Oof i got a lot

Ehhh out more comes

Also

Four books to get a look inside my horrid head nook

Yeah guys i have a fanfic for this

My fanfic:

@bitterkarella.bsky.social found and snagged at the local barnes

Newly acquired merch of one of the best fuckin movies ever made. It’s porn, it knows it, it fucking rules.

@briankeene.bsky.social w his most horrifying literary acquisitions

AT MIDNIGHT I’LL TAKE YOUR SOUL (1964, Marins)
On my second watch, it becomes clear to me that this is one of the greatest horror films of it’s time, or of any time, for two particular reasons

The Evil of Frankenstein (1964, Francis) For all the shrugging passivity or outright disdain the film gets, Hammer’s third outing with Frankenstein still has a depth of tragic pathos and one of the most remarkable performances with Peter Cushing as the dynamically malicious and doomed doctor.

EYEBALL (1975, Lenzi)
God i needed a film like this. It’s the most giallo a giallo has ever been, with titties and bodily mutilation and red herrings galore!
As fun as an Italian horror film called Eyeball could possibly be. Certified sleazekino.

THE BRUTALIST (Corbet, 2024)
Cinema as genuine epic, a film made in the mode of the grand tradition of spectacle and character that defined the work of David Lean and films like Metropolis or Gone with the Wind. It is a staggering work about American xenophobia and Jewish identity that hits

BURIAL GROUND (1981, Bianchi) is a bizarre hodgepodge of a film, mixing a seemingly backwards act structure and astoundingly stupid characters to deliver one of the most absurd films in the long and storied history of Italian splatter.

Involving acrobatics, Cynthia Rothrock and head smashing by way of butt. Not the finest kung fu film ever but a good schlocky way to pass an afternoon

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