Seothen
@seothen.bsky.social
Gamedev, working on Dystropia, artist, writer.
I see spindly arms stretching out in all directions from a screaming tree. Colour choice is effective, always interesting when cool colours come forward instead of recede.
October 25, 2025 at 7:16 PM
I see spindly arms stretching out in all directions from a screaming tree. Colour choice is effective, always interesting when cool colours come forward instead of recede.
Well any morning's gotta be okay hanging out with that little sweetheart.
October 22, 2025 at 8:26 PM
Well any morning's gotta be okay hanging out with that little sweetheart.
Lots of peace in looking at that pic.
October 21, 2025 at 2:40 AM
Lots of peace in looking at that pic.
Hoping he recovers nicely!
October 21, 2025 at 2:39 AM
Hoping he recovers nicely!
Sorry about your friend - this is a nice tribute, we're all headed down a path.
I love the maintained level of detail, kind of rare to see.
I love the maintained level of detail, kind of rare to see.
October 16, 2025 at 5:23 PM
Sorry about your friend - this is a nice tribute, we're all headed down a path.
I love the maintained level of detail, kind of rare to see.
I love the maintained level of detail, kind of rare to see.
I think that's a million times nicer than my creative sanctuary, though I did finally adorn the walls with comic books from my youth...
October 14, 2025 at 2:30 PM
I think that's a million times nicer than my creative sanctuary, though I did finally adorn the walls with comic books from my youth...
Maintains depth while keeping a oneness between the foreground and background. Really interesting, though a touch painful to think of Spring as we head into Fall.
October 8, 2025 at 2:53 PM
Maintains depth while keeping a oneness between the foreground and background. Really interesting, though a touch painful to think of Spring as we head into Fall.
You got zero-button-apologizing to do.
September 26, 2025 at 1:26 AM
You got zero-button-apologizing to do.
Really digging the faux symmetry used here.
September 25, 2025 at 4:23 PM
Really digging the faux symmetry used here.
I like the break in the image that guides the eye back off another diagonal.
September 25, 2025 at 2:24 AM
I like the break in the image that guides the eye back off another diagonal.
Bold, those reds really hit me.
September 24, 2025 at 8:31 PM
Bold, those reds really hit me.
I see the silhouette of a person holding up to things before me - a notice of some sort, and a strip of... tablets? Love it.
September 24, 2025 at 8:29 PM
I see the silhouette of a person holding up to things before me - a notice of some sort, and a strip of... tablets? Love it.
Love the little intricacies you have going on here, the rat, the way the overall shape reminds me of a fish.
September 24, 2025 at 8:26 PM
Love the little intricacies you have going on here, the rat, the way the overall shape reminds me of a fish.
I picture it as a highly abstract facehugger latching on to someone, like in Alien.
September 24, 2025 at 8:19 PM
I picture it as a highly abstract facehugger latching on to someone, like in Alien.
Reminds me of being a kid and flying into England to see family; I was small town Ontario and remember being a little bit awed at rows of houses like this. Same stuff existed in Canada I guess but I never saw it.
September 23, 2025 at 1:45 AM
Reminds me of being a kid and flying into England to see family; I was small town Ontario and remember being a little bit awed at rows of houses like this. Same stuff existed in Canada I guess but I never saw it.
This is cool, you're keeping the contrast, I like the variations, nice stuff!
September 23, 2025 at 1:03 AM
This is cool, you're keeping the contrast, I like the variations, nice stuff!
That is without a doubt a good animation for a treasure chest. :)
September 23, 2025 at 12:47 AM
That is without a doubt a good animation for a treasure chest. :)
Really like the vibes here and the palette, and maybe where you're going to push it (that palette) from here.
September 23, 2025 at 12:45 AM
Really like the vibes here and the palette, and maybe where you're going to push it (that palette) from here.