Michael Cox
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mcoxinscotland.bsky.social
Michael Cox
@mcoxinscotland.bsky.social

An academic, dramaturg, critic and editor who dabbles in creating. A cultural nerd and news junky. A Southern Californian expat at home in Scotland.

Michael E. Cox is a British academic and international relations scholar. He is currently Emeritus Professor of International Relations at the London School of Economics (LSE) and Director of LSE IDEAS. He also teaches for the TRIUM Global Executive MBA Program, an alliance of NYU Stern and the London School of Economics and HEC School of Management. .. more

Biology 83%
Medicine 13%

So I can read it later.
“Their understanding of use as essentially positive underwrote the casual ways they consented to being used, particularly intellectually, by one another.” On the intellectual, political, and artistic collaboration between Bertolt Brecht and Walter Benjamin.
How Bertolt Brecht and Walter Benjamin Pioneered a New Way of Creating
“I think in the heads of others,” Bertolt Brecht declared, capturing how he and the Mitarbeiter (an intimate group of collaborators) borrowed and lent their intellects and competencies to one anoth…
buff.ly

Reposted by Michael Cox

“Their understanding of use as essentially positive underwrote the casual ways they consented to being used, particularly intellectually, by one another.” On the intellectual, political, and artistic collaboration between Bertolt Brecht and Walter Benjamin.
How Bertolt Brecht and Walter Benjamin Pioneered a New Way of Creating
“I think in the heads of others,” Bertolt Brecht declared, capturing how he and the Mitarbeiter (an intimate group of collaborators) borrowed and lent their intellects and competencies to one anoth…
buff.ly

A very interesting read—and not just for writers.
“I didn’t have rich parents, a childhood bedroom to return to or an infatuated billionaire intent on marrying me. Either writing had to make me money or I couldn’t do it. “

I wrote about making a living from writing in the new economy.

substack.com/home/post/p-...
Please sir can I have some more
On making a living as a writer
substack.com

Reposted by Michael Cox

“I didn’t have rich parents, a childhood bedroom to return to or an infatuated billionaire intent on marrying me. Either writing had to make me money or I couldn’t do it. “

I wrote about making a living from writing in the new economy.

substack.com/home/post/p-...
Please sir can I have some more
On making a living as a writer
substack.com

If there’s a poll, I’d vote to keep it. Good fun.

Funny!

Cruel but fair.

Oh wow! Haven’t thought of that in a while. The first video box that freaked me out. Rather harmless when you look back—and when you consider some of the fronts of 80s horror films.

There it is.

No notes.

I know we’re supposed to nitpick and flag up every flaw, but I had a great time with Stranger Things. Just wanted more ties with the play, but that’s the theatre critic in me.

Roughly ten minutes ago, I wrote the final word of draft one: all 198,331 words. Yes, I will be working on a second draft to get that number down. And what will happen: nothing or fame and fortune? I'll take anything in between. But I am proud to say--I've bloody gone and written a novel! 😀❤

Confession. For over half my life, I've had a novel in my head that I've threatened to write but never made good on. It's been there longer than I've known Christina (by two years!). I made a promise recently that, come hell or high water, I was going to write the sucker.
"Academics literally cannot make genAI go away" we also can't make underage drinking go away and we're not advocating for installing bar carts in every classroom.

There it is.
It’s the year 2025 and Americans have to watch a bootlegged international version of a news program because it was censored here in our country to protect a criminal president.

Reposted by Michael Cox

It’s the year 2025 and Americans have to watch a bootlegged international version of a news program because it was censored here in our country to protect a criminal president.

Might be why the BBC are broadcasting it this afternoon.

Reposted by Michael Cox

On my Substack, I've written about the #LostFootage that recently made its way to the Internet. Please watch and learn from those who were there at the May 4, 1970 #KentState massacre. bit.ly/4iVgTsA.
Lost Footage: Kent State's Darkest Days
Witnesses React to the May 4, 1970 Kent State Massacre
bit.ly

This is utter madness. And it’s those on the right who claim they’re being censored. The more I think about this, the more frightening it is.
Very sad that I felt I had no choice but to resign from The Infinite Monkey Cage - a victory for the transphobes and other bigots - I did it because so much of the media has chosen to believe the kind and empathetic people are a fiction - they are real and so often unrepresented.
Very sad that I felt I had no choice but to resign from The Infinite Monkey Cage - a victory for the transphobes and other bigots - I did it because so much of the media has chosen to believe the kind and empathetic people are a fiction - they are real and so often unrepresented.

Some joker played that trailer before The Muppet Movie. I can still hear the screams.

Amen, brother. Amen.

It is scary how badly my students just want to get a high grade and not necessarily learn anything. And I’m flying the bloody white flag—I need to surrender and get trained up on this damned thing.

With all the corruption we’ve seen over the years, football fans: explain to me like I’m a small child—why is all this junk with FIFA okay and not worthy of the boycotts called on other things?

Actually managed to watch all of Stranger Things without any spoilers. Luck, behaved viewers or did the algorithm favour me? No idea, but I enjoyed it.

Sharing this to watch it all later—but some interesting ideas so far.
This is a really remarkable video essay on contemporary film and the theories of Laura Marks. It's making me think about movies in a new way.
Why Movies Just Don't Feel "Real" Anymore
YouTube video by Like Stories of Old
www.youtube.com
This is a really remarkable video essay on contemporary film and the theories of Laura Marks. It's making me think about movies in a new way.
Why Movies Just Don't Feel "Real" Anymore
YouTube video by Like Stories of Old
www.youtube.com

As an American living in the UK, the difference between what broke through here vs the US is crazy. Huge hits here which were nothing; massive anthems in America that are unheard of here. The two I always mention are Status Quo and Madness.

How lovely. Welcome news.

Come on! That’s actually masterclass trolling! 🤣