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stephandaniel.bsky.social
Stephan Daniel 🇫🇷🇩🇪🇪🇺
@stephandaniel.bsky.social
420 followers 420 following 1.5K posts
Born Franco-Allemand | #Stuttgart and #Paris | @threema.ch user | Hobby photographer |
AFOL | Geek | Music/Film/TV Show/LEGO lover |
80s & 90s childhood

©️ All photos are mine (except for reposts)
📸 Panasonic Lumix DMC-TZ81 and Xiaomi Redmi Note 13
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stephandaniel.bsky.social
''*' (Joker, Freispiel)' #FotoVorschlag

"Strike a pose, there's nothing to it!" (2025)

@bskyphotos.bsky.social
#photography #nature #naturephotography #animals #animalphotography #catsofbluesky #catsky #cats #katze #cat #wildlife #straycats #tuxedocat #tuxedocats #blueskyねこ部 #猫がいる暮らし #fall #autum
The image presents a striking portrait of a black and white cat amidst a bed of autumn leaves. The cat, the focal point, sits upright, directly facing the viewer with a focused gaze. Its fur is primarily black, with a distinctive white patch extending from its chest up to its chin, creating a tuxedo-like appearance. The cat’s face features a pink nose and striking green eyes, which draw the viewer’s attention. Fine white whiskers extend from both sides of its face, adding to its expressive features. The ears are pointed and alert, suggesting an attentive posture. The cat is positioned in a pile of fallen autumn leaves. The leaves are predominantly in shades of brown, orange, and tan, with variations in texture and form, creating a rich, earthy background. The composition is well-balanced, with the cat centered in the frame, and the leaves surrounding it, adding depth and context to the scene. The lighting is natural, with soft shadows that enhance the texture of the leaves and the cat's fur. The overall impression is one of autumn ambiance, with the cat as a serene presence within the natural setting.
November 11, 2025 at 8:47 AM
stephandaniel.bsky.social
If you see this, post an album cover with a motor vehicle in it.
The image is the cover for the Modern Talking 12 inch maxi single "Geronimo's Cadillac" (Hansa 608 620-213, released on October 6,1986). The scene is set in what appears to be a desert landscape bathed in the warm light of a sunset. The background is a gradient of oranges, yellows, and reds, suggesting a dramatic sky. In the foreground, the primary objects are arranged on what seems to be a sandy surface. A white convertible car is positioned in the center, near a tall, transparent, triangular prism. Three clear glass spheres of varying sizes are scattered around the car and prism. One sphere has a slightly amber hue. The text "Modern Talking" is written in a stylized, cursive font at the top of the image, with "Geronimo's Cadillac" in a simpler, bolder font beneath it. At the bottom, the text "MAXI-SINGLE/45t" is displayed. The composition utilizes a symmetry that is slightly off-center, with the prism and car acting as a central point, and the spheres and the background sky balancing the image. The overall effect is a blend of realism and surrealism, with the carefully arranged objects creating a visually striking cover. The color palette is dominated by warm tones, evoking a sense of drama and perhaps a hint of mystery.
November 8, 2025 at 10:59 PM
stephandaniel.bsky.social
I met Yvonne and Mavis Staples back in 2014 and had no clue Mavis is still active these days. 🤯
November 8, 2025 at 8:54 PM
stephandaniel.bsky.social
Große 💓 für Michael Bollenbacher, der in der SWR Landesschau vom Stadion über das Europa League Spiel VfB Stuttgart - Feyenoord Rotterdam berichtet und völlig selbstverständlich 'Neckarstadion' anstatt MHP Arena sagt. Ich liebe einfach alles daran! 🤩
November 6, 2025 at 7:09 PM
stephandaniel.bsky.social
"My name is Robbie fucking Williams. This is my band. And for the next two hours, your ass is mine!"

Robbie Williams' "Britpop Tour" at Olympic Stadium in Munich, Germany
The image captures a dramatic stage performance by British singer Robbie Williams at Olympic Stadium in Munich, Germany on July 26, 2025. The central focus is a Robbie Williams suspended mid-air, attached to a rigging system. He is dressed in a white and black outfit, with his arms outstretched in a pose of triumph. He is positioned atop a golden, arched structure resembling a stylized staircase. The structure is illuminated with warm, golden light and is adorned with small lights along the edges of the steps. The structure also features a rectangular sign with the letters "RW" on it. Below Robbie Williams, a burst of sparks and pyrotechnics erupts, adding to the spectacle. The backdrop is filled with a hazy atmosphere from smoke, illuminated by spotlights that create vertical beams of light. The overall color palette is dominated by warm tones of gold, orange, and white, contrasted by the darker areas of the stage and background. In the foreground, a blurry crowd of people is visible, with many of them holding up their phones to capture the performance. The composition is centered around Robbie Williams and the stage structure, creating a sense of grandeur and excitement. The lighting, pyrotechnics, and the Robbie Williams's pose all contribute to a dynamic and visually arresting scene. The image captures a vibrant concert scene. The focal point is the stage, brightly lit with an elaborate display of lights and screens. Two large screens flank the stage, each displaying Robbie Williams in a bright red tracksuit with arms raised. The stage itself features a series of square and rectangular screens, some displaying images and video, outlined in vibrant blue and red. Above the stage, a structure with linear lights and geometric shapes adds to the visual complexity. On the stage, several dancers are visible; some are in the center while others are scattered around. The dancers are wearing white outfits. The audience is a massive crowd of people, tightly packed and extending into the foreground. Many people in the audience hold up their phones, recording the concert. The overall color palette is dominated by bright colors. The screens glow with vivid reds, oranges, blues, and purples. The stage lighting creates beams of yellow, white, and other colors that cut through the air. The crowd appears relatively dark, with some hints of color from clothing and phone screens. The composition is dynamic, with the stage and screens as the central element and the vast crowd forming a backdrop. The lighting creates a sense of depth and energy. The image is taken from a slightly elevated perspective, giving the viewer a comprehensive view of the entire scene. The image captures a live performance, with Robbie Williams as the central figure. He is dressed in a striking pink suit, consisting of a blazer, trousers, and a matching t-shirt underneath. The suit's color is vibrant and eye-catching, contrasting with the darker stage setting. He is wearing a delicate necklace and a bracelet. Robbie Williams is positioned on a stage, indicated by the lighting and the presence of a microphone. He is holding the microphone and gesturing with his right hand. To his right, a black stool stands. The stage floor appears to be reflecting light, possibly from stage lights. The background is dark and indistinct, with glimpses of stage equipment and lighting. The dominant color palette is purple and black, with accents of pink and gold from the stage lights. The lighting is focused on Robbie Williams, creating a spotlight effect that emphasizes him. The composition places Robbie Williams in the center, with the audience visible at the bottom of the frame. The audience is mostly in silhouette, but their presence is evident through the raised hands holding phones. This suggests that the audience is engaged and capturing the moment. The overall mood is energetic and lively. The image captures a large concert scene at night during Robbie Williams' show at Olympic Stadium in Munich, Germany on July 26, 2025. The stadium is filled with a massive crowd, their presence illuminated by the glow cell phone lights held up in the air. The stands are packed, with the lights creating a shimmering effect that looks like a sea of stars. The color palette is dominated by the darkness of the night sky and the stadium itself, contrasted by the bright white and yellow lights from the phones. The foreground shows the lower section of the crowd, with people holding up their phones. There's a bar area visible with a sign that reads "Cocktails, Drinks & Sekt." The composition is wide, capturing the scale of the event. The stage and Robbie Williams are not directly visible, but the focus is on the audience and their collective experience. The overall impression is one of energy, excitement, and shared experience.
November 6, 2025 at 11:53 AM
stephandaniel.bsky.social
Some more photos of the supermoon 🌕

Captured this morning at 5:15 am

@bskyphotos.bsky.social
@calgaryrasc.bsky.social
#photography #lunar #moon #nature #moonlight #sky #nightsky #nightphotography #astrology #moonphotography #space #astronomy #fullmoon #supermoon #astrophotography
The image depicts a detailed view of the November 5, 2024 supermoon (also known as Beaver Moon) against a black background. The supermoon is the primary subject, dominating the center of the frame. Its surface is textured with numerous craters, ridges, and dark patches, giving it a rough, three-dimensional appearance. The colors are primarily shades of gray and white, with the darker areas representing the lunar "seas" or lowlands and the lighter areas highlighting the highlands and impact craters. The background is a deep black, punctuated by small, bright stars. These stars are scattered randomly, adding depth and a sense of vastness to the scene. The image is framed within a white border, which creates a sense of separation and focus. The overall composition is symmetrical, with the full moon centered, drawing the viewer's eye directly to its detailed surface. The image evokes a sense of wonder and the mystery of space. The image depicts a detailed view of the November 5, 2024 supermoon (also known as Beaver Moon) against a black background. The supermoon is the primary subject, dominating the center of the frame. Its surface is textured with numerous craters, ridges, and dark patches, giving it a rough, three-dimensional appearance. The colors are primarily shades of gray and white, with the darker areas representing the lunar "seas" or lowlands and the lighter areas highlighting the highlands and impact craters. The background is a deep black, punctuated by small, bright stars. These stars are scattered randomly, adding depth and a sense of vastness to the scene. The image is framed within a white border, which creates a sense of separation and focus. The overall composition is symmetrical, with the full moon centered, drawing the viewer's eye directly to its detailed surface. The image evokes a sense of wonder and the mystery of space. The image depicts a detailed view of the November 5, 2024 supermoon (also known as Beaver Moon) against a black background. The supermoon is the primary subject, dominating the center of the frame. Its surface is textured with numerous craters, ridges, and dark patches, giving it a rough, three-dimensional appearance. The colors are primarily shades of gray and white, with the darker areas representing the lunar "seas" or lowlands and the lighter areas highlighting the highlands and impact craters. The background is a deep black, punctuated by small, bright stars. These stars are scattered randomly, adding depth and a sense of vastness to the scene. The image is framed within a white border, which creates a sense of separation and focus. The overall composition is symmetrical, with the full moon centered, drawing the viewer's eye directly to its detailed surface. The image evokes a sense of wonder and the mystery of space. The image depicts a detailed view of the November 5, 2024 supermoon (also known as Beaver Moon) against a black background. The supermoon is the primary subject, dominating the center of the frame. Its surface is textured with numerous craters, ridges, and dark patches, giving it a rough, three-dimensional appearance. The colors are primarily shades of gray and white, with the darker areas representing the lunar "seas" or lowlands and the lighter areas highlighting the highlands and impact craters. The background is a deep black, punctuated by small, bright stars. These stars are scattered randomly, adding depth and a sense of vastness to the scene. The image is framed within a white border, which creates a sense of separation and focus. The overall composition is symmetrical, with the full moon centered, drawing the viewer's eye directly to its detailed surface. The image evokes a sense of wonder and the mystery of space.
November 6, 2025 at 11:06 AM
stephandaniel.bsky.social
Tonight’s supermoon 🌕

Captured with my Panasonic Lumix DMC-TZ81

@bskyphotos.bsky.social
@calgaryrasc.bsky.social
@science.esa.int
#photography #lunar #moon #nature #moonlight #sky #nightsky #nightphotography #astrology #moonphotography #space #astronomy #fullmoon #supermoon #astrophotography
The image depicts a detailed view of the November 5, 2024 supermoon (also known as Beaver Moon) against a black background. The supermoon is the primary subject, dominating the center of the frame. Its surface is textured with numerous craters, ridges, and dark patches, giving it a rough, three-dimensional appearance. The colors are primarily shades of gray and white, with the darker areas representing the lunar "seas" or lowlands and the lighter areas highlighting the highlands and impact craters. The background is a deep black, punctuated by small, bright stars. These stars are scattered randomly, adding depth and a sense of vastness to the scene. The image is framed within a white border, which creates a sense of separation and focus. The overall composition is symmetrical, with the full moon centered, drawing the viewer's eye directly to its detailed surface. The image evokes a sense of wonder and the mystery of space.
November 5, 2025 at 7:31 PM
stephandaniel.bsky.social
'Dinge die mit "D" beginnen oder so aussehen ...' #FotoVorschlag

"Dixigas Records" (2025)

@bskyphotos.bsky.social
#photography #urbanphotography #vinyl #music #records #musicsky #vinylcommunity #recordstore #vinylcollection #HeMan #motu #mastersoftheuniverse #Skeletor #Eternia
The image presents a vibrant and themed display, within the record store "Dixigas Records" in 76137 Karlsruhe, Germany. The primary focus is on a celebratory arrangement, featuring iconic characters and symbols. The background is dominated by a shimmering gold tinsel curtain, creating a festive and eye-catching backdrop. Against this background, several large, cardboard cutouts of characters from the "Masters of the Universe" franchise are prominently displayed. These include Skeletor, with his distinctive blue skin, purple hood, and menacing skull-like face; a figure dressed in a red costume and a skull-like face; and He-Man, the heroic character, in his classic attire. The characters are complemented by other decorative elements. There are cutouts of vinyl records, some of which appear to form a base for He-Man. The numbers "45" and "7" are also present, indicating a focus on 45 RPM records. Additionally, there are small bat cutouts, adding to the decorative theme. Below the display, a series of wooden shelves are visible, filled with record crates. Each crate is labeled with a "Rock & Pop" sign, indicating the genre of records stored within. The arrangement suggests an organized and accessible record collection. The overall color palette is bold and vibrant, with the gold backdrop providing a warm contrast to the cooler blues and purples of Skeletor and the more vibrant reds and oranges of He-Man and the other figures. The composition is well-balanced, with the characters and decorative elements distributed across the background to create visual interest. The scene is well-lit, highlighting the colors and textures of the decorations and records. The image evokes a sense of nostalgia, fun, and a celebration of music and pop culture.
November 5, 2025 at 8:00 AM
stephandaniel.bsky.social
5/11 Something pastel and soft
#challengephotoaday #fmspad

@bskyphotos.bsky.social
#photography #sunrise #nature #naturephotography #sky #sonnenaufgang #landscape #landscapephotography #naturelovers #clouds #SchönesGegenDoofes
The image captures a vibrant sunrise over a city skyline. The sky is the dominant element, showcasing a gradient of colors. The upper portion of the sky transitions from a deep, rich blue to a lighter, almost pastel blue. Scattered across this blue canvas are dark, textured clouds, adding depth and visual interest. Below the blue, the sky transforms into a warm palette of orange and red, indicating the sun's position below the horizon. The hues blend smoothly, creating a soft and inviting glow. The cityscape is silhouetted against this colorful backdrop. Buildings of varying heights and shapes are visible, including what appears to be a church steeple, which adds a distinct architectural element to the scene. Construction cranes are also visible, hinting at ongoing development within the city. The buildings and structures are rendered in dark tones, emphasizing their forms against the bright sky. The composition is framed with a rounded border, which gives the image a slightly softened and nostalgic feel. The overall impression is one of tranquility and beauty, capturing a fleeting moment of natural splendor over an urban landscape.
November 5, 2025 at 7:40 AM
stephandaniel.bsky.social
5/11 Sombre #UnJourUnePhoto

#photovember #photography #streetphotography #urbanphotography #bnwphoto #blackandwhitephotography #bnwphotography #blackandwhite #monochrome #streetlife #Paris #bnw #nightphotography
The image is a black and white photograph taken at night. The main subject is a woman sitting on a stone ledge in the foreground, with the Paris Louvre museum and a gathering of people blurred in the background. The woman is seated with her left elbow resting on her right hand, her chin supported by her left hand. She is wearing a dark, polka-dot top, jeans, and sneakers. A black handbag rests next to her, and she holds a white paper bag between her legs. Her expression is thoughtful, looking off to the side. Behind her, a grassy area slopes up towards the Louvre museum. The museum is a large, classical structure with multiple windows and a detailed facade, though it is out of focus. A crowd of people is gathered in front of the building, also blurred. Streetlights illuminate the space. The composition places the woman in the lower center of the frame, with the Louvre museum and crowd serving as a backdrop. The depth of field is shallow, keeping the woman in sharp focus while blurring the background. The lighting is soft, with the streetlights providing the primary illumination. The overall tone is contemplative and quiet.
November 5, 2025 at 6:48 AM
stephandaniel.bsky.social
Der gemeine Pöbel ist stets bereit und hat sich am Freitag schon bewaffnet 🧀
November 3, 2025 at 4:40 PM
stephandaniel.bsky.social
Oder einfach ein Gewürzgläschen Paprika oder Zimt in die Handtasche packen und schon bist Du ein Spice Girl 😅
October 31, 2025 at 4:18 PM
stephandaniel.bsky.social
Der Pumuckl war's... 😶‍🌫️
Das Bild zeigt eine beschädigte Kinoplakatwerbung. Der Hauptteil des Plakats, der den Kinofilm "Pumuckl und das große Missverständnis" bewirbt, ist von einem Graffiti bedeckt, das einen groben, aggressiven Hund darstellt. Der Hund ist in verschiedenen Farbtönen von Braun, Orange und Schwarz bemalt, mit einigen weißen Abplatzungen, die das darunterliegende Material freilegen. Auf der rechten Seite des Plakats ist ein Teil des ursprünglichen Filmplakats erhalten geblieben. Es zeigt ein Bild von Florian Brückner, der lächelt und den Pumuckl (mit roten Haaren, einem gelben Hemd und grünen Hosen) auf einem blauen Traktor sitzen hat. Im Hintergrund sind Berge und eine grüne Wiese zu sehen. Über dem Bild befindet sich "Der Kinofilm" in einem roten ovalen Feld. Die Komposition des Bildes wird durch die Zerstörung des Plakats und die Überlagerung von Graffiti dominiert. Die Farben sind vielfältig, von den leuchtenden Farben des Filmplakats bis zu den gedämpften Tönen des Graffitis und des umliegenden Rahmens. Der Hintergrund umfasst einen blauen Himmel und Bäume. Das Plakat befindet sich am Nordbahnhof in Stuttgart mit Schienen und Schotter im Vordergrund. Der Rahmen des Plakats ist aus Metall und zeigt Spuren von Witterungseinflüssen.
October 30, 2025 at 10:02 AM
stephandaniel.bsky.social
'Ein weiter Weg' #FotoVorschlag

"Fly Me To The Moon" (2025)

@bskyphotos.bsky.social
#photography #lunar #moon #nature #moonlight #sky #nightsky #nightphotography #astrology #moonphotography #space #astronomy #crescentmoon #mond #weltraum #weltall
The image depicts a close-up view of the moon during its waxing crescent phase against a black background. The moon is positioned slightly off-center to the right, taking up a significant portion of the frame. The illuminated portion of the moon displays a warm, yellowish-white color, with a textured surface characterized by craters and other surface features. The unlit portion of the moon is completely dark. The overall composition is simple, with the dark background emphasizing the brightness and detail of the moon's surface.
October 29, 2025 at 8:49 AM
stephandaniel.bsky.social
Tonight’s waxing crescent moon 🌒

Captured with my Panasonic Lumix DMC-TZ81

@bskyphotos.bsky.social
@calgaryrasc.bsky.social
#photography #lunar #moon #nature #moonlight #sky #nightsky #nightphotography #astrology #moonphotography #space #astronomy #crescentmoon
The image depicts a close-up view of the moon during its waxing crescent phase against a black background. The moon is positioned slightly off-center to the right, taking up a significant portion of the frame. The illuminated portion of the moon displays a warm, yellowish-white color, with a textured surface characterized by craters and other surface features. The unlit portion of the moon is completely dark. The overall composition is simple, with the dark background emphasizing the brightness and detail of the moon's surface.
October 28, 2025 at 6:01 PM
stephandaniel.bsky.social
44 years ago today #Metallica were officially formed.
It all started with an ad placed in a local Los Angeles newspaper by then 16-year-old Lars Ulrich, which read: "Drummer looking for other metal musicians to jam with."
And then history was made. 🎸
The image is an 8x10 inch black and white promotional photograph featuring the members of the heavy metal band Metallica. The photograph is composed of four individual portraits of the band members, each in a different pose, arranged in a square layout. Each portrait is placed against a plain white background. The photo is signed by all four band members. In the top left, James Hetfield is seated with his legs bent and feet flat on the floor, wearing a black leather jacket, black pants, and sunglasses. His arms are resting on his knees. Above his portrait is his large signature. To the top right, Lars Ulrich is seated in a similar position to Hetfield, wearing a black leather jacket over a t-shirt and sunglasses. His hands are resting on his knees. Above his portrait is his autographs and the number "89". In the bottom left, Kirk Hammett is leaning against a wall, wearing a black shirt, black pants, and sunglasses. He is leaning on one leg. Beneath his portrait is the band's logo, "METALLICA" as well as his signature. In the bottom right, Jason Newsted is seated, wearing a black leather jacket, black pants, and glasses. His hands are clasped in front of him. Below his portrait is his signature. All four band members have long hair. The lighting is even, creating a uniform look across all four portraits. The image also includes the Elektra Records logo and a photo credit to Ross Halfin, dated 1989. The image is filled with the band's autographs, drawn around the images of the band members.
October 28, 2025 at 10:28 AM
stephandaniel.bsky.social
I always though this dish's origins are from Germany. 🤔
After all it's a classic German dish and everyone here knows it as Liver Berlin style: fried calf liver, served with braised onions, caramelised apple slices and mashed potatoes.
October 27, 2025 at 10:18 AM
stephandaniel.bsky.social
I feel most Deep Purple albums from the 90s onwards are underrated. Never understood why people stick to the 70s classics and the Mark-II lineup.
Just like those boomers who hate new music and keep ranting on Facebook about how everything was better back in the day.
October 27, 2025 at 9:15 AM
stephandaniel.bsky.social
Liebe Böcker Maschinenwerke GmbH: alles richtig gemacht! 😂

Grüße gehen raus nach Werne im Münsterland
October 26, 2025 at 8:08 AM
stephandaniel.bsky.social
'Bäume' #FotoVorschlag

"Lifelines" (2024)

@bskyphotos.bsky.social
#photography #nature #winter #naturephotography #wood #tree #sky #forest #trees #wald #natur #baum #frost #snow #ice #winterwonderland #UnJourUnePhoto #SchönesGegenDoofes #photoctober
The image showcases a close-up, upward view of a tree's branches against a bright blue sky. The branches are thick and brown, with a rough texture, and are heavily coated in white frost, creating a striking contrast. The frost covers the finer twigs, making them appear delicate and lace-like. The composition is dynamic, with the branches spreading out diagonally across the frame, creating a sense of movement and depth. The blue sky peeks through the gaps between the branches, adding brightness and highlighting the intricate patterns of the frosty limbs. The overall effect is a crisp, wintery scene with a beautiful interplay of colors and textures. The image has a slight vignette effect, which draws the eye towards the center of the scene.
October 26, 2025 at 7:44 AM
stephandaniel.bsky.social
Wie ABBA, Coldplay, AC/DC, Genesis, Queen, The Police, Metallica, Pink Floyd, Depeche Mode, Black Sabbath oder Tina Turner die kleinen Städte Böblingen und Sindelfingen zu DEN Konzertmetropolen im Südwesten machten, zeigt dieses Buchjuwel auf über 260 Seiten!
verlag-regionalkultur.de/detail/01981...
Christoph Wagner - "Von ABBA bis ZAPPA - Als Sindelfingen und Böblingen den Südwesten rockten (1964 – 1984)" ISBN 978-3-95505-536-3 Herausgegeben durch Illja Widmann, Stadtmuseum Sindelfingen. 264 Seiten mit 278 Farb- und Schwarz-Weiß-Abbildungen, fester Einband. Klappentext: Mit einem "Pop-Verbot" machte die Stadt Stuttgart den Krawallen ein Ende, die 1970 regelmäßig bei Rockkonzerten aufgeflammt waren. Weil es in Sindelfingen und Böblingen geeignete Hallen gab, verlagerte sich die internationale Popkonzertszene dorthin. Ob Status Quo, Fleetwood Mac oder Deep Purple, ob Yes, Kraftwerk, Pink Floyd oder Santana – alle traten hier auf, auch Black Sabbath, Phil Collins, The Police, Leonard Cohen, Johnny Cash, Dire Straits, Nina Hagen, Metallica, AC/DC, Iron Maiden und Queen. Zu den Auftritten strömten massenweise Fans aus nah und fern, was die beiden Nachbarstädte in den 1970er und 80er Jahren zu Popmetropolen machte und für Hunderttausende erst auf die Landkarte setzte. "Ist in Stuttgart von Pop die Rede, meint man Böblingen oder Sindelfingen", brachte es die Presse auf den Punkt. Christoph Wagner - "Von ABBA bis ZAPPA - Als Sindelfingen und Böblingen den Südwesten rockten (1964 – 1984)" ISBN 978-3-95505-536-3 Herausgegeben durch Illja Widmann, Stadtmuseum Sindelfingen. 264 Seiten mit 278 Farb- und Schwarz-Weiß-Abbildungen, fester Einband. Klappentext: Mit einem "Pop-Verbot" machte die Stadt Stuttgart den Krawallen ein Ende, die 1970 regelmäßig bei Rockkonzerten aufgeflammt waren. Weil es in Sindelfingen und Böblingen geeignete Hallen gab, verlagerte sich die internationale Popkonzertszene dorthin. Ob Status Quo, Fleetwood Mac oder Deep Purple, ob Yes, Kraftwerk, Pink Floyd oder Santana – alle traten hier auf, auch Black Sabbath, Phil Collins, The Police, Leonard Cohen, Johnny Cash, Dire Straits, Nina Hagen, Metallica, AC/DC, Iron Maiden und Queen. Zu den Auftritten strömten massenweise Fans aus nah und fern, was die beiden Nachbarstädte in den 1970er und 80er Jahren zu Popmetropolen machte und für Hunderttausende erst auf die Landkarte setzte. "Ist in Stuttgart von Pop die Rede, meint man Böblingen oder Sindelfingen", brachte es die Presse auf den Punkt. Christoph Wagner - "Von ABBA bis ZAPPA - Als Sindelfingen und Böblingen den Südwesten rockten (1964 – 1984)" ISBN 978-3-95505-536-3 Herausgegeben durch Illja Widmann, Stadtmuseum Sindelfingen. 264 Seiten mit 278 Farb- und Schwarz-Weiß-Abbildungen, fester Einband. Klappentext: Mit einem "Pop-Verbot" machte die Stadt Stuttgart den Krawallen ein Ende, die 1970 regelmäßig bei Rockkonzerten aufgeflammt waren. Weil es in Sindelfingen und Böblingen geeignete Hallen gab, verlagerte sich die internationale Popkonzertszene dorthin. Ob Status Quo, Fleetwood Mac oder Deep Purple, ob Yes, Kraftwerk, Pink Floyd oder Santana – alle traten hier auf, auch Black Sabbath, Phil Collins, The Police, Leonard Cohen, Johnny Cash, Dire Straits, Nina Hagen, Metallica, AC/DC, Iron Maiden und Queen. Zu den Auftritten strömten massenweise Fans aus nah und fern, was die beiden Nachbarstädte in den 1970er und 80er Jahren zu Popmetropolen machte und für Hunderttausende erst auf die Landkarte setzte. "Ist in Stuttgart von Pop die Rede, meint man Böblingen oder Sindelfingen", brachte es die Presse auf den Punkt.
October 25, 2025 at 8:41 AM
stephandaniel.bsky.social
'Zahlen: Acht' #FotoVorschlag

"Colour up your life!" (2025)

@bskyphotos.bsky.social
#photography #streetphotography #urbanphotography #autumn #rain #weather #rainyday #herbst #regen #regenwetter #umbrella #regenschirm
The image showcases a vibrant, open umbrella against an outdoor backdrop. The umbrella itself is the primary focus, its canopy adorned with a striking pattern of colorful, wavy lines. These lines, in a spectrum of hues including red, orange, yellow, green, blue, and purple, radiate from the center of the umbrella and extend towards its edges. The lines are set against a black background. A strap of the same design as the canopy hangs down, adding to the visual appeal. The background reveals a blurred street scene. Buildings, trees, and other structures are visible, suggesting an urban environment. The overall tone is bright and lively, with the umbrella's colors contrasting sharply with the more muted tones of the surroundings. The composition is centered on the umbrella, emphasizing its design and making it the focal point of the image. The slight blur and framing around the image add a touch of artistic flair.
October 24, 2025 at 8:11 AM
stephandaniel.bsky.social
Und da war es nur noch einer... 😅
Das Foto zeigt eine alte Autogrammkarte der deutschen Schlagerband "Die Flippers" aus dem Jahr 1967 in ihrer ursprünglichen sechsköpfigen Besetzung. Von links nach rechts sind zu sehen: Bernd Hengst, Franz Halmich, Roland Bausert, Olaf Malolepski, Claus Backhaus und Manfred Durban.
October 19, 2025 at 8:22 PM
stephandaniel.bsky.social
'Tradition / Brauchtum' #FotoVorschlag

"Red Devils" (2006)

@bskyphotos.bsky.social
@knowkoreanculture.bsky.social
#photography #urbanphotography #soccer #football #fussball #reddevils #southkorea #korea #koreanculture #FIFA #FIFAWorldCup
The image captures a vibrant scene inside a stadium, during the 2006 FIFA World Cup match Korea Republic vs Togo on June 13, 2006 at Commerzbank Arena in Frankfurt, Germany. The dominant element is the massive crowd of spectators, predominantly wearing red shirts, creating a sea of red that fills the stands. The composition is a high-angle shot, providing a comprehensive view of the stadium's seating and the density of the audience. The color palette is dominated by red, representing the Red Devils (붉은 악마 / 붉은 惡魔), the South Korea national football team supporters' colors. Accents of yellow, white, and black are also present, adding contrast and visual interest. The South Korean flag is prominently displayed throughout the image, on banners and flags. The stadium's structure is visible, with seating tiers and supporting beams. The overall atmosphere is one of excitement and enthusiasm, suggested by the dense crowd, the team colors, and the presence of flags and banners. The image captures a moment of high energy and anticipation during the match. The lighting is natural, casting shadows and highlights across the crowd and the stadium.
October 19, 2025 at 8:42 AM
stephandaniel.bsky.social
Scheiße man! Nur 48 Jahre! 😳
RIP Sam Rivers 🎸
Das Foto zeigt ein 20x25 cm großes schwarz-weiß Promofoto der amerikanischen Band Limp Bizkit. Die Bandmitglieder sind auf einer Treppe angeordnet, wobei der Sänger Fred Durst im Vordergrund sitzt und die anderen Bandmitglieder dahinter auf den Stufen platziert sind. Durst trägt eine schwarze Mütze, ein schwarzes T-Shirt und eine Hose. Er trägt auch eine Uhr am Handgelenk und hat Tätowierungen an den Armen. Die anderen Bandmitglieder tragen ebenfalls überwiegend schwarze Kleidung. Die Treppe ist aus Stein oder Marmor gefertigt und hat ein kunstvolles Geländer. Der Hintergrund ist ein hoher Raum mit Stuckarbeiten an der Decke. Das Foto ist mit blauen und schwarzen Sharpie von Fred Durst, Sam Rivers, Wes Borland, John Otto und DJ Franko Carino handsigniert und mit Geburtstagsglückwünschen versehen. Am unteren Rand des Fotos befinden sich die Namen der Bandmitglieder sowie Logos und Informationen über die Plattenfirma Interscope Records.
October 19, 2025 at 6:27 AM