Greeaahmalobey
banner
gmaloney.bsky.social
Greeaahmalobey
@gmaloney.bsky.social
Esoteric writer and video goblin. Art student in the Burren.

I write about film, art, and the permeable membrane of social semiotic culture orbs

I make abstract video experiments on the edge of human tolerance, which is fun for me, I promise
Pinned
Sorry, gen ai is silicon valley snake oil being stapled to everything to make money, it has no benefit and untold detriments. It’s gross bro. Avoid at all costs
Reposted by Greeaahmalobey
Record breaking prices for artwork sales do not, sadly, represent an investment in art and artists.

Investors are reducing their taxable profits before the end of the tax year with big one-off purchases while universities cut their humanities faculties and artists earn less than minimum wage.
A self-portrait by legendary Mexican artist Frida Kahlo sold for $54.66 million (€47.34m ) in New York yesterday, setting a new record for the price of a painting by a woman, the auction house Sotheby's said
Frida Kahlo painting auctions for $54.6m
A self-portrait by legendary Mexican artist Frida Kahlo sold for $54.66 million (€47.34m ) in New York yesterday, setting a new record for the price of a painting by a woman, the auction house Sotheby...
www.rte.ie
November 21, 2025 at 9:02 AM
Reposted by Greeaahmalobey
New today on the site:

“Ivan Dixon’s THE SPOOK WHO SAT BY THE DOOR (1973) is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet, a vicious bit of malware streamed through hijacked plutocrat satellites.”

- Bryan Miller
The Spook Who Sat By the Door (1973): Weaponized Expectations
Ivan Dixon's The Spook Who Sat By the Door is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet.
www.brightwalldarkroom.com
November 18, 2025 at 7:46 PM
One of the kindest, most thoughtful, committed platforms for film writing out there. You get so much beauty with a subscription!
Doing one of those earnest posts where we kindly remind you that we lost half our operating budget over the summer, and that we're looking for ways to keep this whole thing going, and that if you like what we do or that we exist, the best thing you could possibly do to support us is to subscribe
Subscribe - Bright Wall/Dark Room
Subscribe for $29 a year Subscribe now to receive immediate access to each new essay we publish, plus our entire 140+ issue archive. Bright Wall/Dark Room is 100% independent, runs no ads, and strongl...
www.brightwalldarkroom.com
November 15, 2025 at 5:37 PM
Reposted by Greeaahmalobey
New today:

"At its core, HIGH NOON is a parable about civic abandonment, the inherent danger in waiting for the moment to act & discovering that no one will stand beside you—a quality which makes it an apt tale for our current political moment."

- Riley Womack

(🎨 by @studioralston.bsky.social)
High Noon (1952): Wait Along, Wait Along…
At its core, High Noon is a parable about civic abandonment, the inherent danger in waiting for the moment to act and discovering that no one will stand beside you.
www.brightwalldarkroom.com
November 11, 2025 at 8:53 PM
Reposted by Greeaahmalobey
New today!

"Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance & attachment—BARTON FINK becomes a spiritual classroom wherein karma serves as teacher & each turn of the wheel offers the same lesson until it's learned."

- J.D. Biard

(🎨 by @mosesleeart.bsky.social)
Barton Fink in the School of Samsara: The Eternal Student
Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance and attachment—Barton Fink becomes a spiritual classroom wherein karma serves as teacher and each turn of the wheel ...
www.brightwalldarkroom.com
October 30, 2025 at 5:47 PM
Reposted by Greeaahmalobey
Still reeling from this, still need a whole lotta help to cover next year, if you feel so inclined, consider a subscription?
Real talk (reel talk?):

BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
Subscribe - Bright Wall/Dark Room
Subscribe for $29 a year Subscribe now to receive immediate access to each new essay we publish, plus our entire 135+ issue archive. Bright Wall/Dark Room is 100% independent, runs no ads, and strongl...
brightwalldarkroom.com
October 30, 2025 at 5:39 AM
Reposted by Greeaahmalobey
Watching the Wheels: Finding Meaning and Purpose in PATERSON
Watching the Wheels: Finding Meaning and Purpose in 'Paterson'
In the world of Jarmusch’s film, the purpose of work lies not in external achievement, but in the personal satisfaction of doing.
www.brightwalldarkroom.com
October 30, 2025 at 6:55 AM
Reposted by Greeaahmalobey
New on the site!

Our brand new Teachers issue kicks off with @dodgyboffin.com's Double Features column on ROAD HOUSE and MAGIC MIKE
Double Feature: Road House (1989) & Magic Mike (2012)
Both Road House and Magic Mike are about learning how to be a person in society—which is far easier to learn when there’s a teacher involved.
www.brightwalldarkroom.com
September 11, 2025 at 5:14 PM
Reposted by Greeaahmalobey
Real talk (reel talk?):

BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
Subscribe - Bright Wall/Dark Room
Subscribe for $29 a year Subscribe now to receive immediate access to each new essay we publish, plus our entire 135+ issue archive. Bright Wall/Dark Room is 100% independent, runs no ads, and strongl...
brightwalldarkroom.com
August 17, 2025 at 2:41 AM
It’s still shocking and still painful. The venture capitalesque dismantling of public good continues. To see these ghouls care so little of our great civic accomplishments is a boot heel on my soul…
"WASHINGTON, D.C. (August 1, 2025) – The Corporation for Public Broadcasting (CPB) announced today that it will begin an orderly wind-down of its operations"

cpb.org/pressroom/Co...
August 1, 2025 at 6:19 PM
Ugh, what was the other bisky topic of the day? This is exhausting, you all live like this?
August 1, 2025 at 6:03 PM
Patriarchal society tells men that they can only experience tenderness in a sexual context, then capitalist agents exploit this fear of being unloved in order to sell them nonsense. This leaves young men at loggerheads with the communities and avenues they’ve been pitted against
August 1, 2025 at 6:00 PM
Reposted by Greeaahmalobey
MOTHRA - Premiered in Japan this day in 1961
July 30, 2025 at 2:22 PM
Reposted by Greeaahmalobey
New today on the site!

“Consider how THE SILENCE OF THE LAMBS revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition, where vision exceeds the reach of training.”

- Veronica Fitzpatrick

(art by @bturnerinfo.bsky.social)
Where to Look: The Silence of the Lambs (1991)
Consider how The Silence of the Lambs revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition.
www.brightwalldarkroom.com
July 29, 2025 at 5:18 PM
My professor Steven Bach, producer of Heaven’s Gate, once took me to task in front of our entire class for suggesting Gummo was a film worthy of notice. It’ll always have a place in my heart for that. Go read Nathaniel’s piece. Gummo is good actually
New today on the site!

Nathaniel Missildine writes through Harmony Korine's complex and sometimes troubling Gummo (1997), contemplating what it has to say to us today.

"The vision has been awful; it has been life-affirming. As our curtain drops, the rain returns. The sky is falling again."
Gummo: The Best Years of Our Demise
Gummo is gross and soft-hearted and then cruel at every turn. We’re handed a grab bag of what Korine dares us to call perversions.
www.brightwalldarkroom.com
July 23, 2025 at 2:26 PM
BW/DR continuing to be the most interesting film writing around, a truly thoughtful report on a fascinating slate
New today on the site!

Dylan Adamson writes about his experience attending the 9th annual Nitrate Picture Show, its various films and recurring themes, and a controversial final screening.

"This year’s films presented the past not as a refuge from our present tumult, but as a reflection of it."
The 2025 Nitrate Picture Show: It’s a Thin Line, Johnny
This year’s annual Nitrate Picture Show presented the past not as a refuge from our present tumult, but as a reflection of it.
www.brightwalldarkroom.com
July 19, 2025 at 8:38 PM
Reposted by Greeaahmalobey
"In principle, apocalypse might imply a clean, sudden ending, but in practice, it’s a drawn-out and uneven descent. I can think of few works of art that understand this better than THE LEFTOVERS."

- @sophiastewart.bsky.social
Why Wouldn’t I Believe You? - The Leftovers | BW/DR
The Leftovers makes two competing claims: that other people are mostly what gives life meaning; and that, despite guaranteed loss, we have to invest in them anyway.
www.brightwalldarkroom.com
July 17, 2025 at 6:38 AM
Reposted by Greeaahmalobey
New today on the site!

The Jonathan Demme issue continues, with @lindseyromain.bsky.social on RACHEL GETTING MARRIED

(art by @ohhhaeee.bsky.social)
Rachel Getting Married: Yesterday Is Gone & Tomorrow Is Not Here
So much of Jonathan Demme's 2008 film Rachel Getting Married is about needle-fine moments of grace and clemency.
www.brightwalldarkroom.com
July 15, 2025 at 3:25 PM
Reposted by Greeaahmalobey
New today on the site:

Our new Jonathan Demme issue kicks off with post @eccantwell.bsky.social on Talking Heads, Demme, STOP MAKING SENSE, absurdity & anchors, existentialism, bodies in motion, and the transcendent joy of art in this moment

(🎨 by @studioralston.bsky.social)
Stop Making Sense: One Must Imagine Talking Heads Happy
The Talking Heads are strange truth-tellers, joyfully angry people, persistently interested in the power of art. And collaborating with Jonathan Demme elevated their music to something truly transcend...
www.brightwalldarkroom.com
July 11, 2025 at 6:09 PM
Reposted by Greeaahmalobey
This is correct and it's why public opinion doesn't actually do anything on its own. It has to be mobilized. You have to DO politics.
My sense of things has always been that most people do not have strong, deeply felt opinions on a lot of policy issues, and so their opinions can change fairly quickly depending on what’s in the news.
Why do people's opinions on a single issue change with the direction of the wind?
July 11, 2025 at 1:16 PM
Today I’m learning that a lot of people don’t read biographies of directors that they like. Which is fine! But also, I’ve got some bad news for you about a lot of other directors…
July 11, 2025 at 2:01 PM
Reposted by Greeaahmalobey
sorry i don’t think Zohran’s win indicates how state or national races will go. Zohran campaigned against unaffordable basic needs and an old pervert. problems that are unique to new york city and no where else in the country
June 28, 2025 at 4:34 PM
You should subscribe to some of the best film writing around! Support independent film thoughts. Find joy!
This weekend only! Get your first year of BW/DR for just $19 with code SUMMER25

We’ll be raising our subscription prices slightly on August 1st (to $29/year) so now is your best chance to subscribe at the lowest rate we’ll offer this year! 🍿

New, returning, and gift subscriptions all welcome!
Subscribe - Bright Wall/Dark Room
Subscribe for $25 a year Subscribe now to receive immediate access to each new essay we publish, plus our entire 135+ issue archive. Bright Wall/Dark Room is 100% independent, runs no ads, and strongl...
www.brightwalldarkroom.com
June 28, 2025 at 5:09 PM
Reposted by Greeaahmalobey
Hey guys! I got to go long on the complex beauty of community in Miyazaki’s films over at @bwdr.bsky.social - thank you to @chadperman.bsky.social for helping shape this into something I’m really excited for you all to read www.brightwalldarkroom.com/2025/06/27/c...
Coming from a Place: Community in the Films of Hayao Miyazaki
Community isn’t just for comfort in Miyazaki’s world; it's a hallmark of interdependence, a vital theme in almost every one of his films.
www.brightwalldarkroom.com
June 27, 2025 at 10:16 PM
Reposted by Greeaahmalobey
New today on the site—

The Community issue continues, with @thisishannahkim.bsky.social on KINDS OF KINDNESS and WOMEN TALKING:

"A certain kind of kindness and a certain kind of despair start to sound like the same tune."
Kinds of Kindness & Women Talking: Kindness as Compliance
In both Kinds of Kindness and Women Talking, a certain kind of kindness and a certain kind of despair start to sound like the same tune.
www.brightwalldarkroom.com
June 24, 2025 at 6:27 PM