New Open Access book on Archives and Global Women’s Film Heritage, edited by Lizelle Bisschoff, Ana Grgić and Stefanie Van de Peer

Stretching the Archives: Toward a Global Women’s Film Heritage
www.archivebooks.org/stretching-t...

Candyman, Candyman, Candy— ... Say his name, just not five times. Zayla Crocker tells us how the 1992 & 2021 CANDYMAN filmms "sustained vitality of Black existence & memory through the utterance of a name." From Eng Lang Notes @dukepress.bsky.social @projectmuse.bsky.social
doi.org/10.1215/0013...

movies without boobs aren't movies actually

Long COVID is keeping people from their jobs and their lives, and as COVID cases continue, it is unclear whether the rate of new long COVID cases is increasing faster than the old cases recover, writes @jasemurphy.bsky.social.

Read it here: www.crikey.com.au/2024/12/02/l...

Bystanders mention in Variety!!

Thank you to Bill Earl for including me in this incredible piece about 2024 horror and what the future of the genre looks like in a post-Roe V. Wade world.

Read it here: variety.com/2024/film/ne...

Are you also obsessed with video art? @screenslate.bsky.social has a fascinating interview with Gilles Charalambos as part of A MEDIUM IS BORN: A SHORT HISTORY OF EARLY COLOMBIAN VIDEO ART @anthologyfilm.bsky.social www.screenslate.com/articles/vid...

Happy to report that Robert Eggers' Nosferatu is a Christmas movie.

Joy of joys, our new issue! Feminist Pedagogies in Games Commissioned by our guest editors, Rebecca Rouse, Josefin Westborg and Amy Corron Youmans, explores game design and teaching games from a feminist perspective //maifeminism.com/issues/focus-issue-fourteen-feminist-pedagogies-in-games/

Delve into our exciting new issue 'Doing Women's Global Horror Film History'. The introduction by Alison Peirse and trailer by Dayna McLeod show how this issue became "a model of feminist, decolonial worldmaking".
maifeminism.com/introduction...

Salary comparison tool for instructional track faculty. #HigherEd #Lecturer #InstructionalTrack #teachingFaculty
www.chronicle.com/article/how-...

I'm giving a talk on #LongCovid newest research at the WHO/SILC series tomorrow at 10am ET! This is a series specifically for international clinicians.

The number one advice any & every writing professional can & will give you is this:

DO NOT BE AFRAID TO SUCK.

You have spent years reading books, watching movies & TV, developing taste to know good from bad. NO ONE GETS TO READ YOUR WRITING UNTIL YOU LET THEM. Trust your taste & write fearlessly.

SHE'S HERE! My 10th book is officially out in the world + I could not be prouder. THE CINEMA COVEN: WITCHES, WITCHCRAFT AND WOMEN'S FILMMAKING available through @mcfarland.bsky.social - a celebration of unruly women and the art they make about other unruly women mcfarlandbooks.com/product/the-...

Horror buds, I'm looking for an NYC-based special effects makeup artist for a short film shoot early next year. Anybody have a rad friend I should know about? Reskeets welcome!

I also keep thinking about Racheal Cain's SOMNIUM, with an experimental sleep clinic that makes dreams come true, and how it taps into ideas around the science of dreams, optimization culture, and the (mis)use of AI-generated content. www.dreadcentral.com/news/515667/... @dreadcentral.bsky.social

Returned to reviews for Brooklyn Horror 2024, where one of my favorites was Alice Lowe's TIMESTALKER, where love at first sight is a disorder so powerful it transcends time and space-unfortunately, your soulmate might be kind of rubbish @dreadcentral.bsky.social www.dreadcentral.com/reviews/5156...

An amazing list of people to follow from @suspirialexx.bsky.social!

Finally moved in here, feeling a bit like I got to the party, went out for ice, came back and now everyone is here and it's great. I write about art, films, and culture, make the occasional video essays, and you can read more about it: katerobertson.me

Back in Sydney and it’s 34 degrees in September (93f for US friends).