely Afternoon Dress, 1890s.
I think it's a seersucker cotton with stripes of silk ribbon & lace. It has silk satin collar on the day bodice with chiffon or georgette. Very nice indeed!
© the Met Museum
#FashionHistory 🪡 🗃️