I write about film, art, and the permeable membrane of social semiotic culture orbs
I make abstract video experiments on the edge of human tolerance, which is fun for me, I promise
Investors are reducing their taxable profits before the end of the tax year with big one-off purchases while universities cut their humanities faculties and artists earn less than minimum wage.
Investors are reducing their taxable profits before the end of the tax year with big one-off purchases while universities cut their humanities faculties and artists earn less than minimum wage.
“Ivan Dixon’s THE SPOOK WHO SAT BY THE DOOR (1973) is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet, a vicious bit of malware streamed through hijacked plutocrat satellites.”
- Bryan Miller
“Ivan Dixon’s THE SPOOK WHO SAT BY THE DOOR (1973) is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet, a vicious bit of malware streamed through hijacked plutocrat satellites.”
- Bryan Miller
"At its core, HIGH NOON is a parable about civic abandonment, the inherent danger in waiting for the moment to act & discovering that no one will stand beside you—a quality which makes it an apt tale for our current political moment."
- Riley Womack
(🎨 by @studioralston.bsky.social)
"At its core, HIGH NOON is a parable about civic abandonment, the inherent danger in waiting for the moment to act & discovering that no one will stand beside you—a quality which makes it an apt tale for our current political moment."
- Riley Womack
(🎨 by @studioralston.bsky.social)
"Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance & attachment—BARTON FINK becomes a spiritual classroom wherein karma serves as teacher & each turn of the wheel offers the same lesson until it's learned."
- J.D. Biard
(🎨 by @mosesleeart.bsky.social)
"Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance & attachment—BARTON FINK becomes a spiritual classroom wherein karma serves as teacher & each turn of the wheel offers the same lesson until it's learned."
- J.D. Biard
(🎨 by @mosesleeart.bsky.social)
BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
Our brand new Teachers issue kicks off with @dodgyboffin.com's Double Features column on ROAD HOUSE and MAGIC MIKE
Our brand new Teachers issue kicks off with @dodgyboffin.com's Double Features column on ROAD HOUSE and MAGIC MIKE
BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
cpb.org/pressroom/Co...
“Consider how THE SILENCE OF THE LAMBS revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition, where vision exceeds the reach of training.”
- Veronica Fitzpatrick
(art by @bturnerinfo.bsky.social)
“Consider how THE SILENCE OF THE LAMBS revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition, where vision exceeds the reach of training.”
- Veronica Fitzpatrick
(art by @bturnerinfo.bsky.social)
Nathaniel Missildine writes through Harmony Korine's complex and sometimes troubling Gummo (1997), contemplating what it has to say to us today.
"The vision has been awful; it has been life-affirming. As our curtain drops, the rain returns. The sky is falling again."
Dylan Adamson writes about his experience attending the 9th annual Nitrate Picture Show, its various films and recurring themes, and a controversial final screening.
"This year’s films presented the past not as a refuge from our present tumult, but as a reflection of it."
- @sophiastewart.bsky.social
- @sophiastewart.bsky.social
The Jonathan Demme issue continues, with @lindseyromain.bsky.social on RACHEL GETTING MARRIED
(art by @ohhhaeee.bsky.social)
The Jonathan Demme issue continues, with @lindseyromain.bsky.social on RACHEL GETTING MARRIED
(art by @ohhhaeee.bsky.social)
Our new Jonathan Demme issue kicks off with post @eccantwell.bsky.social on Talking Heads, Demme, STOP MAKING SENSE, absurdity & anchors, existentialism, bodies in motion, and the transcendent joy of art in this moment
(🎨 by @studioralston.bsky.social)
Our new Jonathan Demme issue kicks off with post @eccantwell.bsky.social on Talking Heads, Demme, STOP MAKING SENSE, absurdity & anchors, existentialism, bodies in motion, and the transcendent joy of art in this moment
(🎨 by @studioralston.bsky.social)
We’ll be raising our subscription prices slightly on August 1st (to $29/year) so now is your best chance to subscribe at the lowest rate we’ll offer this year! 🍿
New, returning, and gift subscriptions all welcome!
The Community issue continues, with @thisishannahkim.bsky.social on KINDS OF KINDNESS and WOMEN TALKING:
"A certain kind of kindness and a certain kind of despair start to sound like the same tune."
The Community issue continues, with @thisishannahkim.bsky.social on KINDS OF KINDNESS and WOMEN TALKING:
"A certain kind of kindness and a certain kind of despair start to sound like the same tune."