Further studies are needed to determine whether K2-18b, which orbits a star 120 light-years away, is inhabited, or even habitable.

Sun Ra · Bad and Beautiful · Song · 1961

Seeking musical sustenance, and finding it, in Knoxville.

101 Audio OdysseyFriday, March 28, 2025Knoxville, TN @ The Mill & Mine - Big Ears FestivalSchoeps MK4 > Baby NBox > Zoom H6 essential > WAV...

Charles Lloyd: Homage to Zakir Hussain - In The Key Of The UniverseThursday, March 27, 2025Knoxville, TN @ The Tennessee Theatre - Big Ears 2025internal mics...

Paul Motian: drums Joe Lovano: tenor sax Bill Frisell: guitar Marc Johnson: bass Live in Bremen, November 14, 1994 Cover art by unknown artist 1. T.T.T. 2. Turn Out The Stars 3. My Man’s Gone Now 4. Walkin’ Up 5. I Wish I Knew 6. Five Duration 01.00:24 Related recording: (Visited 13 times, 13 visits today)

YouTube video by 60otaku4

The figure of the artist as we know it —independent, irreverent, often economically insecure—is a product of industrial capitalism. Art, likewise, exists within the same system of production and…

<i><span style="color: #f76388;">Back From The Dead...<br/> Originally posted November 22, 2012</span></i><br/> <br/> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtUDXUhbAhYPLQlXXtFawfsUJ-GpSnKrLht9AIxaUMq4gToa9wksFHLUfWmx7A565vpjauyuIC5dd2W36PrYervPc51LGdTiLz2rmu5b-KjC8-JwnqcOplXxG4MUu-DgzcL5yGtIBKXjtv/s1600/Gil-Scott-Heron-1949-2011_large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtUDXUhbAhYPLQlXXtFawfsUJ-GpSnKrLht9AIxaUMq4gToa9wksFHLUfWmx7A565vpjauyuIC5dd2W36PrYervPc51LGdTiLz2rmu5b-KjC8-JwnqcOplXxG4MUu-DgzcL5yGtIBKXjtv/w488-h412/Gil-Scott-Heron-1949-2011_large.jpg" width="488"/></a></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Gil Scott-Heron &amp; Brian Jackson<br/></b><b>Live at the Bottom Line</b></span></div><div style="text-align: center;"><b><span style="font-size: large;">New York, NY<br/> August 20, 1977</span><br/> Soundboard @320</b></div><br/> Gilbert "Gil" Scott-Heron (April 1, 1949 – May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken word performer in the 1970s and '80s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues." His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul.<br/> More <a href="http://en.wikipedia.org/wiki/Gil_Scott-Heron" target="_blank">http://en.wikipedia.org/wiki/Gil_Scott-Heron</a><br/> <br/> <br/><div style="text-align: center;">Set List:</div> <div style="text-align: center;"><br/></div> <span><div style="text-align: center;"><span style="color: #ffa400;"><b>01. New Deal - 10:19</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>02. Gumbai - 5:05</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>03. Intro to Race Track In France - 1:22</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>04. Race Track In France - 8:06</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>05. Band Intros ~ Lead in to 95 South - 2:45</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>06. 95 South - 4:49</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>07. Intro to Hello Sunday, Hello Road - 1:02</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>08. Hello Sunday, Hello Road - 3:45</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>09. Intro to It's Your World - 0:38</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>10. It's Your World - 6:59</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>11. Home Is Where The Hatred Is - 15:29</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>12. Almost Lost Detroit - 5:59</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>13. Intro to Vildgolia - 1:36</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>14. Vildgolia (Deaf, Dumb &amp; Blind) - 12:24</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>15. Winter In America - 6:54</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>16. Under The Hammer - 5:12</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>17. The Bottle - 15:07</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>18. Intro to Johannesburg - 0:53</b></span></div><div style="text-align: center;"><span style="color: #ffa400;"><b>19. Johannesburg - 5:37</b></span></div></span> <br/><br/> <span style="color: #351c75;"><br/></span><div><span style="color: #351c75;"><br/></span></div><div><span style="color: #351c75; font-size: x-small;">pass - fbsvw</span><br/> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/sW8VKEjlePk?si=ffQ4DbrAaW8QLDZB" title="YouTube video player" width="560"></iframe> </div><div><br/></div><div><div style="text-align: center;"><a href="https://bestfile.io/9JOd9oXnIa71e2k/file">Bottom Line '77</a></div> <br/><div style="text-align: center;"><br/></div><div style="text-align: center;"><br/></div><div style="text-align: center;"><span style="color: #990000;">&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;</span></div> <div><br/></div><div><br/></div><br/><div style="text-align: center;"><a href="https://www.blogger.com/blog/post/edit/1838911155116333600/4993917503050252281" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: right;"><img border="0" src="https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tRw0b8pQ7KdObMk6uNLK6zatAo80iLrteE92HDwGD-zYdaLVdRi3w4oC0ETkIG4LWarZ8IjEe3HP1KEpeRLVTr2TgnCm4aE0tqGk3htjrFnq8aaAGB04E6HKRT-nvXIw=s0-d"/></a></div> <br/><br/> </div> <div style="clear: both;"></div>

Gilles speaks with the iconic saxophonist and leader of the Sun Ra Arkestra Marshall Allen

Modern jazz was birthed, so the legend goes, during after-hours jam sessions in 1941 at Minton’s Playhouse in Harlem, where Black touring musicians sought to forge a music beyond the appropriation of…