Hope to see you birds on 11/26 @ 8pm ET!
#Noirvember
Hope to see you birds on 11/26 @ 8pm ET!
#Noirvember
FILM NOIR CLUB Watch Party
IN ONE HOUR
TONIGHT at 8:00 pm ET
THE KILLING (1956)
Use " #FilmNoirClub " to chime in or Lurk.
Here's a link to freely watch it on Archive:
archive.org/details/thek...
#FilmNoirClub 🗝️ #FilmNoir 🕵️ #FilmSky 📽️
#Noirvember 🎃 #TheKilling 🤡🔫
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FILM NOIR CLUB Watch Party
IN ONE HOUR
TONIGHT at 8:00 pm ET
THE KILLING (1956)
Use " #FilmNoirClub " to chime in or Lurk.
Here's a link to freely watch it on Archive:
archive.org/details/thek...
#FilmNoirClub 🗝️ #FilmNoir 🕵️ #FilmSky 📽️
#Noirvember 🎃 #TheKilling 🤡🔫
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Day 19: THE VANISHING (1984)
You expect this Dutch novel about a woman’s kidnapping to be straight horror, and that’s famously how it ends. But the middle section—told from the abductor’s perspective—is pure noir, brilliant and haunting.
Day 19: THE VANISHING (1984)
You expect this Dutch novel about a woman’s kidnapping to be straight horror, and that’s famously how it ends. But the middle section—told from the abductor’s perspective—is pure noir, brilliant and haunting.
Day 18: THE GLASS KEY (1931).
Red Harvest fans are sometimes blindsided by the emotional depth of this book, which explores the strained friendship between a machine politician and his fixer. Dashiell Hammett was right to call it his best.
Day 18: THE GLASS KEY (1931).
Red Harvest fans are sometimes blindsided by the emotional depth of this book, which explores the strained friendship between a machine politician and his fixer. Dashiell Hammett was right to call it his best.
Best noir MacGuffin?
A MacGuffin is usually a throwaway, a means to an end. But the mysterious box in KISS ME DEADLY (1955) turns the entire movie on its head. Though it divides viewers, I think it’s the best thing in the film.
Best noir MacGuffin?
A MacGuffin is usually a throwaway, a means to an end. But the mysterious box in KISS ME DEADLY (1955) turns the entire movie on its head. Though it divides viewers, I think it’s the best thing in the film.
Day 17: FOOLS’ GOLD (1958)
Dolores Hitchens pits a trio of juvies against a hardened criminal in the hunt for a million dollars. Not only a smashing heist novel, but one that shows rare insight into the psychology of teenagers.
Day 17: FOOLS’ GOLD (1958)
Dolores Hitchens pits a trio of juvies against a hardened criminal in the hunt for a million dollars. Not only a smashing heist novel, but one that shows rare insight into the psychology of teenagers.
Favorite noir duo?
Sure, I could pick something with Bogie and Bacall or Ladd and Lake. But for me, noir is about depravity and human weakness. So it’s gotta be Marie Windsor and Elisha Cook, Jr. in THE KILLING (1955).
@ladykdesigns.bsky.social
Favorite noir duo?
Sure, I could pick something with Bogie and Bacall or Ladd and Lake. But for me, noir is about depravity and human weakness. So it’s gotta be Marie Windsor and Elisha Cook, Jr. in THE KILLING (1955).
@ladykdesigns.bsky.social
Lesser-known noir everyone should see?
TOMORROW IS ANOTHER DAY (1951). If it starred Robert Mitchum and had a decent title, folks would see this for the excellent noir it is. Definitely one to hunt down.
Lesser-known noir everyone should see?
TOMORROW IS ANOTHER DAY (1951). If it starred Robert Mitchum and had a decent title, folks would see this for the excellent noir it is. Definitely one to hunt down.
Day 16: GALVESTON (2010)
Nic Pizzolatto’s road noir has gained the status of a contemporary classic, and for good reason—it breaks your heart without resorting to manipulation. Occasionally violent, always beautifully written.
Day 16: GALVESTON (2010)
Nic Pizzolatto’s road noir has gained the status of a contemporary classic, and for good reason—it breaks your heart without resorting to manipulation. Occasionally violent, always beautifully written.
Day 15: BODY FOR SALE (1962)
This Richard Deming winner begins with a salesman blackmailing his boss and finishes with unspeakable gore. In between, we’re treated to some spicy noir from one of the most underrated authors of the pulp era.
Day 15: BODY FOR SALE (1962)
This Richard Deming winner begins with a salesman blackmailing his boss and finishes with unspeakable gore. In between, we’re treated to some spicy noir from one of the most underrated authors of the pulp era.
Day 14: DOWN THERE (1956)
It took me a while to like David Goodis, but when he finally cracked my hard shell, tears began to flow. His most famous novel—about a dive-bar pianist haunted by his past—has been wrecking readers for generations.
Day 14: DOWN THERE (1956)
It took me a while to like David Goodis, but when he finally cracked my hard shell, tears began to flow. His most famous novel—about a dive-bar pianist haunted by his past—has been wrecking readers for generations.
Mount Rushmore of noir?
Limiting this to lead actors:
Barbara Stanwyck is automatic.
Mitch and Bogie, too.
Who, then, is the final member of Stanwyck’s reverse harem: Robert Ryan, Richard Widmark, or Burt Lancaster?
@ladykdesigns.bsky.social
Mount Rushmore of noir?
Limiting this to lead actors:
Barbara Stanwyck is automatic.
Mitch and Bogie, too.
Who, then, is the final member of Stanwyck’s reverse harem: Robert Ryan, Richard Widmark, or Burt Lancaster?
@ladykdesigns.bsky.social
#booksky
#booksky
Day 13: THE SNOW WAS BLACK (1948)
Frank Friedmaier isn’t the only fictional sociopath highlighted in this series, but his destiny—a collision with totalitarianism—truly sets him apart. Noir meets dystopia, to devastating effect.
Day 13: THE SNOW WAS BLACK (1948)
Frank Friedmaier isn’t the only fictional sociopath highlighted in this series, but his destiny—a collision with totalitarianism—truly sets him apart. Noir meets dystopia, to devastating effect.
#FilmNoirClub 🗝️ watch party
TONIGHT at 8:00 pm EDT
@neckties-of-noir.bsky.social @noirbeachshack.bsky.social @noirdame.bsky.social @carolitajohnson.bsky.social @tommykrasker.bsky.social @filmnoiruk.bsky.social @frankvatel312.bsky.social
www.youtube.com/watch?v=YQBJ...
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Day 12: DOG SOLDIERS (1974)
If you liked Cutter and Bone, you’ll love this sprawling novel about a doomed drug-smuggling caper. A work of pure seventies zeitgeist—bleak, existential, and brimming with quirky social observation.
Day 12: DOG SOLDIERS (1974)
If you liked Cutter and Bone, you’ll love this sprawling novel about a doomed drug-smuggling caper. A work of pure seventies zeitgeist—bleak, existential, and brimming with quirky social observation.
#NoirCityPhiladelphia tix: bit.ly/3WoGWhC
bit.ly/3JLpBwI
@tcmfans.bsky.social #noiralley #noircity
#NoirCityPhiladelphia tix: bit.ly/3WoGWhC
bit.ly/3JLpBwI
@tcmfans.bsky.social #noiralley #noircity
Day 11: THE BLUNDERER (1954)
Once again, Highsmith mines her greatest obsession: the tenuous moral difference between wanting someone’s murder and actually carrying it out. A follow-up to Strangers on a Train, and an improvement on it.
Day 11: THE BLUNDERER (1954)
Once again, Highsmith mines her greatest obsession: the tenuous moral difference between wanting someone’s murder and actually carrying it out. A follow-up to Strangers on a Train, and an improvement on it.