I like it a lot too, certainly much better than the first one also on NES.

In short, stop shitting on anything coming from Asia.

Without South Korea and Taiwan you wouldn't get the computers you love so much, without China you wouldn't get the Smartphones you love so much and without Japan you wouldn't have gotten the "american" Disney games you love so much.

I'd suggest looking also at the "see also" section for even more of that.

The Disney Style that people love from The Little Mermaid to Lilo and Stitch cames from Ducktales, and it's all anime inspired.

That's because that level is tied to the timing of the frame-rate.

Every time your reloaded a save-state you lose some frames making it harder for yourself to escape the saw.

It's better to use Game Genie and an infinite lives code, restarting that stage is the only way to fix the timing.

Conclusion: Ghost of Yotei suffered because the fanbase of women and left leaning people that played Ghost of Tsushima dwindled.

And angry gamers that became angry, never bought, or regretted buying The Last of US Part II became radicalized.

Doesn't help that some take Helldivers II not as satire.

Sony fans aren't accepting of roles starring women unless sexualized.

It's not the Sony fans that existed before 2020, the modern angry gamer in possession of a PS5 knows that he can say whatever and Sony will let that fly.

Sony didn't defend the actressess playing Ellie or Abby when the multiple months long harassment campaign started for The Last of US Part II.

Sony didn't defend the black people and the women playing characters in God of War Ragnarok.

Sony didn't defend the actor playing Miles Morales.

Erika Ishii didn't get any defense from Sony or Sucker Punch when she got harassment for her role in Ghost of Yotei.

Sony produced Stellar Blade even if in 2022 the devs made anti-feminist statements and fired 2 women from Shift Up and scrubbed their work from the game.

archive.ph/OQMr9