Valerie Fairlight
@valree.bsky.social
Artist in the streets, napper in the sheets. Stained glass. Helping people buy property because nice things aren’t just for rich people.
She/her in the PNW.
Stained glass feed: https://bsky.app/profile/did:plc:tpsvcxzhlzp3ysiaouxk6i7e/feed/aaail6a7fhgui
She/her in the PNW.
Stained glass feed: https://bsky.app/profile/did:plc:tpsvcxzhlzp3ysiaouxk6i7e/feed/aaail6a7fhgui
That’s exactly it. Too many variables. Sometimes something dramatic and high contrast on the table looks like mush in real light.
October 28, 2025 at 9:26 PM
That’s exactly it. Too many variables. Sometimes something dramatic and high contrast on the table looks like mush in real light.
Aw thanks man! I’m never sure either how it will come out til I see the parts all together. Sometimes at the end it’s a little *sad trombone*
October 28, 2025 at 9:19 PM
Aw thanks man! I’m never sure either how it will come out til I see the parts all together. Sometimes at the end it’s a little *sad trombone*
Reposted by Valerie Fairlight
A young Vincent Price. From that same shoot, in London in 1935.
October 25, 2025 at 1:20 AM
A young Vincent Price. From that same shoot, in London in 1935.
I still don’t know if Alan is referring to the personal reversion or the plot swerve at the end. 🤔 I have a feeling we might have different sticking points.
October 21, 2025 at 9:17 PM
I still don’t know if Alan is referring to the personal reversion or the plot swerve at the end. 🤔 I have a feeling we might have different sticking points.
Your mouth to dog’s ears.
September 25, 2025 at 10:57 PM
Your mouth to dog’s ears.