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Understanding the AI art backlash and what it means for the future of tech.

After the monumental triumph that was Parasite (2019), Bong Joon-ho comes back with an American production based on the 2022 novel Mickey7 by Edward Ashton. The movie, much like its predecessor is a dark comedy that makes you laugh, specially out of uncomfortable situations. It has a very solid manufacture, great direction as expected, great photography and production. Without falling into spoiler territory, Robert Pattinson has the difficult task to explore the extremes of a very same character and he does that splendidly. The overall ensemble is a very solid one, with Naomi Ackie, Steven Yeun, Anamaria Vartolomei (who I

Warning: I'm absolutely biased when it comes to Macross. Shōji Kawamori is mostly known for two things: «Tenkū no Escaflowne» and the Macross franchise. I ADORE BOTH. As most people in the west, I got to first experience Macross through the distorted lens of the abomination known as «Robotech». I was just a kid and the show made a profound and long-lasting impression in me. I fell in love with the story, which was nothing like the rest of the children-friendly cartoons I was used to watch at the time. Macross was mature: it explored topics like war, love, loss,

I first saw this movie around 2008 or 2009. Part of director Park Chan-wook's «vengeance trilogy», along with Sympathy for Mr. Vengeance (2002) and Oldboy (2003), Sympathy for Lady Vengeance, in my opinion, condenses and refines the themes and aesthetics of this period of Chan-wook's work. The movie is a pleasure to experience, starting with the plot that hits you in a violent way in the first minutes and then slowly begins to unravel, visually is quite delicate and elegant with a neo-noir aesthetic, which serves to balance the violence, blood and gore that the movie has to deal with.