Black Earth, Wisconsin | aboutplacejournal.org
"Before long, I became an ardent admirer of Nuri İyem, especially of his sad women faces and migration paintings. They touch and move me in ways that no other painting has ever done.'
Aysel K. Basci is a nonfiction writer & translator
aboutplacejournal.org/issues/on-fr...
"Before long, I became an ardent admirer of Nuri İyem, especially of his sad women faces and migration paintings. They touch and move me in ways that no other painting has ever done.'
Aysel K. Basci is a nonfiction writer & translator
aboutplacejournal.org/issues/on-fr...
kenyonreview.org/submit/short...
kenyonreview.org/submit/short...
Olive roots watered by distant sun,
Shadowed now by London rain.
Even here, the keffiyeh’s threads
run under my skin—
heredity memory stitched into mornings dense with tea
From 'Roots in exile' - Adam Suleiman
aboutplacejournal.org/issues/on-fr...
Olive roots watered by distant sun,
Shadowed now by London rain.
Even here, the keffiyeh’s threads
run under my skin—
heredity memory stitched into mornings dense with tea
From 'Roots in exile' - Adam Suleiman
aboutplacejournal.org/issues/on-fr...
🗓️ Submission period: January 1 to March 10, 2026
🖋️ Editorial team: Amanda Ngoho Reavey, Seth Copeland, Nora Boxer & Beatrice Szymkowiak. #LitMag
🗓️ Submission period: January 1 to March 10, 2026
🖋️ Editorial team: Amanda Ngoho Reavey, Seth Copeland, Nora Boxer & Beatrice Szymkowiak. #LitMag
I couldn't be more excited about this incredible opportunity. Thank you to Amanda for inviting me to guest edit this issue. Send us your place pieces!
The @aboutplacejournal.bsky.social editorial team for 'The Ground Beneath Us: Place, Power, and Resistance' issue invites work that explores place as a site of struggle and survival.
Explore the call ⬇️
I couldn't be more excited about this incredible opportunity. Thank you to Amanda for inviting me to guest edit this issue. Send us your place pieces!
The @aboutplacejournal.bsky.social editorial team for 'The Ground Beneath Us: Place, Power, and Resistance' issue invites work that explores place as a site of struggle and survival.
Explore the call ⬇️
Wherever the women are calling us, fear can galvanize action, impelling us to take risks, to voice our dread when even everyday life becomes paralyzing.
_
From 'Anthem for the Silenced' by Gail Tyson
aboutplacejournal.org/issues/on-fr...
Wherever the women are calling us, fear can galvanize action, impelling us to take risks, to voice our dread when even everyday life becomes paralyzing.
_
From 'Anthem for the Silenced' by Gail Tyson
aboutplacejournal.org/issues/on-fr...
The @aboutplacejournal.bsky.social editorial team for 'The Ground Beneath Us: Place, Power, and Resistance' issue invites work that explores place as a site of struggle and survival.
Explore the call ⬇️
The @aboutplacejournal.bsky.social editorial team for 'The Ground Beneath Us: Place, Power, and Resistance' issue invites work that explores place as a site of struggle and survival.
Explore the call ⬇️
flight-literary.ghost.io/jack-bedell-...
flight-literary.ghost.io/jack-bedell-...
www.youtube.com/live/N37ufs2...
www.youtube.com/live/N37ufs2...
Solo is a collage artist/poet/playwright in Bellingham, Washington. He has made thousands of small collages...most of which have been added to little booklets mailed all over the world to other artists.
aboutplacejournal.org/issues/on-fr...
Solo is a collage artist/poet/playwright in Bellingham, Washington. He has made thousands of small collages...most of which have been added to little booklets mailed all over the world to other artists.
aboutplacejournal.org/issues/on-fr...
or pray for wonder woman to arrive at her doorstep
once i believed in
i do not believe in much anymore
but i believe in girls
girls in Gaza.
may you dance.
______________
From 'girls in Gaza' by Anita Marie Júlca
aboutplacejournal.org/issues/on-fr...
or pray for wonder woman to arrive at her doorstep
once i believed in
i do not believe in much anymore
but i believe in girls
girls in Gaza.
may you dance.
______________
From 'girls in Gaza' by Anita Marie Júlca
aboutplacejournal.org/issues/on-fr...
From 'Sorrows' by Jack Holcombe
aboutplacejournal.org/issues/on-fr...
From 'Sorrows' by Jack Holcombe
aboutplacejournal.org/issues/on-fr...
beneath the bedsheets, curled on the floor. I mean
when they arrest me, the zipties gnaw
my wrists, numb my fingers, and I have never been
more myself.
__
From: Climate Activists Blockade Energy Dept. Headquarters
aboutplacejournal.org/issues/on-fr...
beneath the bedsheets, curled on the floor. I mean
when they arrest me, the zipties gnaw
my wrists, numb my fingers, and I have never been
more myself.
__
From: Climate Activists Blockade Energy Dept. Headquarters
aboutplacejournal.org/issues/on-fr...
by Davin Faris
[You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be provided for you...
#Poetry
aboutplacejournal.org/issues/on-fr...
by Davin Faris
[You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be provided for you...
#Poetry
aboutplacejournal.org/issues/on-fr...
______
Vignali is entering her last year of high school as she continues to expand her artistic career. She spends her time creating visual art, picking up new instruments, and exploring the outside world.
#Art #LitMag
aboutplacejournal.org/issues/on-fr...
______
Vignali is entering her last year of high school as she continues to expand her artistic career. She spends her time creating visual art, picking up new instruments, and exploring the outside world.
#Art #LitMag
aboutplacejournal.org/issues/on-fr...
asked me if I loved freedom.
I said yes,
but not the kind
that comes with a barcode.
Freedom here
is a performance:
a hymn sung off-key
by men in suits
who have never been hungry.
From 'The Document' by Wasima Khan
#Poetry #LitMag
aboutplacejournal.org/issues/on-fr...
Can't wait to read your work!!
aboutplacejournal.org/submissions/
Can't wait to read your work!!
aboutplacejournal.org/submissions/
asked me if I loved freedom.
I said yes,
but not the kind
that comes with a barcode.
Freedom here
is a performance:
a hymn sung off-key
by men in suits
who have never been hungry.
From 'The Document' by Wasima Khan
#Poetry #LitMag
aboutplacejournal.org/issues/on-fr...
asked me if I loved freedom.
I said yes,
but not the kind
that comes with a barcode.
Freedom here
is a performance:
a hymn sung off-key
by men in suits
who have never been hungry.
From 'The Document' by Wasima Khan
#Poetry #LitMag
aboutplacejournal.org/issues/on-fr...
nominees! Explore the nominated works from the 'On Freedom' and 'Careful/Care-full Collaboration' issues of our literary journal @aboutplacejournal.bsky.social.
#Poetry #Prose #PushcartPrize
blackearthinstitute.org/pushcart-pri...
nominees! Explore the nominated works from the 'On Freedom' and 'Careful/Care-full Collaboration' issues of our literary journal @aboutplacejournal.bsky.social.
#Poetry #Prose #PushcartPrize
blackearthinstitute.org/pushcart-pri...