Jim Jarmusch's DOWN BY LAW (1986) is a breezy character study wrapped in a prison break.
We discuss Tom Waits, Roberto Benigni, self-imposed isolation, and its deceptive simplicity on today's episode!
(links in 🧵)
#movie #podcast #filmsky
Aaron and I watched the movie together, and I commented on how Tom Waits’s music persona was informing how I thought about his character in DOWN BY LAW. While recording, Harry then brought up the same point… independently!
Aaron and I watched the movie together, and I commented on how Tom Waits’s music persona was informing how I thought about his character in DOWN BY LAW. While recording, Harry then brought up the same point… independently!
Now it is!
This ep’s from the first couple months of the pandemic, and you can hear in our voices that it was weird times. But at least it was a nice distraction.
We covered HIS MOTORBIKE, HER ISLAND (1986) five years ago, when it seemed like nobody in the US had seen it.
Now that it’s playing at @trylon.org, we’ve republished our old episode. As a treat.
Pinecast: bit.ly/47ShXqf
Apple: apple.co/3ePGKBl
Spot: spoti.fi/32tGNOo
Now it is!
This ep’s from the first couple months of the pandemic, and you can hear in our voices that it was weird times. But at least it was a nice distraction.
I hesitate to call it “restrained,” but where some of his other movies blend style with pathos, it’s somewhat modal here. It pops in and out of the craziness before blending the two in act 3
THE GIRL WHO LEAPT THROUGH TIME (1983) is a different kind of time travel tale, rife with teen drama and melancholy, told in a way only HAUSU (1977) auteur Nobuhiko Ōbayashi could.
Here's our look at it!
(links in 🧵)
#japanesefilm #scifi #80s
I hesitate to call it “restrained,” but where some of his other movies blend style with pathos, it’s somewhat modal here. It pops in and out of the craziness before blending the two in act 3
Obviously a standout among Kurosawa and Kobayashi's casts, but he also really tore up the screen as the lead, the villain, and occasionally both — like in Kihachi Okamoto's SWORD OF DOOM (1966).
Rest easy, king
Obviously a standout among Kurosawa and Kobayashi's casts, but he also really tore up the screen as the lead, the villain, and occasionally both — like in Kihachi Okamoto's SWORD OF DOOM (1966).
Rest easy, king
www.snipershirts.com
Packing up orders all workday, but anything after 5pm or so will have to wait until I’m back from travel!
www.snipershirts.com
Packing up orders all workday, but anything after 5pm or so will have to wait until I’m back from travel!
Thought it rude he didn’t let me know he was biking Lake of the Isles earlier in the day, but he’s probably pretty busy
Thought it rude he didn’t let me know he was biking Lake of the Isles earlier in the day, but he’s probably pretty busy
#GameDev #IndieGameDev #GameDesign
#GameDev #IndieGameDev #GameDesign
We covered it earlier this year with @finnematic.bsky.social — check out our discussion on this moody, broody, “2000s emo kid” formative text!
Timelessly spooky, hopelessly terrifying, and maybe truly evil — no Halloween is complete without THE EXORCIST (1973).
We dug deep on Friedkin's classic in episode 354 (with a special appearance by @metallicaisrad.bsky.social)!
(links in 🧵)
#70s #movieween #horror #theexorcist
Tubi before Plex: There will be no sex
Tubi before Plex: There will be no sex
Free Gravity Rush 2 DLC buff.ly/4gglEui
also on PS+ Extra
Free Gravity Rush 2 DLC buff.ly/4gglEui
also on PS+ Extra
Xbox physical $49.93 US Dollars at VGP buff.ly/22RXsCW
also on Game Pass Premium
Xbox physical $49.93 US Dollars at VGP buff.ly/22RXsCW
also on Game Pass Premium