Joaquín Gavilano
@jjgavilano.bsky.social
PEN/Heim 2023 recipient | Artists360 recipient | Former Translation Editor at The Arkansas International | MFA in Creative Writing and Translation | Boliviano 🇧🇴
Here's a couple shots taken my my amazing wife, @hhtahir.bsky.social
November 24, 2024 at 8:07 PM
Here's a couple shots taken my my amazing wife, @hhtahir.bsky.social
It took me a long time to finally accept that my main language is Spanglish and that there's nothing wrong with that. I communicate the best when I'm able to construct sentences with both set of languages.
It was incredibly freeing to not have to numb either half of this hybrid I speak.
It was incredibly freeing to not have to numb either half of this hybrid I speak.
November 24, 2024 at 8:06 PM
It took me a long time to finally accept that my main language is Spanglish and that there's nothing wrong with that. I communicate the best when I'm able to construct sentences with both set of languages.
It was incredibly freeing to not have to numb either half of this hybrid I speak.
It was incredibly freeing to not have to numb either half of this hybrid I speak.
My gut says "true"
I can theorize something about Americans (even well meaning ones) fetishize exoticness (sensually and/or white saviory)
Or maybe a deep rooted idea that for something to be traditionally published in the US market, it has to be formulaic to a degree higher than other markets.
I can theorize something about Americans (even well meaning ones) fetishize exoticness (sensually and/or white saviory)
Or maybe a deep rooted idea that for something to be traditionally published in the US market, it has to be formulaic to a degree higher than other markets.
March 1, 2024 at 4:25 AM
My gut says "true"
I can theorize something about Americans (even well meaning ones) fetishize exoticness (sensually and/or white saviory)
Or maybe a deep rooted idea that for something to be traditionally published in the US market, it has to be formulaic to a degree higher than other markets.
I can theorize something about Americans (even well meaning ones) fetishize exoticness (sensually and/or white saviory)
Or maybe a deep rooted idea that for something to be traditionally published in the US market, it has to be formulaic to a degree higher than other markets.