You could amp up the sound by using a combination of modulation effects. I quickly slapped a short delay with a lot of feedback, ring modulation, and a tremolo all in parallel to the original sound onto this. It sounds sharper, unstable, and more dangerous. Would love to hear you try it!

Never stop sound designing‼️

Totem Teller was the first redesign I ever made and I remember struggling a lot with it. Comparing this and my current reel makes me happy to see my progress over the years.

I would love to work on a game that ignites a similar spark in me as Totem Teller did.

I participated in #Noisenovember! I made re-designs of Sci-Fi #indiegame for every prompt! This is a compilation of my favorite entries. All of the Games and Devs are mentioned in the video. Hope you enjoy 📡

#GameAudio #GameDev

#NOISENOVEMBER DAY 27 STING

I love shaping and supporting a game with sound design that reinforces its mechanics and presentation. Subtractive workflow works best, start with the most powerful version first!

Game: V.E.D.A by tripearl Games
#GameDev #GameAudio

#NOISENOVEMBER DAY 21 - DISSOLVE

A short clip of Morbid Metal's dodging mechanic that was posted yesterday. Getting the cadence down was tough and I got lost in the middle but here it is.

Game: Morbid Metal by ScreenJuice

#GameDev #GameAudio

#NOISENOVEMBER DAY 7 - GLOW

I loved how the developers of Stand-Alone changed their level transition to keep the momentum going and reward the player for clearing the level with a cool animation.

Game: STAND-ALONE by LIFUEL GAMES

#GameAudio #GameDev

#NOISENOVEMBER DAY 13 - OUCH

I got some feedback regarding my sword sounds not sounding Sci-Fi-ish enough. ENENRA was the first game that came to mind and was on my re-design list for a while anyway.

Game: @enenragame.bsky.social by Zahid Ali Jeelani

#GameAudio #GameDev

#NOISENOVEMBER DAY 6 - PRESSURE

I lost my mind when I saw this clip that went viral some time ago and wanted to try my hand at it. Huge explosions are tricky but I think I managed to have a nice cadence and ring to it.

Game: V.A. Proxy by Pyro Lith
#GameAudio #GameDev

#NOISENOVEMBER DAY 5 - RESONANT

The Spartan Laser has an extraordinary place in my heart, something about it plus the map Sandtrap invokes pure Halo 3 Nostalgia in me. Huge shoutout to Weapons_From_Games whose YouTube Channel I often use as a reference.

#GameAudio #GameDev

#NOISENOVEMBER DAY 4 - INSTRUMENTAL

"WE ARE THEIR INSTRUMENT" is the name of chapter two of Halo - The Art of Building Worlds. Halo has always been my most influential game and I have loved it ever since my Zio Claudio introduced me to Halo Combat Evolved.

#GameAudio #GameDev

#NOISENOVEMBER 3 - SANDWICH

Funnily my first idea was re-designing Resident Evil 1's Jill Sandwich but then this scene from Dead Space came into my mind, arguably fitting my style better.

Game: Dead Space (2023)

#GameAudio #GameDev

#NOISENOVEMBER DAY 2 BONUS - BUBBLY

Of course, it had to happen one day after the prompt but I remembered that I started on this on this re-design some time ago. I am happy to see Nomad evolving whenever I check it out.

Game: Nomad by @gregorski.bsky.social

#GameAudio #GameDev

#NOISENOVEMBER DAY 2 - BUBBLY

Anime-style sci-fi games are a beautiful playground to tap into more playful sounds. I love contrasting impacts with pitchy synth elements.

Game: MIGHTREYA
#GameAudio #GameDev