🔊 New Earth: A Doctor Who Audio Adventure - "The Target novel you never asked for but secretly really wanted."
https://open.spotify.com/show/4aVVWCfgxZDN0MVBfEetI3?si=r2aYgkOlTI2M0wxHCpHFeA
"And I heard, as it were, the noise of thunder.
One of the four harbingers saying 'Come and see,'
And I saw,
And behold... a giant dog."
-- Johnny Cash, "The Man Who Comes Around" (probably)
youtube.com/watch?v=k14o...
"And I heard, as it were, the noise of thunder.
One of the four harbingers saying 'Come and see,'
And I saw,
And behold... a giant dog."
-- Johnny Cash, "The Man Who Comes Around" (probably)
youtube.com/watch?v=k14o...
Robert Redford thought a lot about being Robert Redford over his 5-decade career, so it makes sense to go out on this gentle caper comedy full of wistful, wrinkly smiles & a sweetly elegiac tone. A manhunt picture paced more like an afternoon stroll, which is fine by me.
Robert Redford thought a lot about being Robert Redford over his 5-decade career, so it makes sense to go out on this gentle caper comedy full of wistful, wrinkly smiles & a sweetly elegiac tone. A manhunt picture paced more like an afternoon stroll, which is fine by me.
Say that 3 times fast! 🤣 Robert Redford & Jane Fonda reunite exactly 50 years after BAREFOOT IN THE PARK with this cosy little picture, where the pleasure is simply watching the performances of 2 two old pros, their wonderfully weathered faces saying more than words ever could.
Say that 3 times fast! 🤣 Robert Redford & Jane Fonda reunite exactly 50 years after BAREFOOT IN THE PARK with this cosy little picture, where the pleasure is simply watching the performances of 2 two old pros, their wonderfully weathered faces saying more than words ever could.
Robert Redford. Stranded at sea. With almost no dialogue.
I love this one. It's always fascinating when Redford digs into disenchanting undercurrents beneath his Golden Boy persona and this is him at his absolute best. A marvel of physicality and regret. Double-bill it with GRAVITY!
Robert Redford. Stranded at sea. With almost no dialogue.
I love this one. It's always fascinating when Redford digs into disenchanting undercurrents beneath his Golden Boy persona and this is him at his absolute best. A marvel of physicality and regret. Double-bill it with GRAVITY!
Long, lumbering & unabashedly earnest, this talky thriller feels like a relic from long ago, which isn't exactly a bad thing. It's fun to watch Redford dodge cops & catch trains while meeting a who's-who cast of aging Hollywood royalty. And also the pop-synth score from DRIVE?
Long, lumbering & unabashedly earnest, this talky thriller feels like a relic from long ago, which isn't exactly a bad thing. It's fun to watch Redford dodge cops & catch trains while meeting a who's-who cast of aging Hollywood royalty. And also the pop-synth score from DRIVE?
Brad Pitt eventually channeled his own inner Redford in MONEYBALL, but he gets to play his younger doppelganger in this underrated Tony Scott thriller. Redford is terrific as Pitt's cool, world-weary mentor, at once unapproachable yet magnetic. We never quite know if he's lying or not.
Brad Pitt eventually channeled his own inner Redford in MONEYBALL, but he gets to play his younger doppelganger in this underrated Tony Scott thriller. Redford is terrific as Pitt's cool, world-weary mentor, at once unapproachable yet magnetic. We never quite know if he's lying or not.
Jumping ahead a bit, here's Redford getting his own COOL HAND LUKE as an unbreakable war hero caught in a battle of wills with James Gandolfini's sadistic bully of a prison warden. Worth it just for the performances, with Redford hiding a manipulative side behind all the nobility.
Jumping ahead a bit, here's Redford getting his own COOL HAND LUKE as an unbreakable war hero caught in a battle of wills with James Gandolfini's sadistic bully of a prison warden. Worth it just for the performances, with Redford hiding a manipulative side behind all the nobility.
This is the Big One for me. William Goldman's best script. Just electric. Redford & Hoffman are so great together. Watch how Redford seems to consider sentences before he says them. Biggest laugh is Bernstein's double-take when Woodward casually mentions he's a Republican!
This is the Big One for me. William Goldman's best script. Just electric. Redford & Hoffman are so great together. Watch how Redford seems to consider sentences before he says them. Biggest laugh is Bernstein's double-take when Woodward casually mentions he's a Republican!
The 1st of the Robert Redford/Jane Fonda pairings, adapted from the Neil Simon play which was his big breakthrough, and it's delightful fun. Redford was already keenly aware of his image even then, turning down similar roles in THE GRADUATE & WHO'S AFRAID OF VIRGINIA WOOLF?
The 1st of the Robert Redford/Jane Fonda pairings, adapted from the Neil Simon play which was his big breakthrough, and it's delightful fun. Redford was already keenly aware of his image even then, turning down similar roles in THE GRADUATE & WHO'S AFRAID OF VIRGINIA WOOLF?