I’m Clara(she/they) I do a great deal of things but what you need to know is that I:
- produce/perform in Actual Play #TTRPG content
- Costume/Production Design for film and television.
Sometimes, these intersect.
10/25, 2:30 PM ET | 8:30 PM CEST
twitch.tv/worldofdarkness #vtm
10/25, 2:30 PM ET | 8:30 PM CEST
twitch.tv/worldofdarkness #vtm
Also @huddyvonschland.bsky.social did rectify this problem by letting play one THIS SATURDAY. No promise psych will come up, but I will continue to play socially messy, emotionally damaged monsters.
Also @huddyvonschland.bsky.social did rectify this problem by letting play one THIS SATURDAY. No promise psych will come up, but I will continue to play socially messy, emotionally damaged monsters.
Do you think games are written to be played 100% rules as written? If not, where’s the line where you stop following them?
Do you think games are written to be played 100% rules as written? If not, where’s the line where you stop following them?
Don’t be coy. Confess the secret.
We don’t know what is in your head. The only thing that exists in the narrative for your table is what you voice aloud. You may have a cool tortured backstory but I don’t know to bring that up with you if I don’t know it exists.
Don’t be coy. Confess the secret.
We don’t know what is in your head. The only thing that exists in the narrative for your table is what you voice aloud. You may have a cool tortured backstory but I don’t know to bring that up with you if I don’t know it exists.
You have to care about your scene partner. You don’t have to LOVE other characters. You do need a reason to interact with the people in your scene.
“But my character wouldn’t-“
Find a reason.
If you don’t want to be there, the audience won’t want to be there.
You have to care about your scene partner. You don’t have to LOVE other characters. You do need a reason to interact with the people in your scene.
“But my character wouldn’t-“
Find a reason.
If you don’t want to be there, the audience won’t want to be there.
This isn’t about anyone in particular and I’m trying not to turn it into a multi-post rant. We’ll see how that goes.
This isn’t about anyone in particular and I’m trying not to turn it into a multi-post rant. We’ll see how that goes.
But it would be nice.
But it would be nice.
If you take an improv class the first thing they’ll tell you is NOT to try to make jokes. The funny will just happen. HOWEVER I fully believe that people who try to earn credibility by citing their education probably do just want to win.
If you take an improv class the first thing they’ll tell you is NOT to try to make jokes. The funny will just happen. HOWEVER I fully believe that people who try to earn credibility by citing their education probably do just want to win.
Doubly so if it hurts.
Tripply so if it’s about my shitty dating life.
Doubly so if it hurts.
Tripply so if it’s about my shitty dating life.
Don’t lie to yourself when you start a project. Do you want to actually produce a project, or do you want notoriety? If you want the latter; there are other ways to get it for less work 1/9
As our team expanded, the shared vision motivating QCG became blurrier. Expectations built on building a strong stable of thoughtful, cinematic actual play were diluted by individual ambition, personal branding, and concerns over "screen time." (12/
Don’t lie to yourself when you start a project. Do you want to actually produce a project, or do you want notoriety? If you want the latter; there are other ways to get it for less work 1/9
He says it nicer than I would but 10 years of film production does not leave me kind to people who would think “professional” means anything other than professional expectations.
So here's a short thread: advice on running an actual play company from the Managing Director of Queen's Court Games.
🧠📃⬇️
He says it nicer than I would but 10 years of film production does not leave me kind to people who would think “professional” means anything other than professional expectations.