So glad you love these magical idiots! ❤️❤️❤️❤️

truly

this captures my feelings about the film perfectly!

so fun!!!!!

Oh thank you!

I love this

👏

PS: its unfair to say that Saltburn says NOTHING about money. I think it captures the absurdity of excess and alternating uber hospitable warmth and protect-our-own-icyness of these kinds of posh families, and how their infighting and egos and repressed desires are always their weak spots.

ohhhh my goodness! thats certainly a take. but thank you for the solidarity <3

tldr; sometimes a bisexual, pathological liar wealth fetishist doing unspoken psychological BDSM on a posh family while Jacob Elordi is bathed in adoring directorial-muse light is fun to watch! sometimes insane erotic soap-thrillers needle and gawk at the wealthy without a moral message about money!

It's not about if the film "glamorizes" Oliver's con. I don't see it as having been shot through a strong didactic lens (a lens an artist may choose to use but is not compelled to). The film isn't asking you to cheer or condemn, it's provoking feeling: pleasure, fear, longing, revulsion, all at once

i don't know about you, but the marketing and aesthetic references did not lead me to expect a class satire. I expected a rich people behaving badly erotic thriller. Basically, "what if Brideshead was y2k but more edgy without the Catholics", which is basically what Fennel delivered.