Jeffrey J Cohen
banner
jeffreyjcohen.bsky.social
Jeffrey J Cohen
@jeffreyjcohen.bsky.social

writer and teacher who cares a lot about the future of the humanities as well as access to education

dean of humanities & professor of English @ ASU, but this is my personal account, opinions are mine

https://www.jeffreyjeromecohen.com .. more

History 37%
Art 18%

good morning from Phoenix

it’s from an essay reprinted in this excellent collection on zombies 🧟‍♂️

For a project in progress I’ve had to return to some older writing and this line really hits years later

“Apocalypse is a failure of the imagination, a giving up on the future instead of a commitment to the difficult work of composing a better present.”

me after a long day of writing

thinking of making a donation so they can afford to update

I left my former institution in 2018, and yet the department of English there still has me listed, looking dapper in a flannel shirt from maybe ten years before that (c. 2008)

we are going to need a bigger boat

contingentmagazine.org/2025/10/22/a...

daniel @dnl.ink · 10d
INTERVIEW WITH THE VAMPIRE

SECOND INTERVIEW WITH THE VAMPIRE OVER ZOOM TO MEET MORE OF THE TEAM

UNFORTUNATELY, YOU HAVE NOT BEEN SUCCESSFUL ON THIS OCCASION, BUT WE HOPE YOU'LL APPLY FOR FUTURE POSITIONS WITH THE VAMPIRE

Three decades later, Monster Theory has never been out of print.

Shortly after I completed my dissertation, serving in a three year part position with a clock ticking, I invited a group of scholars to think together about monsters and perhaps imagine a discipline that might be labeled “Monster Studies.” The book that resulted was called Monster Theory.

But monsters also taught me how to be stubborn, to keep circling back, to challenge epistemological limits in the hope of fostering less tightly sealed communities.

But early in my scholarly career it seemed like the only space to which the monster would not accompany me was to secure employment. I was working on a subject that struck many academics as deeply unserious, unworthy of sustained regard.

The monster offers a convergence point and transport device to think creatively and capaciously across time, language, genre, culture. Why not take it seriously?

A Halloween post. 🎃

Thirty years ago I composed the preface to a collaborative project exploring what might be enabled were the monster taken seriously. Might the monster offer an invitation to understanding better the cultures it sanctions, perturbs, roams?

Fun fact about the cover of Monster Theory: I did not realize there was a monster's head embedded within the green and blue swathe until I saw the cover projected behind me at the recent @ucscmonsters.bsky.social conference. The book is almost 30 years old and yes I just realized.

It's Halloween! 🎃

Naturally I am working on the preface to Monster Theory 3.0, under contract with @uminnpress.bsky.social and offering more than twenty new essays in monster studies as well as a rethinking of "Monster Culture (Seven Theses)."

I mean, I did laugh heartily at it.

😂

It’s Halloween! Jeffrey Andrew Weinstock’s The Monster Theory Reader from @uminnpress.bsky.social is a book I find myself returning to repeatedly 🎃😈🧌

Wow.

stone is slow water

Thank you!

from what I can determine, likely portrays Gallienus (AD 253–268) and is stamped IMP GALLIENVS AVG. The reverse is likely Virtus standing holding spear and shield
Exergue: “XXI” — Mediolanum Mint (Milan), circa AD 262–268
it’s not rare but it’s special

Seeking something older than me my brother gifted me a Roman coin for my birthday

seasonal
(postcard from a #monsters conference) 🧌

contingentmagazine.org/2025/10/22/a...
A Postcard from the Festival of Monsters
At UC Santa Cruz, we take monsters seriously.
contingentmagazine.org
Document Forgery

xkcd.com/3160/

canyon

🤣