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Without a vaccine, experts say the virus poses an escalating threat: “The minute it transmits to humans, it’s done.”
By @natlash.bsky.social
Without a vaccine, experts say the virus poses an escalating threat: “The minute it transmits to humans, it’s done.”
By @natlash.bsky.social
Missouri ⬆️ 37%
Iowa ⬆️ 30%
North Dakota ⬆️ 30%
Oklahoma ⬆️ 30%
New Jersey ⬆️ 27%
Nebraska ⬆️ 25%
Montana ⬆️ 25%
Wyoming ⬆️ 23%
NATIONWIDE ⬆️ 11%
Instead of working to lower costs, Trump is boosting power-hungry AI data centers.
Missouri ⬆️ 37%
Iowa ⬆️ 30%
North Dakota ⬆️ 30%
Oklahoma ⬆️ 30%
New Jersey ⬆️ 27%
Nebraska ⬆️ 25%
Montana ⬆️ 25%
Wyoming ⬆️ 23%
NATIONWIDE ⬆️ 11%
Instead of working to lower costs, Trump is boosting power-hungry AI data centers.
Read the Stanford report:
siepr.stanford.edu/publications...
Read the Stanford report:
siepr.stanford.edu/publications...
“I remember the day Neil heard her version,” said producer Ted Templeman. “He smiled and said something like, ‘That’s how the song should’ve felt.’ He was genuinely knocked out.”
“I remember the day Neil heard her version,” said producer Ted Templeman. “He smiled and said something like, ‘That’s how the song should’ve felt.’ He was genuinely knocked out.”
53 years later...
53 years later...
“I was between projects, the Eagles were done,” he said. “But that film had an energy to it. .. Radio grabbed it .. Suddenly I’m out playing this thing and crowds are going nuts — fists in the air .. I’m proud of that.”
“I was between projects, the Eagles were done,” he said. “But that film had an energy to it. .. Radio grabbed it .. Suddenly I’m out playing this thing and crowds are going nuts — fists in the air .. I’m proud of that.”
@ryan-holiday.bsky.social joins @johnavlon.bsky.social in this week's How To Fix It:
@ryan-holiday.bsky.social joins @johnavlon.bsky.social in this week's How To Fix It:
At 15, the child star was in danger of being a has-been. His voice was changing. Motown execs “would give assignments to the various producers,” said songwriter Sylvia Moy. “No one wanted Stevie.”
The song saved his career.
At 15, the child star was in danger of being a has-been. His voice was changing. Motown execs “would give assignments to the various producers,” said songwriter Sylvia Moy. “No one wanted Stevie.”
The song saved his career.
www.newyorker.com/culture/the-...
www.newyorker.com/culture/the-...