Wendell McKay
banner
fluvialhoedad.bsky.social
Wendell McKay
@fluvialhoedad.bsky.social
Artist, cook, writer. Native Louisianian, perpetually assimilating Michigander.
Thanks again to the nice woman who brought extra poster making supplies to the demonstration outside Elissa Slotkin's Detroit office this afternoon. Thanks to @billcorbett.bsky.social for the slogan idea! :)
February 5, 2025 at 11:46 PM
While the story of the Golden Calf would be a much better metaphor for what's happening in the US right now, there are a lot of feels going into "Joab's Rebuke" (from 2 Samuel 19: 5-8). Meaning to do this for a long time and still want to turn it into a painting at some point.
January 31, 2025 at 1:25 PM
Trying to focus this year on work that celebrates my values and environment, given how threatened both have become. Can't remember what I titled this offhand, but based it on a sketch a year back made from the Old Miami in Detroit's Cass Corridor. Tried solid inking for the first time in years.
January 26, 2025 at 1:36 PM
Maybe it's my (limited) social media diet the past week, but this has been my most prolific month since I started painting. Did "Hydrocherine Reckon" with gouache, charcoal and various inkwashes (another Gericault homage gone awry but all the better for it).
January 24, 2025 at 1:29 PM
Getting more confident and excited about new artistic avenues at a time when everything sucks so hard is... a vibe, even without trying to navigate politically and commercially contaminated online spaces on which you've established yourself. "Cafe Scene," regardless, was done mainly on Procreate.
January 21, 2025 at 2:56 PM
Like many, now weighing a potential social media diet. I was never on Twitter after early '14, but the Meta services are another matter (I steer clear of Facebook as best I can but it's still where most of the people I know congregate). IG especially is my main arts exposure. Who knows?
January 13, 2025 at 1:23 PM
Got some iPad time with my nibling (first time we've ever had a proper hangout) over Thanksgiving and the experience inspired a fresh burst of digital artwork (Autodesk Sketchbook on iPad 18.1.1). "Moonlight Squirm" (made using AS's oil function) hopefully portends better stuff in the future.
December 4, 2024 at 11:32 AM
I turn 50 today and figure I ought to do something I wouldn't usually do on this new platform. So here's a"not-for-sale" painting (in the unlikely event I ever sell another): "Huronic Oblation" (2022). It and three others are, at present, the ones I want to keep or pass on in any eventuality.
November 25, 2024 at 1:19 PM
Concentrating on art that brings me joy or celebrates values important to me. 2022's "Zacchaean Hustle" is an early example of this conscious drive; a blend of Ann Arbor's Blind Pig and Detroit's Lager House, with people enjoying music and each other's company in a diverse, inclusive environment.
November 24, 2024 at 1:50 PM
Turning 50 on Monday and this was a timely reminder to do what I can in this department.
Because I'm an Old, I'm getting the pneumonia vax: CDC recently lowered the rec age to 50.

Most people aren't as up-to-date on shots as they think: get them before the circus clowns take over public health.

Other shots for >50: www.aarp.org/health/condi...

www.verywellhealth.com/cdc-lowers-p...
Why the CDC Now Recommends the Pneumonia Vaccine for Adults Aged 50 and Older
The CDC lowered the pneumonia vaccine age recommendation from 65 to 50.
www.verywellhealth.com
November 23, 2024 at 12:17 PM
Most of my work isn't exactly escapist, but can be pretty opaque in its relation to present situations or capital-P "politics." "Boreal Misgivings" (acrylic on board) from 2021 was one of the few that was intended to be an at least oblique comment on climate change (like that would do anything).
November 23, 2024 at 12:05 PM
Reposted by Wendell McKay
It’s okay to be rude to people who want you to die
November 21, 2024 at 6:02 AM
Went to the Lager House last night to hear Alisa Amador; first real show I've been to since the election and it was badly needed. One recent priority has been trying to convert some of my better sketches into full illustrations, and this one of the Lager from several months back is in progress...
November 22, 2024 at 1:29 PM
Staring down the barrel of turning fifty this Monday and 2019's "Taunted By Rodents" (archival ink on paper) seems to fit my mood this morning far more than some of my more recent stuff. Weird to reflect now on the intervening pandemic and how great 2023 and most of 2024 were.
November 21, 2024 at 1:04 PM
Reposted by Wendell McKay
Is there a Starter Pack for people who got thrown off the London Sherlock Holmes walk aged 12 for loudly correcting the tour guide when he mixed up The Solitary Cyclist and The Priory School? 🤪
a man in a suit and tie sitting in a chair
ALT: a man in a suit and tie sitting in a chair
media.tenor.com
November 19, 2024 at 7:38 PM
Most of my earliest paintings have long since gone in the trash--there was a lot of crap I had to do to get to a good place--but "Circe's Retreat" from 2018 is still a personal favorite and a good example of how I used to use acrylic. Once I discovered oil, I've gone back a lot less, but still...
November 20, 2024 at 11:51 AM
Reposted by Wendell McKay
this is like something a character in Animal Farm would say, and every 6th grader in the classroom would understand why it's wrong www.nytimes.com/2024/11/15/o...
November 19, 2024 at 2:06 PM
Watercolors can be a blessing and a curse for me; I have no interest in doing them the traditional (or "competent"?) way, but that frees me to experiment a little more with style. I did "Sciurine Lures" in 2021 and want to find my way back somewhere with this approach again.
November 19, 2024 at 11:05 AM
Reposted by Wendell McKay
Louisiana tried to require the 10 Commandments
in schools.

A federal judge ruled Tuesday that it’s unconstitutional, but that’s already been appealed—and God knows how many copycat laws we'll see in the end.

Maybe it's time for a scholarly (justice-centered) review of the contents of the Big Ten?
Ten, Again
Tellin' 'Em What They've Been Told
www.lifeisasacredtext.com
November 18, 2024 at 3:47 PM
Most of my ink illustrations have been on 8.5 x 5.5 in. Canson sketch paper, but some have been larger (9 x 12 in.), and "Shades and Shallows" as shown here was a good example not least of where I was psychologically during "high pandemic," for lack of a better word.
November 18, 2024 at 1:10 PM
Reposted by Wendell McKay
Hey mr. comfortably affluent establishment dem dude, now that trans people and marginalized communities of color will be living under an administration that actively wants to annihilate them, maybe we Democrats should give them more support instead of less support. Just a thought.
November 17, 2024 at 11:53 PM
In a more realistic vein, "Corktown Eurydice" (archival ink on paper, 2023) was inspired by open-mic nights at the Lager House in Detroit, which has probably almost overtaken Ann Arbor's Blind Pig or Ypsilanti's Ziggy's as my most-visited show venue (long may that continue).
November 17, 2024 at 12:19 PM
Starting in with the inkwork this morning; been tending more towards urban realism (of a sort) in past years, but "Daunted Forage" from October 2019 was a decent example of the Lovecrafty vibe I still go with from time to time. Like almost all of these, archival ink on paper (usually Casson).
November 16, 2024 at 12:06 PM
My figure painting isn't great, so I tend to swathe it in vaguely fantastical trappings, as in my tentacle-snouted occasional cast (seen here as a kind of St. George 2022's "Violet Mercy"; oil on canvasboard, one of my favorite ways to work).
November 15, 2024 at 1:28 PM
Reposted by Wendell McKay
Robert F. Kennedy Jr evokes Camelot, you know, the time of King Arthur when there was no fucking medicine.
November 14, 2024 at 11:48 PM