Here's a fanart/production art for @kyleboy21.bsky.social's WIP webcomic "Team NIFTOT". This "group portrait" poster joins together most of the major characters in the series, including the four protagonists and a majority of key supporting characters.

Nobody cares about how AI enhances video game spritework! In fact, humans can do that MUCH better! And whether we've realized it or not, it's been possible for them to do so since as far back as the early 2000s!
Here's my 2x quality enhancement of YI Yoshi, who's being used as an example here:

This year marks a number of major anniversaries in Nintendo, so let me present you an idea for a fictional Nintendo product that I came up with a few years ago: a PC that plays classic games from Nintendo and its partners, called the Nintendo Personal Computer Entertainment System, or NPCES.

This isn't really a joke, mister! The site STILL has them!

That was from 1999, when the chain was first expanding out of the North Midwest. It was a placeholder for this logo that they would mint shortly afterward:

For this #DTIYS, here's my take on the main character of the webcomic "Think Ink" and heroine of its fictional community of Toontropolis! Her magic pen is so versatile, with its drawing powers and usability as a weapon; we certainly can't get enough of it.

Despite this, modern Donkey Kong has been represented with an interim design that first appeared in Donkey Kong '94 for the Game Boy. It appeared in these artworks for the Game & Watch Gallery series, also for GB, which was produced AFTER the Donkey Kong Country games were released.

...with the exceptions of these three movies:
(and also Ichabod and Mr. Toad, but only as two separate shorts, not one complete feature)

In times like this... just as the hundreds of toons in Warner Bros. Discovery's corporate family are doing in the scenario presented here, we need to take our stand against Zaslav and his henchmen, who are TRAITORS to WB! And we need to spread the word that more action needs to be taken than EVER!

As this "modern" WDP logo's tenure goes on, Mickey Mouse is reverted to his design from his early 1940s cartoons, such as "Mr. Mouse Takes a Trip" and "Lend a Paw." This permanently becomes the character's official standard appearance.

From this point, "The End" cards would no longer display the text "A Walt Disney Production," but instead crossfade to the WDP screen logo. After a few seconds, the text is replaced with a distribution tag, as seen here.

The screen version of the logo. Would be shown at the front of all WDP films from Bedknobs and Broomsticks to Trenchcoat, and at the end of all Disney TV shows from 1971 to 1983. As in its post-1985 counterpart, the castle is an abstract rendering of the Sleeping Beauty castle at Disneyland.

Stand-alone image of the AU "modern" logo. This would be its print version.

Do you prefer your alternate-history branding over what we actually got?

This classic color palette could use a little touching up. So I've created my own expanded version of the palette in question, with 204 colors! It feels every bit as retro as the original; I think it essentially would have been the ideal color palette for MS Paint users in the late 90s/early 2000s.

When a gang of spoiled folks comes out to cause trouble in Heartford and attack and steal from the people, they'd better watch out. The town's group of heroes has Cherrie Andrews on board, and with her brawn, she can single-handedly take down all these criminals and get them brought to justice.

My most exposed art from Twitter? That would be a drawing I did in the middle of this year where the characters of Warner Bros. march onto the streets to protest against its recent merger with Discovery, its current CEO and his henchmen, and their corrupt regime and business decisions and practices.