Written by Desmond Devlin with art by Richard Williams.
Written by Desmond Devlin with art by Richard Williams.
Worked without a pattern in "Compass" from Laine des îles (50/50 Bluefaced Leicester/Polwarth), so smooth and comforting...
Worked without a pattern in "Compass" from Laine des îles (50/50 Bluefaced Leicester/Polwarth), so smooth and comforting...
Which sounds conspiratorial, but come on, this is getting real blatant.
Feels like the end of an era where you didn’t need independent wealth to study like that.
Which sounds conspiratorial, but come on, this is getting real blatant.
Backward + forward at the same time. With human erasure being the goal.
I think those interested in cultural preservation, archival work— resisting erasure will be *especially* important.
Backward + forward at the same time. With human erasure being the goal.
I think those interested in cultural preservation, archival work— resisting erasure will be *especially* important.
A year ago, I wrote a review of Erik Larson's "In the Garden of Beasts," an account of the US Ambassador to Germany's tenure there in the early-mid 30s.
I shared lessons from the account that feel more relevant now than ever.
Here is a snippet of them:
1/
A year ago, I wrote a review of Erik Larson's "In the Garden of Beasts," an account of the US Ambassador to Germany's tenure there in the early-mid 30s.
I shared lessons from the account that feel more relevant now than ever.
Here is a snippet of them:
1/
Under… the spectacular ceiling of the Leadenhall Market 🩵
#photography #london
Under… the spectacular ceiling of the Leadenhall Market 🩵
#photography #london