Here's what the transition looks like RAW

Crystallization

#AE #Particular

A quick BTS of the wine transition.

Dominik Ruckli's match size capsule keeps a cube at the right size and position at the center of the wine mesh. Then I boolean them.

You can see a plane showing the tracked footage FOV parented to the surface. I morph between the two cameras!

Wine Chicago

I was reading Drops of God on a flight into O'hare and had a moment of inspiration.

All rigged up with Dominik Ruckli's Match Size Modifier capsule. Plus a procedural meniscus. #C4D #Redshift #AfterEffects

Finally got around to modifying Mikey Borup's After Effects Tutorial to mosaic a lack-of-detail instead of luma.

Catenary Sockets.

Messing around in C4D, Redshift, AE, etc.

GTN GIF

Gideon: The Ninth.

The illustration skulls were a last minute addition. The animation is driven almost exclusively with displacement maps.

GTN GIF

Gideon The Ninth.

I rigged up each letter with a random off-settable direction per stroke which adjusted reveal matte angle in addition to just the positions!

Gideon the Ninth.

This lockup is what propelled me to make the entire rest of the piece. And it's the last sequence I'll be clipping!

WDB GIF

We. Do. Bones.

The type treatment that started it all. I saw a CelestialMaze tweet and thought that'd be a cool treatment for the locked tomb type.

GTN GIF

Gideon The Ninth.

I forgot to make the slash in 3D so the broken number is done completely in composite! It was a fun little challenge.