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“.. We honestly thought it was a novelty record,” said Hoffs. “When it became this massive hit, it was .. complicated, because suddenly that song defined us for a lot of people. .. I can appreciate it now in a way that was harder to do at the time.”
“.. We honestly thought it was a novelty record,” said Hoffs. “When it became this massive hit, it was .. complicated, because suddenly that song defined us for a lot of people. .. I can appreciate it now in a way that was harder to do at the time.”
“.. It was very much about having faith in yourself,” he said. “It wasn’t a religious song at all — it was about believing in yourself when everything around you is changing and people are questioning what you’re doing.”
#RIP
“.. It was very much about having faith in yourself,” he said. “It wasn’t a religious song at all — it was about believing in yourself when everything around you is changing and people are questioning what you’re doing.”
#RIP
“I play what I live,” he said. “My music is a reflection of the life I’ve lived so far, and of the people I’ve been blessed to be around. Everything that happens to you, everything you see, it all goes into the music somehow.”
“Impressions” #RIP 🙏🏼
“I play what I live,” he said. “My music is a reflection of the life I’ve lived so far, and of the people I’ve been blessed to be around. Everything that happens to you, everything you see, it all goes into the music somehow.”
“Impressions” #RIP 🙏🏼
Officers' suit sought court order to hang the legally-required Jan 6 honorary plaque for police
Justice Dept argues the plaque is faulty!
(MORE)
Officers' suit sought court order to hang the legally-required Jan 6 honorary plaque for police
Justice Dept argues the plaque is faulty!
(MORE)
Classic T-Bone. 🔥
@michaelsantoli.bsky.social
Classic T-Bone. 🔥
@michaelsantoli.bsky.social
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“I wasn’t writing about a literal man,” said lyricist Bernie Taupin. It’s a portrait of someone “born into something he didn’t choose — carrying the weight of it, trying very hard to preserve dignity in the middle of a world that’s already moving beyond him”
“I wasn’t writing about a literal man,” said lyricist Bernie Taupin. It’s a portrait of someone “born into something he didn’t choose — carrying the weight of it, trying very hard to preserve dignity in the middle of a world that’s already moving beyond him”
“I remember the day Neil heard her version,” said producer Ted Templeman. “He smiled and said something like, ‘That’s how the song should’ve felt.’ He was genuinely knocked out.”
“I remember the day Neil heard her version,” said producer Ted Templeman. “He smiled and said something like, ‘That’s how the song should’ve felt.’ He was genuinely knocked out.”
“I was between projects, the Eagles were done,” he said. “But that film had an energy to it. .. Radio grabbed it .. Suddenly I’m out playing this thing and crowds are going nuts — fists in the air .. I’m proud of that.”
“I was between projects, the Eagles were done,” he said. “But that film had an energy to it. .. Radio grabbed it .. Suddenly I’m out playing this thing and crowds are going nuts — fists in the air .. I’m proud of that.”
At 15, the child star was in danger of being a has-been. His voice was changing. Motown execs “would give assignments to the various producers,” said songwriter Sylvia Moy. “No one wanted Stevie.”
The song saved his career.
At 15, the child star was in danger of being a has-been. His voice was changing. Motown execs “would give assignments to the various producers,” said songwriter Sylvia Moy. “No one wanted Stevie.”
The song saved his career.
“I brought in a song I’d written at the last minute and said: ‘Guys, maybe you ought to listen to this,’” said Kerry Livgren. “When they heard it, everybody’s eyebrows raised. .. And of course it changed everything.
“I brought in a song I’d written at the last minute and said: ‘Guys, maybe you ought to listen to this,’” said Kerry Livgren. “When they heard it, everybody’s eyebrows raised. .. And of course it changed everything.
Of “Sweetest Taboo,” she said:
“.. It’s about a love that feels almost TOO good, the sort of feeling you don’t talk about because it makes you vulnerable. I like writing about that kind of emotion — the danger .. of loving someone that deeply.”
Of “Sweetest Taboo,” she said:
“.. It’s about a love that feels almost TOO good, the sort of feeling you don’t talk about because it makes you vulnerable. I like writing about that kind of emotion — the danger .. of loving someone that deeply.”