"what has Trump and the GOP cost you" should be the line of attack because it colloquially hits across interest: he hurts you economically as much as he hurts your expectations of fairness ("fairness" being a very easy American frame for arguments of both anti-corruption and corrective justice)

Easy misunderstanding, it's actually because of Trains Georg

it's kinda wild that folks have serious and ongoing reservations about combining sweet and savory flavors via an acidic backbone in a country that has perfected barbecue and is deeply protective of it

The WGA credits screenplays to both one or more individuals, and one or more writing teams who contribute drafts. The "and" indicates different individuals or groups, the "&" indicates a pair of writers on a team

Here, Michael Bacall gets a solo credit, then the team of Bacall & Wright as a group

everyone always suggesting AOC primary one of the NY Senators (I'm perpetually bullish on this) but I absolutely guarantee there are elected state officials you've never heard of in Virginia and Pennsylvania who are putting a team together in their heads right now

But the film itself is also precise while seeming incidental and documenting. In each scene Panahi gets closer and closer to picking up the camera himself, each step towards filmmaking measured.

It is very good.

It is, on one hand, a film of a man pottering around an apartment, making tea and feeding his pet lizard

Lots of folks take the position that this film is electric simply because it is defiant - and it is that, 1000%. It was smuggled to the Cannes Film Festival in a cake!