Once in a while I like to indulge in some Techno but I have a crazy deliberating amount of impostor syndrome when it comes to this genre. I have no clue how you're "supposed to" produce this stuff and just operate purely on vibes.

Denoisers are usually seen as very clinical editing tools but I like the way they work on pads in place of a typical filter, especially after you add reverb+delay back in afterwards and how the "artifacts" interact with them. Doing EQ/filter preprocessing before the denoiser also sounds cool.

I don't know if putting a transient shaper on the drum bus should be considered bad form but I just love messing around with the entire signal this way

Different varieties of FM Gabber kicks going doink doink doink

Just an old brief style study trying to make Acid Breaks in FM simulating squelchy distorted 303s. Dated January 2021. God, it didn't even feel like it was that long ago.

First time doing growly FM sax. Very unwieldy with inharmonic noise as a byproduct. I just hope the worst artifacts are buried enough in the full mix. Essentially you have to abuse the hardware LFO at max speed to attain the effect. OP1 feedback values need to be very surgical as well.

Nope

Not my favorite movie by a long shot but my favorite moment is probably the intro to Jason Goes To Hell where the feds ambush him and they're doing all this dramatic ziplining and tacticool combat rolls while he's just standing there helplessly getting sprayed with bullets.

I don't know who did this carnival music arrangement of the Quake theme for Joke Jam but I appreciate it

It better have the uncensored Japanese version showing the winning team beating the shit out of the losing team