Stephen Roddy
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stephenroddy.bsky.social
Stephen Roddy
@stephenroddy.bsky.social
Composer/Researcher/Lecturer: Art & Computing (sound | music | digital) @radhumslab.bsky.social & Digital Humanities, @ucc.ie

https://linktr.ee/stephenroddy
Pinned
Putting finishing touches on a performance and a paper for the IEEE Internet of Sounds Symposium at L'Aquila later this month.

@comsoc.bsky.social

www.ucc.ie/en/dah/news/...
Music & Machines at the 5th IEEE Internet of Sounds Symposium | University College Cork
Learn, Study and Research in UCC, Ireland's first 5 star university. Our tradition of independent thinking will prepare you for the world and the workplace in a vibrant, modern, green campus.
www.ucc.ie
Reposted by Stephen Roddy
Track 1 on on the new record has a video. "Ars Electronica" covers the big themes of the album: a tense feeling of my own complicity and entanglement with the consolidation of power into the hands of tech companies. (Debuted last year). vimeo.com/907235575
Ars Electronica (Song by The Organizing Committee) (2024)
A video for The Organizing Committee track, "Ars Electronica." Music & video by Eryk Salvaggio.
vimeo.com
November 10, 2025 at 5:57 PM
Reposted by Stephen Roddy
Digital Artist: In my work I invented the Gowl Detector as a cautionary tale

Tech Company: At long last, we have created the Gowl Detector from classic art installation Don't Create The Gowl Detector
November 6, 2025 at 9:36 PM
Reposted by Stephen Roddy
November 6, 2025 at 10:46 AM
We need an 'Are Death Grips Working on a New Album' bot that just oscillates between yes and no 6 times a day.
November 6, 2025 at 12:01 PM
Annual skeet where I remind you that all pop music pre-2023 was simply a precursor to Samantha Urbani's debut album: www.youtube.com/watch?v=X1-zwazVqtw
Samantha Urbani - An Opportunity
YouTube video by Samantha Urbani
www.youtube.com
November 6, 2025 at 10:12 AM
As the only Digital Art Biennale, I try to put work in the Wrong Biennale whenever I can. This year Ping Ho has programmed "Thonis-Heracleion" for The Distance of Blue pavilion. You can find the Pavillion here: thewrong.org/TheDistanceO...
TheDistanceOfBlue — TheWrongBiennale
The Distance of Blue. The Distance of Blue gathers digital tides of longing, displacement, and transformation, where artists from around the world navigate the...
thewrong.org
November 6, 2025 at 8:14 AM
This one is going to go south real fast. We’ve had increasingly decent voice cloning some the ‘Catch a Waveform’ model a few years back.
But real-time models will open Pandora’s box for phone scammers.
Convincing real-time audio #deepfakes are here, and anyone can make them using a combination of publicly available tools and affordable hardware. How do we know who we’re speaking to now? spectrum.ieee.org/real-time-au...
November 5, 2025 at 6:19 PM
!!!
🚨 OUT TODAY 🚨

The Cory Arcangel Hack
Digital Culture and Aesthetic Practice
By Eivind Røssaak
Preface by Alexander R. Galloway
@mitpress.bsky.social

A deep dive into the last 25 years of my non-sense w/ theories of Flow Cuts, Breaks, Remixes and Parodies 🎓

mitpress.mit.edu/9780262552547/
November 4, 2025 at 9:45 PM
Reposted by Stephen Roddy
New study in @IEEEXplore Transactions on Technology and Society explores what it takes to build a 100% renewable power grid

Read here: ieeexplore.ieee.org/document/111...
#RenewableEnergy #NetZero #EnergyTransition #IEEE #ClimateAction @prajdhan.bsky.social
October 12, 2025 at 5:04 PM
Nice shot of the debut performance of ‘Noise for Waves and Grains’ from the IEEE concerts for the ElettroAQustica 10 festival in L’Aquila this week.
November 1, 2025 at 8:26 PM
Just caved and bought a couple of the new Arduino Uno Qs will report back.
November 1, 2025 at 11:02 AM
New piece is soundchecking well. Shame my phone camera is dying though!
October 29, 2025 at 3:08 PM
Also true of the vast majority of scholars studying “AI”. That’s both the STEM crew “I don’t know what I’m doing but this GitHub script seems to work when I run it on Google Collabs” and the AHSS “I’m going to focus on the ethics here but only in a shitlib Eurocentric kinda way”
Chatbots — LLMs — do not know facts and are not designed to be able to accurately answer factual questions. They are designed to find and mimic patterns of words, probabilistically. When they’re “right” it’s because correct things are often written down, so those patterns are frequent. That’s all.
October 27, 2025 at 4:22 PM
Debuting 'Noise for Waves and Grains at the IEEE Internet of Sounds Concert for the 10th Edition of the ElettroAQustica Festival at Conservatorio “A. Casella” of L'Aquilla this Wednesday. If you happen to be nearby, please do drop in!
October 27, 2025 at 2:49 PM
No Academia.edu I will not provide a free peer-review fror your ‘Mental Health’ journal that charges a fees of $2000 per article and for which I am in no way qualified. But thanks so much for the offer.
October 26, 2025 at 1:53 PM
More brilliant stuff. The reduction of thought to language alone is deeply engrained with generations of lazy research regurgitating that Sapir Whorf stuff from the 20s. Which is disappointing given the intervening research on embodied and ecological framings of perception and cognition
October 26, 2025 at 11:55 AM
Gen-AI is essentially automation for the "knowledge economy" which was imagined to be a stable, lucrative field that could not be automated because it was uniquely human.
Not unlike the work of textile artisans replaced by the loom. It's not a new problem. It won't go away when the AI bubble bursts
October 24, 2025 at 10:37 AM
A particularly useful breakdown of facts and figures underlying AI energy consumption in @spectrum.ieee.org this month:

spectrum.ieee.org/ai-energy-use
How Much Energy Does It Take to Power Billions of AI Queries?
All generative AI queries could hit 329 billion per day by 2030. See the big picture on AI's energy use, and how it's reshaping our world.
spectrum.ieee.org
October 23, 2025 at 12:43 PM
If the Louvre's stolen Jewels turned up in the museums of the countries they were originally pillaged from, what then?
October 21, 2025 at 10:23 AM
Just discovered we'll be performing in the 'temporary' paper tube auditorium Shigeru Ban built for the musicians of L'Aquila after the 2009 earthquake. Don't always get excited about performing at this point in a long musical life, but I am genuinely ecstatic to be playing here next week!
October 20, 2025 at 3:04 PM
My brand as a researcher at this point is just to explain the entire premise methods and results of any given paper in the title.
Very much the in "Ronseal Woodstain: Does exactly what it says on the tin" mode.
October 20, 2025 at 1:16 PM
“Sorry for the e-noise. But please see attached the latest Merzbow release”
October 18, 2025 at 12:41 PM
Reposted by Stephen Roddy
I just found a really funny cassette made when I was 13 which is bits of Spice Girls interviews and other music taped off the telly (Eternal 'Angel of Mine', a small child singing 'Roll With It' by Oasis), interspersed with the most unexpectedly intense musique concrete
October 16, 2025 at 12:44 PM
Reposted by Stephen Roddy
Yes, our attention is being collectively neutered in the enshittified omnibucket. This is the first essay I've read that stands up a hopeful, plausible little trellis for us to climb out without quitting the mess we birthed and raised.
www.noemamag.com/the-last-day...
The Last Days Of Social Media | NOEMA
Social media promised connection, but it has delivered exhaustion.
www.noemamag.com
October 14, 2025 at 10:22 PM
Reposted by Stephen Roddy
LLMs have convincingly demonstrated that coding is the easiest activity, maths is medium hard, and having taste is the hardest
October 15, 2025 at 6:10 AM