First, a note about my work. I am entirely funded by readers like you, and your support will be crucial going into what is clearly going to be a very busy four years.

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Death Triumphant (1944).

I've stood before the Stolpersteine of Philipp, Rahel und Felix before, feeling primarily numbness and heartache, but seeing his life's work next to these grim reminders of what we lost, and what was left for us, is strangely comforting.

Incredibly hard to like, but thank you for sharing this. There is a haunting beauty in Nussbaums works, to appreciate without even reflecting on the spirit of an artist trapped in such torturous times.

At the end of the decade his work takes on a darker edge, the persecution of the Jews in Germany was widely known in Belgium. Self-Portrait (1938), Fish Market (1936), Self-Portrait with Brother (1937) & Self-Portrait in the Studio (1938)