header from Gaman (1978)
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And now almost two years later, here’s my first published short story, Food of the Gods, at Usawa Literary Review.
(trigger warnings in next post)
t.co/DsFpAXPuAc
a fight for the soul of a policeman across a single day in a busy precinct. fun (and award-winning) ensemble around Kirk Douglas, though its stage origins are evident. wish all “Oscar bait” were this good
a fight for the soul of a policeman across a single day in a busy precinct. fun (and award-winning) ensemble around Kirk Douglas, though its stage origins are evident. wish all “Oscar bait” were this good
classic man comes into town and causes havoc tale. post-war noir that takes a surgical knife to the facade of valour and glory that built reputations post WWII
classic man comes into town and causes havoc tale. post-war noir that takes a surgical knife to the facade of valour and glory that built reputations post WWII
found its moralising slightly annoying, esp for a noir movie, generally more textured even if the Hays Code keeps things tight. Mature and Conti play a good cat-and-dog game. reminded me of Scorsese crime movies for obvious reasons #noirvember
found its moralising slightly annoying, esp for a noir movie, generally more textured even if the Hays Code keeps things tight. Mature and Conti play a good cat-and-dog game. reminded me of Scorsese crime movies for obvious reasons #noirvember
we finally get a Black person as the lead in a classic noir when the era of classic noir has almost ended. Harry Belafonte's coolness really is the perfect foil to Robert Ryan's edginess
we finally get a Black person as the lead in a classic noir when the era of classic noir has almost ended. Harry Belafonte's coolness really is the perfect foil to Robert Ryan's edginess
1) "We made the impossible possible"
youtu.be/YYRWKBIc88w?...
1) "We made the impossible possible"
youtu.be/YYRWKBIc88w?...
I'd liked this on a first watch but Bogart's character was so hateful that it kept me at a distance. this time around, I'm fully turned. between this and Sunset Boulevard, screenwriters in 1950 were really going through it huh
I'd liked this on a first watch but Bogart's character was so hateful that it kept me at a distance. this time around, I'm fully turned. between this and Sunset Boulevard, screenwriters in 1950 were really going through it huh
The Naked City (Jules Dassin; 1948)
The Naked City (Jules Dassin; 1948)
But all employers care about is control
www.nber.org/papers/w30569
via Mike Konczal
But all employers care about is control