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onlyscarcelyscaly.bsky.social
Lee
@onlyscarcelyscaly.bsky.social
170 followers 250 following 390 posts
Lee, 28, Floridian, he/him. Check out cmaidaartworkblog on Tumblr, OnlyScarcelyScaly on Reddit, and Pr0totaxities on Twitter to see my previously-posted artwork while I try to catch up on here
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Reposted by Lee
jayeatonart.bsky.social
This week on #RunawayToTheStars: Talita plucks Adam off of a ladder like a naughty cat.

Catch up: https://runawaytothestars.com
Read ahead: https://patreon.com/jayrockin
The scissor lift begins to retract for repositioning. Bip's avatar is flopped over the tops of the comic panels, looking frustrated. Bip: I don't have much time to wait, I've got a rapidly approaching appointment with the launch loop. Can you do it off the clock? Talita switches radio channels and turns to write something on a physical logbook with a pen attached to its ring binding. Adam dismounts the scissor lift behind her. SFX: clk Talita: Tod's gonna ask questions if I pull that too often. Adam hops up the radio tower foundation and begins to scale the ladder up to the tower's ring platforms. Bip: Is there a tool I can borrow..? Talita: Hm... actually, I might be able to replace the claws with something more— She notices Adam out of the corner of her eye. Talita: –ADAM! GET DOWN FROM THERE! Bip's avatar pokes down in front of the comic panel with an apologetic sweat drop. Bip: Wrong radio channel. Talita: God fucking dammit! Adam continues to the scale the rungs of the ladder. Then, without warning, Talita's hands clamp around his rib cage and she plucks him off the structure, putting him down on the foundation of the tower with an unceremonious THUMP. The surprise wearing off, he gets up and turns to look at her furious face. SFX: clk Talita: Do you have a deathwish⁉ Adam: It's GOT handrails! If we were using the damn things we'd be DONE by now! The other temps stare awkwardly while Adam is reprimanded on the shared radio channel. Talita: Those rails were built decades ago to support 20 kilo avians! These structures are not stable enough for you to climb! She walks away to return to the job. Adam glares daggers at her back, cheeks flushed. Later, the crew returns through the vehicle airlock. SFX: BEEP BEEP BEEP Talita vacuums the outside of her exosuit after hanging it up. SFX: VVVVVVVVVVVVV She absentmindedly tugs on her lower lip with her trunk lips as she works. To her right, Yao looks curiously at her bare antlers while putting on a pair of prosthetics resembling deer antlers.
November 19, 2025 at 12:02 AM
Reposted by Lee
oddoblivion.bsky.social
November 18, 2025 at 9:06 PM
Reposted by Lee
villesinkkonen.bsky.social
Lets go triassic turtles and not turtles #sciart
November 18, 2025 at 7:58 PM
Reposted by Lee
pauloleiteart.bsky.social
Lythronax, 3D render. #dinosaur #paleoart #3dart #3d
3D render. Portrait of a Lythronax, the dinosaur is mostly green
November 17, 2025 at 6:19 PM
Reposted by Lee
branartworks.bsky.social
Mongolestes, last of the mesonychians...
#paleoart #sciart #mesonychia
November 18, 2025 at 12:14 AM
Reposted by Lee
basaltweaver.bsky.social
First time I've had one of my illustrations in a publication 👀

www.pnas.org/doi/10.1073/...
November 17, 2025 at 6:03 PM
Reposted by Lee
olliemnjones.bsky.social
On Again, Off Again
digital painting of two people with long black hair kissing in the hallway of an apartment building
November 17, 2025 at 3:49 PM
Reposted by Lee
onlyscarcelyscaly.bsky.social
A video of the Anchiornis card, showing the front cover, the main illustration and text, and then the featherless sketch hidden behind. With the card catching the light variably and being oblique to the camera for some frames, the red nail polish on the head feathers can be seen to sparkle (3/3)
November 17, 2025 at 7:12 AM
Reposted by Lee
onlyscarcelyscaly.bsky.social
Next, two more cards with two photos each, featuring Anchiornis and Jeholornis (2/3)
An illustration in acrylic paint, marker, and nail polish of Anchiornis, a birdlike dinosaur (or possibly bird) on pink construction paper, and above this, a printout of red text on thin white paper, mounted on thick white paper. The Anchiornis spreads its clawed but otherwise birdlike wings to balance as it alights on a branch, one raptor-like foot making contact before the other. Its tail is raised in the air and its red-crested head points down, and a thin crescent moon looms just behind it alongside scattered tiny clouds and the orange silhouettes of a distant flock of Pterosaurs. Fully covered in feathers, the tiny theropod's body is mostly grey and fluffy, with longer white-and-black flight feathers on its arms, tail, and legs. In red, the accompanying text reads: "Anchiornis! Discovered in Liaoning, China and dating to 160 million years ago, this dinosaur’s fossils are so well preserved that we know the colors of its feathers, by the shapes of its microscopic pigment cells. Some experts had Anchiornis pegged as one of the first birds, while others place it *just before* the split between birds and the “raptor” dinosaurs." The same card as featured previously, but this time with most of the text cropped out of the photo and the color illustration flipped over to reveal a graphite sketch of the Anchiornis in the same position and pose on the other face of the same sheet of pink paper, but now without feathers, revealing a naked, more recognizably dinosaur-looking body. My left hand is holding the card by its left edge. An acrylic painting on a thin pane of plastic, of Jeholornis, an early Cretaceous bird. Above this, a printout of red text on thin white paper, mounted on thick white paper. The painting is rather dark, with the Jeholornis in black India ink with shimmering teal nail polish highlights, standing against an abstract mess of dark green and brown suggesting a forest floor. The Jeholornis stoops over the ground with its clawed wings only partly extended and asymmetrically lifted, its long fan-tipped feathery tail raised toward the upper right corner, and its head turned on a fluffy neck to point downward and show us its blue right eye. In red, the accompanying text reads: "Jeholornis! This early bird lived about 120 million years ago in the Jiufotang Formation, China, and had a similar body plan to many small “non-avian” maniraptorans to which it was distantly related. Fossil evidence points to a diet of seeds and fruits, and is reconstructed here with feathers that are darkly iridescent, a condition which its contemporary relatives Microraptor and Wulong preserve evidence for." The same painting as featured previous, but this time taking up the full horizontal frame of the photo, instead of the bottom half of a vertical photo. It is now also slightly better lit (though still dark), and now we can better see the contrast between the black ink and the green and brown paint. The thin brushstrokes of shimmery teal nailpolish are also more visible now, present most notably on the fan of feathers on the hips projecting back over the base of the tail, and on the larger fan at the tip of the tail. The Jeholornis's face is mostly covered in black feathers but also features grey eyelids, a pair of tiny grey crests in front of its eyes, a raised patch of soft grey skin at the corners of its mouth, and a rounded, hard grey beak at the tip of its snout. On the ends of long skinny legs, the small feet have two adjacent toes which support its weight, one toe bearing a claw that is held up above the others, and one tiny claw further up the arch of the foot. The left foot is planted on the ground, and the right foot is raised just above the ground.
November 17, 2025 at 7:12 AM
Reposted by Lee
onlyscarcelyscaly.bsky.social
From February, a couple Paleoart Valentine's Day cards I made for some of my coworkers, these featuring Makhaira, Amargasaurus, and Tylocephale (1/3)
A color pencil drawing on a small piece of white paper, depicting an adult Makhaira (a genus of Pliosaur extinct marine reptile), her offspring about a fifth her size, and a large ammonite floating past a short distance behind them. We see this scene from slightly above the subjects, all casting shadows on the pale pinkish seabed immediately below them. The Makhaira mother and child are both primarily light brown with white underbellies, flipper tips, and stripes on their faces and tails, and are both facing the lower left corner of the image. They have large, vaguely crocodile-like heads on short fat necks, and torpedo-shaped torsos supporting sea-turtle like flippers and a short, finned tail. The mother's underbelly is directly facing the seabed, and her offspring is a little above her head, twisting sideways a bit. The ammonite is likewise seen in profile but is facing somewhat away and to the right, and both its round spiral shell and bouquet of tentacles are darkly colored. Just beyond, the seabed fades away into the blue of the open ocean. Although cropped out of this photo, I still have access to the text that accompanied this illustration, which read: "Makhaira! About 130 million years ago this marine reptile prowled the shallow seas in what would later dry up and become western Russia. Compared to other Pliosaurs, Makhaira’s teeth are uniquely shaped for especially large prey. This one isn’t doing any of that right now though, instead she’s watching over her offspring, which did not hatch from an egg but was live-birthed just like a modern whale calf. an illustration in acrylic paint and marker on pink construction paper of a trio of Amargasaurus sauropod dinosaurs on a barren plain under dark grey clouds, and above this illustration a printout with red text on thin white paper, mounted on thick white paper. The Amargasaurus have grey torsos (in acrylic) with primarily white necks (acrylic) covered in purple, green, and yellow marks (marker), topped by parallel rows of thin black stripes (marker) which anchor into the fleshy sails. One has its back turned to us and its neck arched in the left-hand foreground, another peeks in from the right edge, in profile, turning its neck to present its right cheek to the foreground individual, and another struts from the left edge toward the center, raising its head skyward and flicking its bristly tail, its torso and limbs mostly blocked by the closest one's neck. the ground is pink with white highlights toward the horizon (acrylic) and the sky is likewise pink with a patchwork of dark clouds (acrylic and marker). The text, in an almost-cursive font, reads: Amargasaurus! Living about 125 million years ago in what would become Argentina, Amargasaurus was not especially large for a Sauropod, but it *was* unique for the two parallel rows of bony spines along the back of its neck, up to 2 feet long. In life these spines might have been embedded in muscle and skin to create colorful display structures, but even if they were covered, there may also have been spikes of horn-like material extending from the tips." A drawing in color pencil on pink construction paper of a pair of Tylocephale pachycephalosaur dinosaurs, and above this illustration a printout on thin white paper with red text, mounted on thick white paper. One Tylocephale has its back turned to us in the foreground, presenting us its right shoulder, turning its neck to face its opponent. *That* individual is mostly in-frame except the tip of its tail cropped by the right edge, in a wide-stanced crouch with long legs and short arms, lowering its head toward the first individual. Both have bright green, thickly-domed foreheads fringed by a mess of pale knobby spikes, solid black eyes, short yellow beaks, and round orange-and-brown striped faces, with similar color and pattern on the rest of their bodies save for white feet and underbellies. Mostly covered in tiny scales, there is also a mane of long thin filaments along their spines from the back of their head to the tips of their tails. The text accompanying this illustration, in red, reads: "Tylocephale! The 75 million year old fossils of this dinosaur were discovered in Mongolia, and while its overall body size was about average for a Pachycephalosaur, Tylocephale did possess the tallest bony forehead dome out of all its relatives. These domes are the feature that gave Pachycephalosaurs that name in the first place (literally translating as thick-headed reptiles), making this a particularly impressive superlative."
November 17, 2025 at 7:12 AM
Reposted by Lee
onlyscarcelyscaly.bsky.social
Something from April that I forgot to share, a Jeholornis spreading its wings under a canopy-filtered sunbeam. Basic armature rendered in Blender, feathers, color, and basic environment done in Photopea, and marker, oil paint, and nail polish applied to the subsequent printout.
A featherless Blender model of the Avalian dinosaur Jeholornis, viewed from above, slightly behind, and slightly to its left, such that we see its spine form a straight line from the upper-left corner to the lower-right corner. It is turning its neck and head to look up and back at us with its left eye, and its featherless wings are raised and extended to either side. Its left foot is planted further behind it, and its right foot, barely visible, is planted further forward. This, in combination with its outspread arms, give the dinosaur a similar pose to a person on a surfboard. A digital painting of the same dinosaur featured in the Blender screenshot, in the same pose, viewpoint, and proportions, but now covered in long brown feathers, including fully birdlike wings (aside from the visible claws), a shaggy mane on its neck, a fan of feathers extending over the base of its tail from the hips, and a larger fan at the tip of its tail. It is standing in front of a perfectly mirror-like puddle with larger theropod footprints on the other side of it, also filled with water, reflecting the forest canopy above with gaps between the treetops, offering glimpses of the sky. A flock of Confuciusornis, flying right-to-left overhead, are also reflected. The ground beneath it is solid, featureless olive green, and the dinosaur's shadow is closely cast onto it. Across the Jeholornis's back and wings, a narrow sunbeam forms a shape similar to a serpentine lake. A photo of a printout of the digital painting featured in the previous image, mounted on a piece of thick white paper that forms a narrow border around it. The once-solid forest floor has been given much more detail and variety by a combination of marker and oil paint. The Jeholornis's shadow has been deepened with marker, as has a patch of solid black feathers on its face forming a mask around the eyes. Narrow patches of bright green oil paint simulate sun highlights on the forest floor, against the areas in shadow, which feature various small ground plants. On the surface of the puddle, a similar patch is created with pale sparkly nail polish. The card seen from a more oblique angle, such that the nail polish applied to the sunbeam highlight on the puddle fluoresces in the real-life light hitting the card, also revealing that the entire silhouette of the Jeholornis has also been covered in the nail polish, simulating crow-like feather iridescence. While the polish on the puddle and the wing-spanning sunbeam glow golden, the majority of the Jeholornis's feathers have a bright teal glint, owing to a different color of nail polish being applied to those.
November 16, 2025 at 9:16 PM
onlyscarcelyscaly.bsky.social
From February, a couple Paleoart Valentine's Day cards I made for some of my coworkers, these featuring Makhaira, Amargasaurus, and Tylocephale (1/3)
A color pencil drawing on a small piece of white paper, depicting an adult Makhaira (a genus of Pliosaur extinct marine reptile), her offspring about a fifth her size, and a large ammonite floating past a short distance behind them. We see this scene from slightly above the subjects, all casting shadows on the pale pinkish seabed immediately below them. The Makhaira mother and child are both primarily light brown with white underbellies, flipper tips, and stripes on their faces and tails, and are both facing the lower left corner of the image. They have large, vaguely crocodile-like heads on short fat necks, and torpedo-shaped torsos supporting sea-turtle like flippers and a short, finned tail. The mother's underbelly is directly facing the seabed, and her offspring is a little above her head, twisting sideways a bit. The ammonite is likewise seen in profile but is facing somewhat away and to the right, and both its round spiral shell and bouquet of tentacles are darkly colored. Just beyond, the seabed fades away into the blue of the open ocean. Although cropped out of this photo, I still have access to the text that accompanied this illustration, which read: "Makhaira! About 130 million years ago this marine reptile prowled the shallow seas in what would later dry up and become western Russia. Compared to other Pliosaurs, Makhaira’s teeth are uniquely shaped for especially large prey. This one isn’t doing any of that right now though, instead she’s watching over her offspring, which did not hatch from an egg but was live-birthed just like a modern whale calf. an illustration in acrylic paint and marker on pink construction paper of a trio of Amargasaurus sauropod dinosaurs on a barren plain under dark grey clouds, and above this illustration a printout with red text on thin white paper, mounted on thick white paper. The Amargasaurus have grey torsos (in acrylic) with primarily white necks (acrylic) covered in purple, green, and yellow marks (marker), topped by parallel rows of thin black stripes (marker) which anchor into the fleshy sails. One has its back turned to us and its neck arched in the left-hand foreground, another peeks in from the right edge, in profile, turning its neck to present its right cheek to the foreground individual, and another struts from the left edge toward the center, raising its head skyward and flicking its bristly tail, its torso and limbs mostly blocked by the closest one's neck. the ground is pink with white highlights toward the horizon (acrylic) and the sky is likewise pink with a patchwork of dark clouds (acrylic and marker). The text, in an almost-cursive font, reads: Amargasaurus! Living about 125 million years ago in what would become Argentina, Amargasaurus was not especially large for a Sauropod, but it *was* unique for the two parallel rows of bony spines along the back of its neck, up to 2 feet long. In life these spines might have been embedded in muscle and skin to create colorful display structures, but even if they were covered, there may also have been spikes of horn-like material extending from the tips." A drawing in color pencil on pink construction paper of a pair of Tylocephale pachycephalosaur dinosaurs, and above this illustration a printout on thin white paper with red text, mounted on thick white paper. One Tylocephale has its back turned to us in the foreground, presenting us its right shoulder, turning its neck to face its opponent. *That* individual is mostly in-frame except the tip of its tail cropped by the right edge, in a wide-stanced crouch with long legs and short arms, lowering its head toward the first individual. Both have bright green, thickly-domed foreheads fringed by a mess of pale knobby spikes, solid black eyes, short yellow beaks, and round orange-and-brown striped faces, with similar color and pattern on the rest of their bodies save for white feet and underbellies. Mostly covered in tiny scales, there is also a mane of long thin filaments along their spines from the back of their head to the tips of their tails. The text accompanying this illustration, in red, reads: "Tylocephale! The 75 million year old fossils of this dinosaur were discovered in Mongolia, and while its overall body size was about average for a Pachycephalosaur, Tylocephale did possess the tallest bony forehead dome out of all its relatives. These domes are the feature that gave Pachycephalosaurs that name in the first place (literally translating as thick-headed reptiles), making this a particularly impressive superlative."
November 17, 2025 at 7:12 AM
Reposted by Lee
hannahorca.bsky.social
The next dragon mutation - Eldritch!
Illustration of a creature head with text “Eldritch” below it. The creature is purple and blue and has tentacles and eyes all over
November 16, 2025 at 10:38 PM
Reposted by Lee
joschuaknuppe.bsky.social
Results from the #paleostream!
Dodo, Oneirosaurus, Thikarisuchus and Bakiribu
November 17, 2025 at 2:43 AM
Reposted by Lee
pablonotpicasso.bsky.social
Finally came up with a composition to have a take on Giganotosaurus! The group behavior based on the remains of Mapusaurus seemingly showcasing that lifestyle. Otherwise, I always love reflections and unconventional approaches to showcasing well known animals! #paleoart #paleosky #giganotosaurus
Trio of the theropod Giganotosaurus carolinii, scene mostly in a reflection in a puddle, with only the feet of one dinosaur visible to the right of the screen.
November 17, 2025 at 3:46 AM
Reposted by Lee
aberrantologist.bsky.social
gay paleoart! nature is queer!! 🏳️‍🌈
November 17, 2025 at 12:01 AM
Reposted by Lee
bedupolker.bsky.social
Pumpkin house (it was eaten within 30 minutes)
A large pumpkin with three windows and a door carved into it, it is full of mice.
November 17, 2025 at 1:27 AM
Reposted by Lee
albluu.bsky.social
A same-sex Pteranodon pair doing a courtship display 😌
November 16, 2025 at 11:55 PM
onlyscarcelyscaly.bsky.social
Something from April that I forgot to share, a Jeholornis spreading its wings under a canopy-filtered sunbeam. Basic armature rendered in Blender, feathers, color, and basic environment done in Photopea, and marker, oil paint, and nail polish applied to the subsequent printout.
A featherless Blender model of the Avalian dinosaur Jeholornis, viewed from above, slightly behind, and slightly to its left, such that we see its spine form a straight line from the upper-left corner to the lower-right corner. It is turning its neck and head to look up and back at us with its left eye, and its featherless wings are raised and extended to either side. Its left foot is planted further behind it, and its right foot, barely visible, is planted further forward. This, in combination with its outspread arms, give the dinosaur a similar pose to a person on a surfboard. A digital painting of the same dinosaur featured in the Blender screenshot, in the same pose, viewpoint, and proportions, but now covered in long brown feathers, including fully birdlike wings (aside from the visible claws), a shaggy mane on its neck, a fan of feathers extending over the base of its tail from the hips, and a larger fan at the tip of its tail. It is standing in front of a perfectly mirror-like puddle with larger theropod footprints on the other side of it, also filled with water, reflecting the forest canopy above with gaps between the treetops, offering glimpses of the sky. A flock of Confuciusornis, flying right-to-left overhead, are also reflected. The ground beneath it is solid, featureless olive green, and the dinosaur's shadow is closely cast onto it. Across the Jeholornis's back and wings, a narrow sunbeam forms a shape similar to a serpentine lake. A photo of a printout of the digital painting featured in the previous image, mounted on a piece of thick white paper that forms a narrow border around it. The once-solid forest floor has been given much more detail and variety by a combination of marker and oil paint. The Jeholornis's shadow has been deepened with marker, as has a patch of solid black feathers on its face forming a mask around the eyes. Narrow patches of bright green oil paint simulate sun highlights on the forest floor, against the areas in shadow, which feature various small ground plants. On the surface of the puddle, a similar patch is created with pale sparkly nail polish. The card seen from a more oblique angle, such that the nail polish applied to the sunbeam highlight on the puddle fluoresces in the real-life light hitting the card, also revealing that the entire silhouette of the Jeholornis has also been covered in the nail polish, simulating crow-like feather iridescence. While the polish on the puddle and the wing-spanning sunbeam glow golden, the majority of the Jeholornis's feathers have a bright teal glint, owing to a different color of nail polish being applied to those.
November 16, 2025 at 9:16 PM
Reposted by Lee
villesinkkonen.bsky.social
Rex, all hail the king #sciart
November 16, 2025 at 7:54 PM
Reposted by Lee
ferrutxoart.bsky.social
A couple of renders to show experiments with hair made using curves in Blender. I was very used to the particle system and couldn't quite get the hang of this, but guys, it looks like this has a huge number of options.

PS: It's a WIP, maybe the final result will look like the second image.
November 16, 2025 at 8:16 PM
Reposted by Lee
jayeatonart.bsky.social
This week on #RunawayToTheStars: Wake up Talita, back to work!

Catch up: https://runawaytothestars.com
Read ahead: https://patreon.com/jayrockin
Transcript Talita stands on the edge of the dollhouse cutaway, looking incredulously at the enormous luminous Bip avatar. It leans over, considering her with a hand on its chin. Bip: Isn't the water pressure down here deadly? SFX: ping! Talita's eyes open. She is lying disoriented in her bed on Dirtball, awakened by a chime from her tablet on the bedside dresser. Spread over the top of her usual comforter is the antler velvet blanket from the Runaway. She blearily tugs on her reading glasses and picks up her tablet to squint at the source of the notification. Talita has a direct message exchange with Mel. Mel: Just got a message from the medbay. Clayton slipped a disc, he's off work until he gets better. Talita: Oh no! That sucks. I hope he feels better soon Mel: You and your temps will have to work harder to make up for it. No distractions, ok? ;) Talita: Of course Later in the day, Talita is testing a breaker box in the junkyard with a multimeter, while Dominic and Phoebe peer over her shoulders. Bip's avatar pokes its head up from behind the panel, looking down curiously. Bip: You around? Talita: Not now, Bip. Bip leans out over the panel to look at her grumpy face. Bip: When will you be available? Talita scowls. Talita: Later. Bip hangs off the edge of the panel, nonchalantly swinging their legs over the fourth wall and blocking some of the view with their avatar's body. Bip: Well, I've processed about 100 tons of heavy water. In the pit with the Runaway, a frontloader positioned in front of a row of frames containing hydrogen gas tanks holds its manipulator arms as if it were a human with its hands on its hips. Bip: But the solenoids on the transport tanks have these caps with an awkwardly positioned guard ring. I can't grip them with the frontloader claw fingers, and the worms aren't strong enough. One of the frontloader claws uselessly pinches the guard ring. SFX: click click Talita: So cut the guards off. Bip: I thought we were trying to avoid hydrogen tank explosions. Talita rolls her eyes. Talita: Well, then, wait. I don't have time this week to run errands on the clock. She looks up from the electrical box on the ground in front of her and switches radio channels. SFX: clk Talita: Alright, none of those antennae are causing the issue. Let's move the lift and test the next array. She is speaking up to Adam and Yao, who are on the fully extended platform of a large scissor lift next to a short radio tower covered in dozens of mismatched radio antennae. Yao pulls cables from the side of the antenna they're next too, while Adam slouches against the platform railing, doing nothing. In the regolith around the base of the radio tower are the tracks left behind from the scissor lift repeatedly being extended, retracted, moved, parked, and extended again many times.
November 16, 2025 at 6:26 PM
Reposted by Lee
basaltweaver.bsky.social
slowly grinding forward #mapmaking
Paleo mapmaking
November 16, 2025 at 3:14 PM
Reposted by Lee
trigonotarbida.bsky.social
Art train time!

Next stops if people want to do it :)
@sandpaperoctopi.bsky.social
@jajeumm.bsky.social
@tinylongwing.bsky.social
@greyauk.bsky.social
Digital illustration of a large tiliqua frangens skink eating wildflowers digital illustration of some pelagornithid birds flying over rough seas Graphite drawing of cave rock formations with text underneath that says cathedral cave fossil site wellington Digital illustration of a Phreatoicopsis raffae isopod on damp mossy ground
November 16, 2025 at 1:10 PM
Reposted by Lee
kmonvishlawan.bsky.social
Vasco Da Gama, 2025

Based on Kridsanupong Puntanon paper "The occurrence of Spinosauridae (Dinosauria: Theropoda) during the Cretaceous of Asia: Implications for biogeography and distribution" about a landbridge that introduced a spinosaur to Asia.
November 16, 2025 at 5:42 AM