🌈 make and write about TV and movies 🌈
half of [at] ShotZero
linktr.ee/mehlsbells
Well, not busses (because I get carsick), but trams and trains!
Well, trams if I am facing forwards (see above)!
THE POINT IS ya'll listen to this wise man and get at me . . .
shotzero.substack.com/p/putting-us...
shotzero.substack.com/p/putting-us...
melkillingsworth.substack.com/p/coffee-and...
melkillingsworth.substack.com/p/coffee-and...
Second, Michael begins the call in motion, but lands in a position which frames him in opposition to the sister; they remain ‘facing’ each other from opposite sides of frame for the remainder of the conversation.
Second, Michael begins the call in motion, but lands in a position which frames him in opposition to the sister; they remain ‘facing’ each other from opposite sides of frame for the remainder of the conversation.
1/2
1/2
- La Otra (1946)
- Obsession / The Hidden Room (1949)
- Mulholland Falls (1996)
- A Bittersweet Life (2005)
- La Otra (1946)
- Obsession / The Hidden Room (1949)
- Mulholland Falls (1996)
- A Bittersweet Life (2005)
99 River Street (1953) is absolutely smouldering.
Note the power dynamic shifts with the blocking (more on our substack shotzero.substack.com/i/138989527/...)
beat it, indeed.
99 River Street (1953) is absolutely smouldering.
Note the power dynamic shifts with the blocking (more on our substack shotzero.substack.com/i/138989527/...)
beat it, indeed.
great discussion of how all adaptation is in dialogue with its source, and what that means in context of Shelley's life and work
neaveglennon.substack.com/p/guillermo-...
great discussion of how all adaptation is in dialogue with its source, and what that means in context of Shelley's life and work
neaveglennon.substack.com/p/guillermo-...
not only the thief’s movements but his experience, before a 12-second (!!!) ECU of the thief's ear.
It’s a wonderful depiction of panic in 60 seconds which puts us 'in his shoes,' makes us feel his panic, then forces us to sit and consider how LOUD the alarm and sirens sound.
not only the thief’s movements but his experience, before a 12-second (!!!) ECU of the thief's ear.
It’s a wonderful depiction of panic in 60 seconds which puts us 'in his shoes,' makes us feel his panic, then forces us to sit and consider how LOUD the alarm and sirens sound.
Understands noir on a fundamental level; one of those films which manages to depict and deconstruct the whole genre at once.
letterboxd.com/mehlsbells/f...
Understands noir on a fundamental level; one of those films which manages to depict and deconstruct the whole genre at once.
letterboxd.com/mehlsbells/f...
letterboxd.com/mehlsbells/f...
letterboxd.com/mehlsbells/f...
"I KNOW WHAT YOU ARE!!!!"
"I KNOW WHAT YOU ARE!!!!"
melkillingsworth.substack.com/p/coffee-and...
melkillingsworth.substack.com/p/coffee-and...
#MarsExpress: shotzero.substack.com/p/mars-expre...
#MarsExpress: shotzero.substack.com/p/mars-expre...
PLOT showing us whether Charlotte (Jocelin Donahue) will successfully dose the coffee
1/3
PLOT showing us whether Charlotte (Jocelin Donahue) will successfully dose the coffee
1/3