header from Gaman (1978)
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a fight for the soul of a policeman across a single day in a busy precinct. fun (and award-winning) ensemble around Kirk Douglas, though its stage origins are evident. wish all “Oscar bait” were this good
a fight for the soul of a policeman across a single day in a busy precinct. fun (and award-winning) ensemble around Kirk Douglas, though its stage origins are evident. wish all “Oscar bait” were this good
classic man comes into town and causes havoc tale. post-war noir that takes a surgical knife to the facade of valour and glory that built reputations post WWII
classic man comes into town and causes havoc tale. post-war noir that takes a surgical knife to the facade of valour and glory that built reputations post WWII
found its moralising slightly annoying, esp for a noir movie, generally more textured even if the Hays Code keeps things tight. Mature and Conti play a good cat-and-dog game. reminded me of Scorsese crime movies for obvious reasons #noirvember
found its moralising slightly annoying, esp for a noir movie, generally more textured even if the Hays Code keeps things tight. Mature and Conti play a good cat-and-dog game. reminded me of Scorsese crime movies for obvious reasons #noirvember
we finally get a Black person as the lead in a classic noir when the era of classic noir has almost ended. Harry Belafonte's coolness really is the perfect foil to Robert Ryan's edginess
we finally get a Black person as the lead in a classic noir when the era of classic noir has almost ended. Harry Belafonte's coolness really is the perfect foil to Robert Ryan's edginess
I'd liked this on a first watch but Bogart's character was so hateful that it kept me at a distance. this time around, I'm fully turned. between this and Sunset Boulevard, screenwriters in 1950 were really going through it huh
I'd liked this on a first watch but Bogart's character was so hateful that it kept me at a distance. this time around, I'm fully turned. between this and Sunset Boulevard, screenwriters in 1950 were really going through it huh
The Naked City (Jules Dassin; 1948)
The Naked City (Jules Dassin; 1948)
just not much to this film; should've been an email, or should've been Bigelow telling us to rewatch Lumet's Fail Safe. if this is a new-century upgrade to Fail Safe we're just better off with that instead. also, cowardly to end it how it does
just not much to this film; should've been an email, or should've been Bigelow telling us to rewatch Lumet's Fail Safe. if this is a new-century upgrade to Fail Safe we're just better off with that instead. also, cowardly to end it how it does