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typetogether.bsky.social
TypeTogether
@typetogether.bsky.social
950 followers 340 following 830 posts
TypeTogether is an indie type foundry committed to excellence creating innovative font solutions with a focus on intensive digital and print editorial use.
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typetogether.bsky.social
Poltik poster /// Literally hot off the presses, this silkscreen poster commemorates the release of Patrycja Walczak’s Poltik type family. Coming soon in a limited edition of 200!

#fontsky #fonts #poster #graphicdesign #silkscreen #printing
November 14, 2025 at 2:08 PM
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Coming soon: Sakkal Saad /// We are days away from the release of the Sakkal Saad font family by Dr. Mamoun Sakkal and Aida Sakkal, and we wanted to give you another preview of this friendly, handwritten Naskh with both a modern feel and a nostalgic vibe.

#typography #fonts #naskh #beautiful
November 13, 2025 at 4:44 PM
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Get yours now!

www.type-together.com/index.php?ac...

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November 12, 2025 at 6:12 PM
typetogether.bsky.social
The poster has been printed by H.R.G. (Czech Republic) (@hrg_tiskarna) on 115g G-Print paper, one-sided. 70×44 cm. It is shipped folded. 2/3
November 12, 2025 at 5:13 PM
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Ploquine poster /// The Ploquine type family by Emma Marichal draws inspiration from wood type. This commemorative poster, designed by Felicia Priscillya, is beautifully bold and abstract, and it can be yours free – just cover the cost of shipping/handling. 🧵 1/3

#fontsky #poster #typography
November 12, 2025 at 5:10 PM
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Nina Faulhaber’s Aeroplan won the Gerard Unger Scholarship in 2021. Find out more about Aeroplan at our website: www.type-together.com/aeroplan-font

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Nina Faulhaber’s Aeroplan has its roots in a 1916 aircraft manual, but has been thoroughly updated. Aeroplan has four weights with matching italics, for 8 in total.
November 11, 2025 at 2:47 PM
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Aeroplan could easily replace Baskerville for an immediate update and texture improvement in paragraphs. And don’t even get us started about Aeroplan’s italics!

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It is not restrained by caution: it believes it can fly. Interpreting a 1916 font with modern standards, Aeroplan’s teardrop serifs, sharp wedgets, and distinctive italics give words substance. Its tactile qualities make it perfect for edgy, obscure subjects, contemporary books, magazines, and brands. Aeroplan’s eight weights.
November 11, 2025 at 2:46 PM
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Aeroplan /// An ideal use for the award-winning Aeroplan type family would be in contemporary magazines or books about art, engineering, or architecture, newspaper text, and even more edgy and obscure subjects. 🧵 1/3

#typography #fonts #graphicdesign #serif
Nina Faulhaber’s Aeroplan is a serif in 8 styles.
November 11, 2025 at 2:43 PM
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Our deepest condolences go to their loved ones.

James Mosley (1935–2025)
Professor Michael Twyman (1934–2025)

Photo credits: Pooja Saxena, Elena Veguillas, Fernando Mello

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“What a rare privilege it was. At the University of Reading, our week was shaped by typography: Unger on Tuesday, Twyman on Wednesday, Mosley on Thursday. They were united by a generosity of spirit and a profound, infectious passion for their craft. We will carry their lessons, and their memory, always.” – José Scaglione, type designer “Michael Twyman and James Mosley broadened my knowledge and perception of typography in indelible ways. Both had the incredible gift of contextualising letterforms within the broad sweep of history, all while making you appreciate small details that would have escaped your notice. Twyman’s enthusiasm for lithography—he was an undisputed expert in the subject—helped me find my thesis subject at Reading, which in turn, has given me a new lens for seeing letterforms. I can’t imagie the typeface design programme without them.” – Pooja Saxena, type designer
November 10, 2025 at 4:46 PM
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Many of our team were fortunate to study under the two, and they share their reminiscences with us here.

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“James and Michael were simply wonderful educators. I remember each of James’ lectures at UoR as a mix of profound knowledge and lucid storytelling. Michael’s regular presentations and discussions of ephemera, combined with his warm smile, were always a treat. Both were brilliant in passing on their passion for their craft. I am grateful to have learned so much from them, and they will be greatly missed.” – Tom Grace, type designer “They were extremely knowledgeable and generous teachers. Mosley put typography in the center of history with a level of detail that still impresses me. Twyman did the opposite, in his lectures type, typography and printing were cause and consequence of political, economical and social changes, they were part of history in the wider sense. In very different ways, they both changed how I think and research about type.” – Elena Veguillas, art director
November 10, 2025 at 4:41 PM
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Memories of James Mosley and Michael Twyman /// The type community, and especially the type community at the University of Reading, lost two beloved figures in recent months in James Mosley and Michael Twyman. 🧵 1/3

#typography #UniversityofReading #UoR #inmemoriam
In loving memory. James Mosley (1934-2025) and Prof. Michael Twyman (1935-2025).
November 10, 2025 at 4:33 PM
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Abril’s arrows /// Work in progress from type designer Patrycja Walczak on the upcoming update of our Abril typeface.

#typography #fonts #graphicdesign #fontsky
November 7, 2025 at 4:12 PM
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Find out more about Postea Multiscript:
www.type-together.com/postea-multi...
Postea Arabic, Cyrillic, Greek, Hebrew, and Latin together on a colorful page setting the words Typography, Layout, and Innovation.
November 6, 2025 at 4:34 PM
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Postea now comes in five scripts (Arabic, Cyrillic, Greek, Hebrew, and Latin, now including Vietnamese) and is resilient in the number of ways the family can be used.

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Examples of Postea Arabic’s various weights. Examples of Postea Cyrillic’s various weights. Example of Postea Greek’s various weights. Examples of Postea Hebrew’s various weights.
November 6, 2025 at 4:32 PM
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Classic curves and purposeful details make it ideal for branding, signage, corporate typefaces, and magazines.

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Examples of TypeTogether’s Postea in its various weights. Examples of TypeTogether’s Postea Italic in various weights. Combining the constructed & human feel while brushing away the dust from a century of geometric derivatives. The sentence is set in TypeTogether’s Postea. Postea: Designer’s choice. 14 styles, 5 scripts.
November 6, 2025 at 4:30 PM
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Bestsellers – Postea /// Designed by Veronika Burian & José Scaglione, Postea is a lyrical take on Bauhaus-inspired geometric sans serifs. 🧵 1/4

#typography #fonts #graphicdesign #branding #beautiful #fontsky
“The mind is like an umbrella, it functions best when it is open.” – Walter Gropius. Quote set in TypeTogether’s Postea.
November 6, 2025 at 4:26 PM
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Pinko’s print edition uses Dr Gerard Unger’s Alverata, which we’re happy to see. Alverata is a contemporary, eclectic font family inspired by type from medieval Europe.
More on Alverata: www.type-together.com/alverata-font

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November 4, 2025 at 4:09 PM
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Pinko’s website is at pinko.online.

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Issue 2 of Pinko’s print edition. The title: We demand everything. Print copies of Pinko magazine. Print copies of Pinko magazine, which uses Dr Gerard Unger’s Alverata type family.
November 4, 2025 at 4:08 PM
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Type in use – Alverata in Pinko /// Pinko describes itself like this: “Pinko is a collective for thinking gay communism together. We publish print issues, books, zines, and host essays, translations and archival material on our website.” 🧵 1/3

#graphicdesign #fonts #typography #fontsky
November 4, 2025 at 4:03 PM
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Ploquine /// If you like old wood type designs, you’ll love Emma Marichal’s Ploquine font family. Ploquine is based on historical typefaces made of wood, and is a calm and structured slab serif for everything editorial and branding.

Ploquine: www.type-together.com/ploquine-fon

#fonts #typography
November 3, 2025 at 4:31 PM
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Anton Hart’s typographic totems /// We know fonts are an art form, but New Zealand-based sculptor Anton Hart turns type into literal art. His go-to typeface? Bree.

More on Bree: Bree: type-together.com/bree-font
Anton Hart: antonhart.nz/work

#fonts #fontsky #typography #sculpture #beautiful
October 31, 2025 at 4:00 PM
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Find out more about Atlante on our website: www.type-together.com/atlante-font

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Introducing Atlante text & display, designed by Yorlmar Campos & Martín Sesto. Atlante, an exquisite, explosive, refined serif type family. Part 1 of a diptych showing Atlante in a maritime setting. Part 1 of a diptych showing Atlante in a maritime setting.
October 29, 2025 at 4:54 PM
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Atlante taps into the rich typographic and stylistic history of baroques, Garaldes, transitional, and modern categories, while still being its own thing. It’s the definition of a perfectly blended family.

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An example use of Atlante on a book cover titled Período azul de Picasso. “A smooth sea never made a skilled sailor.” President Franklin D. Roosevelt The letter Q in Atlante. The weights of Atlante Display.
October 29, 2025 at 4:45 PM
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Atlante /// The Atlante font family is a serif typeface of beautiful excess from Yorlmar Campos and Martín Sesto. 🧵 1/3

#typography #fonts #graphicdesign #serif #beautiful #fontsky
October 29, 2025 at 4:40 PM
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Laura Meseguer: Making Playpen Sans /// Today we take another look at our interview with type designer Laura Meseguer on the making of our award-winning informal handwriting type family.

Watch the whole interview here: youtu.be/BwbXDjjki44

#fontsky #fonts #graphicdesign #handwriting #typography
October 28, 2025 at 4:10 PM