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typetogether.bsky.social
TypeTogether
@typetogether.bsky.social
940 followers 340 following 830 posts
TypeTogether is an indie type foundry committed to excellence creating innovative font solutions with a focus on intensive digital and print editorial use.
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typetogether.bsky.social
Nina Faulhaber’s Aeroplan won the Gerard Unger Scholarship in 2021. Find out more about Aeroplan at our website: www.type-together.com/aeroplan-font

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Nina Faulhaber’s Aeroplan has its roots in a 1916 aircraft manual, but has been thoroughly updated. Aeroplan has four weights with matching italics, for 8 in total.
November 11, 2025 at 2:47 PM
typetogether.bsky.social
Aeroplan could easily replace Baskerville for an immediate update and texture improvement in paragraphs. And don’t even get us started about Aeroplan’s italics!

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It is not restrained by caution: it believes it can fly. Interpreting a 1916 font with modern standards, Aeroplan’s teardrop serifs, sharp wedgets, and distinctive italics give words substance. Its tactile qualities make it perfect for edgy, obscure subjects, contemporary books, magazines, and brands. Aeroplan’s eight weights.
November 11, 2025 at 2:46 PM
typetogether.bsky.social
Our deepest condolences go to their loved ones.

James Mosley (1935–2025)
Professor Michael Twyman (1934–2025)

Photo credits: Pooja Saxena, Elena Veguillas, Fernando Mello

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“What a rare privilege it was. At the University of Reading, our week was shaped by typography: Unger on Tuesday, Twyman on Wednesday, Mosley on Thursday. They were united by a generosity of spirit and a profound, infectious passion for their craft. We will carry their lessons, and their memory, always.” – José Scaglione, type designer “Michael Twyman and James Mosley broadened my knowledge and perception of typography in indelible ways. Both had the incredible gift of contextualising letterforms within the broad sweep of history, all while making you appreciate small details that would have escaped your notice. Twyman’s enthusiasm for lithography—he was an undisputed expert in the subject—helped me find my thesis subject at Reading, which in turn, has given me a new lens for seeing letterforms. I can’t imagie the typeface design programme without them.” – Pooja Saxena, type designer
November 10, 2025 at 4:46 PM
typetogether.bsky.social
Many of our team were fortunate to study under the two, and they share their reminiscences with us here.

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“James and Michael were simply wonderful educators. I remember each of James’ lectures at UoR as a mix of profound knowledge and lucid storytelling. Michael’s regular presentations and discussions of ephemera, combined with his warm smile, were always a treat. Both were brilliant in passing on their passion for their craft. I am grateful to have learned so much from them, and they will be greatly missed.” – Tom Grace, type designer “They were extremely knowledgeable and generous teachers. Mosley put typography in the center of history with a level of detail that still impresses me. Twyman did the opposite, in his lectures type, typography and printing were cause and consequence of political, economical and social changes, they were part of history in the wider sense. In very different ways, they both changed how I think and research about type.” – Elena Veguillas, art director
November 10, 2025 at 4:41 PM
typetogether.bsky.social
Find out more about Postea Multiscript:
www.type-together.com/postea-multi...
Postea Arabic, Cyrillic, Greek, Hebrew, and Latin together on a colorful page setting the words Typography, Layout, and Innovation.
November 6, 2025 at 4:34 PM
typetogether.bsky.social
Postea now comes in five scripts (Arabic, Cyrillic, Greek, Hebrew, and Latin, now including Vietnamese) and is resilient in the number of ways the family can be used.

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Examples of Postea Arabic’s various weights. Examples of Postea Cyrillic’s various weights. Example of Postea Greek’s various weights. Examples of Postea Hebrew’s various weights.
November 6, 2025 at 4:32 PM
typetogether.bsky.social
Classic curves and purposeful details make it ideal for branding, signage, corporate typefaces, and magazines.

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Examples of TypeTogether’s Postea in its various weights. Examples of TypeTogether’s Postea Italic in various weights. Combining the constructed & human feel while brushing away the dust from a century of geometric derivatives. The sentence is set in TypeTogether’s Postea. Postea: Designer’s choice. 14 styles, 5 scripts.
November 6, 2025 at 4:30 PM
typetogether.bsky.social
Pinko’s print edition uses Dr Gerard Unger’s Alverata, which we’re happy to see. Alverata is a contemporary, eclectic font family inspired by type from medieval Europe.
More on Alverata: www.type-together.com/alverata-font

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November 4, 2025 at 4:09 PM
typetogether.bsky.social
Pinko’s website is at pinko.online.

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Issue 2 of Pinko’s print edition. The title: We demand everything. Print copies of Pinko magazine. Print copies of Pinko magazine, which uses Dr Gerard Unger’s Alverata type family.
November 4, 2025 at 4:08 PM
typetogether.bsky.social
Find out more about Atlante on our website: www.type-together.com/atlante-font

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Introducing Atlante text & display, designed by Yorlmar Campos & Martín Sesto. Atlante, an exquisite, explosive, refined serif type family. Part 1 of a diptych showing Atlante in a maritime setting. Part 1 of a diptych showing Atlante in a maritime setting.
October 29, 2025 at 4:54 PM
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Atlante taps into the rich typographic and stylistic history of baroques, Garaldes, transitional, and modern categories, while still being its own thing. It’s the definition of a perfectly blended family.

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An example use of Atlante on a book cover titled Período azul de Picasso. “A smooth sea never made a skilled sailor.” President Franklin D. Roosevelt The letter Q in Atlante. The weights of Atlante Display.
October 29, 2025 at 4:45 PM
typetogether.bsky.social
We’ve got a treasure trove of currency symbols for you to try out in our type catalogue: www.type-together.com/font-catalogue

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The dollar sign as designed by Tom Grace in Iskra Ultrabold. Send some $ to a friend – share this post with them! Double-tap to like your favourites.
October 27, 2025 at 4:26 PM
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Which $ is your favorite? And be sure to send some $ to someone who could use some!

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The dollar sign as designed by Ermin Međedović in Fino Sans Light. The dollar sign as designed by Anya Danilova in Rezak Black Incised. The dollar sign as designed by Nina Faulhaber in Aeroplan Bold Italic. The dollar sign as designed by Leftloft in LFT Etica Sheriff Compressed Bold.
October 27, 2025 at 4:23 PM
typetogether.bsky.social
There are various theories as to how the symbol was first created. Many theories believe it evolved from the Spanish American figure for pesos. But what is known is that U.S adopted the sign officially in 1785.

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The dollar sign as designed by Veronika Burian in Futura®100 Demibold. The dollar sign as designed by Veronika Burian and José Scaglione in Aneto Skyline Condensed Bold Italic. The dollar sign as designed by Veronika Burian and José Scaglione in Tablet Gothic Wide Heavy. The dollar sign as designed by Yorlmar Campos and Martin Sesto in Atlante Display Extrabold.
October 27, 2025 at 4:21 PM