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angelahudsonjones.bsky.social
angela hudson jones
@angelahudsonjones.bsky.social
650 followers 510 following 1.4K posts
pictures, sound, words

los angeles, ca via ms•tn•oh

#163,207

https://www.instagram.com/angelahudsonjones?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr
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angelahudsonjones.bsky.social
Rinjiro Hasegawa (1904-1988)
Cat, 1966
Rinjiro Hasegawa (1904-1988) Cat, 1966 "It took 6 years to complete this painting. Why?" In "Memories of Tallow" by Rinijiro, he wrote that the cat takes this pose and sleeps like this for only about 9 minutes on only a few days in mid-September each year. It seems to depend on the temperature and cat's feeling. Therefore, "I have to wait until September next year to continue the painting." He was so keen to show the beauty of the cat's that he forgot to paint the whiskers. He added whiskers on one side, but while waiting for the next year, Taro seems to have died from old age" .
November 15, 2025 at 8:20 AM
angelahudsonjones.bsky.social
Camille Claudel [1864-1943] Bust of Rodin / Busto de Rodin Modeled / Modelada entre 1888-92; cast after /fundida después de 1898 Cast by / Fundida por François Rudier (French, about / francés, hacia 1886-1913?) Bronze / Bronce In this acute physical and psychological rendering, Claudel emphasized her sitter's broad forehead and robust nose to indicate his formidable creative intellect. She vigorously modeled Rodin's beard to use it as a craggy rock-face base. Unanimously acclaimed when first exhibited in 1892, the composition became Claudel's most famous portrait during her lifetime. This rare cast is one of a series commissioned by the French journal Mercure de France in 1898.
November 12, 2025 at 3:41 PM
angelahudsonjones.bsky.social
auguste rodin
b. november 12, 1840
paris, france
Camille Claudel [1864-1943] Bust of Rodin / Busto de Rodin Modeled / Modelada entre 1888-92; cast after /fundida después de 1898 Cast by / Fundida por François Rudier (French, about / francés, hacia 1886-1913?) Bronze / Bronce In this acute physical and psychological rendering, Claudel emphasized her sitter's broad forehead and robust nose to indicate his formidable creative intellect. She vigorously modeled Rodin's beard to use it as a craggy rock-face base. Unanimously acclaimed when first exhibited in 1892, the composition became Claudel's most famous portrait during her lifetime. This rare cast is one of a series commissioned by the French journal Mercure de France in 1898.
November 12, 2025 at 3:39 PM
angelahudsonjones.bsky.social
Georgia O'Keeffe Radiator Building—Night, New York, 1927 oil on canvas 48 × 30 in. (121.9 × 76.2 cm) “Georgia O'Keeffe painted the recently constructed Radiator Building at night with its dazzling lights piercing through New York's dark fog. Notice Alfred Stieglitz's name in hazy red neon. This could liken Stieglitz's stature to the skyscraper itself: a larger-than-life monument of innovation and a portrait. Or perhaps O'Keeffe was poking fun at her husband's known boasting that his art galleries were under-advertised.” - Joel Settlemoir, student at the University of Arkansas School of Art
November 8, 2025 at 11:21 PM
angelahudsonjones.bsky.social
oh my… yes
movie poster: Ladies and Gentlemen: The Fabulous Stains, 1982.
November 8, 2025 at 5:26 AM
angelahudsonjones.bsky.social
event announcement: The Ramapo College Creative Music Technology MFA presents... Rainforest + An evening of responses to David Tudor's legendary sound installation. 11/9 Sunday Fridman Gallery 169 Bowery, New York, NY 10002 Rainforest Workshop 3:00—5:00pm Concert: 6:00-8:00 pm In 1974, composer and performer David Tudor dreamed of an Orchestra of Loudspeakers-each unique and capable of different sounds, like the instruments in a classical orchestra. He then composed a series of works called "Rainforest" to realize this dream. In Rainforest, found objects and carefully constructed materials are arranged throughout a space. Special devices called "tactile transducers" are attached to the objects, allowing performers to activate them with sounds of their own choice, creating what Tudor called "an electronic ecosystem." Due to the specific resonance frequencies of each object, each one becomes a very unique loudspeaker. The concert will be preceded by a workshop by Phil Edelstein, one of David Tudor's original collaborators and a founding member of his legendary collective, Composers inside Electronics. Join us for an evening of new works and interpretations inspired by Tudor's visionary approach to sound, space, and materiality.
November 6, 2025 at 2:09 AM
angelahudsonjones.bsky.social
Minnie Evans (1892-1987) Face and Eyes Colored pencil, crayon and ink on paper. Minor toning consistent with age of paper, otherwise excellent condition image 12 x 9 in. hand-carved frame 23.5 x 20 in.
November 3, 2025 at 7:08 PM
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November 3, 2025 at 6:51 PM
angelahudsonjones.bsky.social
concert poster: Bilders EMPATHETIC DUSTBIN TOUR Tues Nov 4 Audio Foundation Auckland 7:30pm Wed Nov 5 Cabana Napier 8pm Thur Nov 6 Pyramid Club Wellington 8pm Fri Nov 7 Lyttelton Coffee Co Christchurch 8pm Sat Nov 8 Pearl Diver Dunedin 8:30pm Tickets $15/20 *AKL$20/25 UNDER THE RADAR /Door Sales Poster & Album art Gunnar Lundkvist BILDERS NEVERLASTING NEW ALBUM NEVERLASTING at Flying Out NOW .
November 3, 2025 at 4:09 PM
angelahudsonjones.bsky.social
still from ‘Dreams That Money Can Buy’ Woman swallowing a golden ball, Desire scene, directed by Hans Richter, 1947.
October 30, 2025 at 6:02 AM
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still from ‘Dreams That Money Can Buy’ Joe’s eye reflected in the blue poker chip, Narcissus scene, directed by Hans Richter, 1947.
October 30, 2025 at 6:00 AM
angelahudsonjones.bsky.social
Bilders new album is a mix of psychic adventures, hard psychedelia and commentary with a bite. Bilders have always sung outliers with a heap of empathy— exploitation of migrants, unmitigated killing and the state of our depleted planet. This album maintains an analog feel with technical finesse as it casts a cold eye on uses and abuses of power in the higher echelons. It is pure Bilders. Surprise collaborations bring in fresh tangents of colour and emotional edge. "We are the Neverlasting renter-squatters of Earth exhausted". The band is once again the voice/guitar of Bill Direen, bass of Matt Swanson and near everything else by Alex McManus, with guesting by former Bilders. It's the same lineup as last year's acclaimed Dustbin of Empathy, and the first 'core' Bilders lineup to remain constant for more than one album. The new compatibility shows. It's an album that builds on current strengths. Notable guestings include Athens Georgia lights Claire Horne of 1980s BBQ Killers, and Curtiss Pernice, guitarist of heavy vanguard Porn Orchard, with a snook-in from experimental and electronic prince Todd Gerber. Two never-released tunes by vintage Bilders (Stu Page and Greig Bainbridge) sit perfectly with the new material. This is quite simply the strongest Bilders album ever. Bilders are led by poet-songwriter and novelist Bill Direen. Magnet Magazine described Direen 'standing with Chris Knox in the vanguard of the country's nonconformist rock pantheon; he's hung in there through some cruel ups and downs.' Graham Reid called Dustbin of Empathy gently beautiful, left-field pop songs, another excellent, entrancing and slightly chilling Direen album. A small booklet (GY15-1) called 'Apropos' with lots of never-before seen photos and short writings by Bill about music will be on sale at the gigs as long as stocks last. —bandcamp
October 28, 2025 at 4:32 PM
angelahudsonjones.bsky.social
stereolab at the bellwether theater, october 26 2025, los angeles.
October 27, 2025 at 6:28 PM
angelahudsonjones.bsky.social
here he is with a cat
Georges Perec (1936 – 1982) with a cat on his shoulder. photo by Anne de Brunhoff.
October 27, 2025 at 6:20 PM
angelahudsonjones.bsky.social
color photograph of a substantial orange tabby attempting to cast spells on all who gaze upon his magnificent underbelly. photographed by: gregory thorp, cincinnati oh, october 2025.
October 25, 2025 at 3:09 PM
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“As Bilders, Builders, and many other constructs, Bill Direen started (and continues) his journey aiming for the stars…”

13thfloor.co.nz/bilders-neve...
black and white portrait of bill direen.
October 25, 2025 at 6:44 AM
angelahudsonjones.bsky.social
1950's Maddux of California ceramic lamp/planter(works-12.5in.tall) lifted from live auctioneers (slightly altered by myself) ceramic lamp in the shape of a white swan.
October 25, 2025 at 5:22 AM
angelahudsonjones.bsky.social
illustration of hello kitty with the caption: Ceci n'est pas un chat (this is not a cat) .
October 22, 2025 at 1:18 AM
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want… bad
October 19, 2025 at 3:20 PM
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screenshot of a post from the no kings rally: a person is holding a sign with an illustration of “don’t tread on me” but there’s a chonky black kitty treading on the snake. the caption reads: “My favorite sign from today. Knoxville really made me proud.” #nokings OH LAWD HE BE TREADING .
October 19, 2025 at 3:51 AM
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Demonstrators in costumes hold placards during a protest outside the U.S. embassy, in London, Saturday, Oct. 18, 2025.(AP Photo/Alberto Pezzali).
October 18, 2025 at 9:22 PM
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Protester dressed in a Statue of Liberty costume enters the subway station after a "No Kings" protest Saturday, Oct. 18, 2025, in New York. (AP Photo/Olga Fedorova).
October 18, 2025 at 9:20 PM
angelahudsonjones.bsky.social
Hilma af Klint b. 1862 d. 1944 Grupp IX/UW, Duvan, nr 5 (Group IX/UW, The Dove, no. 5), 1915 oil on canvas 60 x 46 1/4 in. from Mälningarna till templet [The Paintings for the Temple], 1906-15 The value in being forgotten “To understand both why her art developed the way it did, and why it was so little known for so long, it is probably worth considering the events of her lifetime and her own position. Hilma af Klint was from an aristocratic Swedish naval family. During the first world war, Sweden’s position was armed neutrality, but she was only too aware of the carnage. Her Swan series, started shortly after the outbreak of war, pitches white swan against black as forms become abstracted, looping in harmony, dissolving into geometry and pure abstraction — until at the very end the two swans are locked together. Each contained elements of the other. …as well as the burden of caring for her frail and blind mother, may be why she abandoned painting for four years. It may also be why she specified her art be kept secret until 20 years after her death. There is also a more pragmatic reason. For all its studied neutrality, Sweden was very close to Germany as the Nazis assumed power: radical abstract art with mystical overtones could have caused problems. Hilma af Klint died in 1944. In 1970, after seeing the riches of his aunt’s creative legacy, her nephew Erik offered her art to Sweden’s Moderna Museet. The gift was rejected out of hand when the director heard she was a mystic and a medium. It was perhaps fortunate this gift was rejected. Almost all her art is now owned by the Hilma af Klint Foundation, created by her family. It will never be scattered by the art market nor be the subject of speculation by dealers.” — Joanna Mendelssohn, The University of Melbourne June 15, 2021.
October 18, 2025 at 5:47 PM
angelahudsonjones.bsky.social
Georgiana Houghton [1814-1884] Flower of Catherine Emily Stringer, 1866 watercolour on paper 33 x 24 cm Collection of the College of Psychic Studies, London .
October 18, 2025 at 4:34 PM
angelahudsonjones.bsky.social
October 17, 2025 at 6:18 PM