no crying in the club (monaco)
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sadaboutchiffon.bsky.social
no crying in the club (monaco)
@sadaboutchiffon.bsky.social
1.8K followers 23 following 870 posts
Currently about as consistent as Balmain's collections (olivier rousteing you are both the dark knight & the clown prince of crime of my own personal fashion gotham), but by god, I'm trying.
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sadaboutchiffon.bsky.social
Oh, they did this for ME, as a personal favor, for sure, for sure, for sure, for sure.
November 18, 2025 at 12:45 AM
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VOGUE WORLD SPRING RTW 2026 - Act 1: "Hollywood Glamour."
Actress Nicole Kidman wears a black satin bustier Chanel gown, inspired by Rita Hayworth in Gilda, 1946. The dress features black satin camellia details on the right side of the bodice and theleftight hip, with asymmetric ruching and a long side-slit on the left side of the dress. The look is paired with black heels and a black suit jacket that Kidman carries over one shoulder. She also wears a Chanel Fine Jewelry Diamant Evanescent necklace. Model Adut Akech wears Daisy Buchanan’s original Prada costume, designed by Catherine Martin, from Baz Luhrmann's 2013 Great Gatsby film. She wears diamond bracelets from Tiffany & Co. jewelry. The golden, crystal-laden party gown is often dubbed the "chandelier" dress and features a crystal overlay and a light-blue fur stole with crystal accents. Akech also wears a Tiffany & Co headpiece, features diamond and freshwater cultured pearls and a detachable brooch. Actress and Chanel ambassador Ayo Edebiri, an actor and Chanel ambassador, wears a golden S/S 2026 Chanel two-piece, from Matthieu Blazy’s debut collection. The top and skirt feature swishy, fringed hems and sleeves and textured details. The skirt falls to mid-shin, and the tunic top features short sleeves. The look is paired with white heels. Model Mika Schneider wears a F/W 2025 Valentino gown and a triangular, diamond De Beers necklace. The dress features a plunging neckline in olive green fabric, with a high belt and a black bow along the front. The skirt of the dress is a light purple, silky material, and Schneider wears sheer black gloves and gold heels.
November 14, 2025 at 11:16 PM
sadaboutchiffon.bsky.social
KILENTAR SPRING 2026 COLLECTION.
The model wears an elaborate beaded top with alternating stripes of cream, brown, and a dark umber over a metallic mini skirt in rose, with light gold accents. The model also wears a two-tone box-pleated scarf with tassels around their waist, hanging down on either side of their hips. the model wears a dark brown dress with spaghetti straps and a loose fit. The dress is covered in diamond patterns made up of beads: the lines of the diamonds are composed of numerous dark and gold beads, with an amber teadrop bead hanging from the top of each diamond. The bottom of the dress is floor-length and is made up of olive-green tassels that catch the light. The model wears a floor-length, sleeveless yellow dress with a straight-across bodice. The skirt of the dress is layered with panels of sheer mesh featuring three raffia trims. The hemline is asymmetric. The bodice features subtle stripes in a lighter shade of yellow. The model wears a beaded white dress with a halter top and a long fringe skirt. The dress is off-white, with beaded diamond patterns below the bust and across the hips. The look is enhanced by numerous beading details, using traditional crafting techniques by the Southern Nigerian brand.
November 14, 2025 at 10:37 PM
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ORANGE CULTURE SPRING 2025 COLLECTION.
The model wears a hybrid tee maxi dress in black with an orange moon print that stretches across the right side of the model's chest. The dress has short sleeves and a high neck. It is floor-length. The maxi dress is made from printed cotton interlock jersey with duchess satin. The model wears an all-black outfit. The top is a sleeveless cut-out blazer with a keyhole cutout directly in the middle of the chest. It has two buttons on the front, pinning the blazer to the side. The main body of the blazer is black crepe fabric, with black satin highlights along the arms, cutout, and hem. The model wears matching structured pants with a cummerbund style waistband. The model wears a white midi coat, made from crepe, with frill details on the neck and sleeves. The coat has a series of small buttons down the front of it. The model wears bright red nylon tights and carries a bright orange quilted handbag. The model wears an all-white outfit with a 3D printed orange moon appliqué on the front. The model wears a linen single-sided crop blazer with structured lapels, closed at the front with the moon appliqué. Worn inside the blazer is a long-sleeve dress shirt in white, with 70s styled shoulders and a diagonal lapel. The model wears matching slim to flare pants with functional buttons along the lower side of the flares.
November 8, 2025 at 7:33 PM
sadaboutchiffon.bsky.social
ERNESTO NARANJO SPRING 2026 COLLECTION.
The model wears a piece inspired by the work of Loïe Fuller, a dancer and pioneer of modern dance & theatrical lighting techniques, and Rebecca Horn, a visual artist. Another interesting note about this collection is there are no closures on the clothes: everything can be slipped on/off as needed. The model wears a soft, baggy tunic in a dark cream over a gathered skirt in a matching fabric and color. The skirt has a bottom hem that curls up, like an inverse paper bag skirt. The model wears light lavender tulle over the whole outfit, draped around their neck and down their body. They wear white heels. The model wears a red dress with a long, draped skirt that hangs loosely around their body. They are bent over, letting the dress dangling freely. The dress features a wide, open hem of a thick, red ribbon that hangs down the model's back and exposes half of their back and their entire left arm. They wear white heels.
November 8, 2025 at 7:13 PM
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PAOLO SEBASTIAN A/W 2025-2026 COLLECTION.
The model wears a frilled trapeze mini dress in a blush pink. The dress' frills are beaded, with numerous sparkling sequins. The dress has long sleeves and a high neck, nearly obscuring the hands, and ends at mid-thigh. The model wears a white crinkle silk chiffon draped gown with dégradé tassels. The tassels are diagonal, stretching from the model's left hip to their right knee, hanging down to the floor. They are a gradient from white to a light blue. The dress also has tassels along the back, starting at the back of the right dress strap, falling like a cape. The dress features threadwork floral embroidery in light pink, blue, green, and white. The dress has a lattice cutout along the bottom, just above the tassels. The model wears a tulle, corseted bodysuit in light cream underneath a chantilly lace gown in light blue. The gown puddles to the floor with a wide, circular train, fringed with long blue tassels. The gown features cutwork organza detailing of floral patterns up the model's sides. The model wears an olive green corseted tassel gown with lattice detailing and floral embellishments on the bodice. The skirt of the gown is made up of hundreds of tassels, slit up the side to the model's right hip.
October 26, 2025 at 2:04 AM
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MCQUEEN SPRING 2026 RTW COLLECTION [2/2].
The model wears a floor-length, form fitting dress with long sleeves. The dress has a spray paint texture of greys, blacks, and reds all over it. The dress features a black leather shrug with corset lacing, ending high on the model's neck. The model wears brown boots. The model wears a red dress with a scarlet rose print, slashed up each hip and fastened with corset lacing. The ties of the corsets are left to dangle low, reaching the model's ankles. The dress has a corset bodice and spaghetti straps, and the model wears white heels. They carry a black bag. the model wears a white dress inspired by 19th-century uniforms, with military frogging along the front of the sleeveless tunic bodice of the dress. The officer jacket angles to the model's left, stretching around their hip, off-center to the rest of their body. The skirt of the dress is form-fitting with numerous, frothy ruffles from hip to ankle. Parts of the white fabric are sheer. The model wears white boots and carries a white purse with a chain strap.
October 26, 2025 at 1:57 AM
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MCQUEEN SPRING 2026 RTW COLLECTION [1/2].
The model wears an olive green outfit made up of a corset top and low-rise bumster pants that flare around the knee with multiple hanging straps. They wear a sleeveless shrug in the same olive green, leaving the top of their chest bare. The model carries McQueen's archival De Manta bag, finished with corset lacing, in black. They wear brown foldover cuff boots. The model wears a deconstructed suit jacket in navy blue, with straps accentuating the lapels and shoulders, over low-rise bumster shorts with flared legs. They also wear brown fold-over cuffed boots. Numerous unlaced straps hang down from the model's pants and jacket and they wear a high-necked corset-tie shrug below the jacket. Other than the boots, the entire outfit is the same shade of navy blue. The model wears a white parachute dress with huge, voluminous skirts that trail behind them. They wear matching white boots. The top of the dress has a high-neck with corset ties, sleeveless, with a cutout for the top of the chest.
October 26, 2025 at 1:51 AM
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SACAI SPRING 2026 RTW COLLECTION.
The model wears a bulky white t-shirt dress with a turtleneck and elbow-length sleeves. The dress has sheer black triangular cutouts on the hem between the shoulder and sleeve and the model wears a statement necklace. They wear black shoes and a black georgette train that attaches to their dress. The t-shirt dress ends at mid-thigh The model wears a black gown made up of sheer material and the deconstructed utility garments: a cargo vest and the pockets from a long trench coat that melds with the dress. The model wears black flip-flops and has one leg bare. They wear pants that completely cover their right leg and end as mini-shorts on their left leg. The gown has a halter top. The model wears a cargo dress made up of deconstructed parts of a trench. The skirt ends at mid-thigh: it is a wide and flared out peplum skirt in khaki with prominent black buttons. The top of the dress is a canvas grey, imitating the inside of a coat. The model wears black fringed shoes and a black neck warmer. The model (Naomi Campbell), wears a floor-length gown spliced with utility garments and a half-finished suit in black. The inner quilting of the suit jacket has been turned into decorative stitching, and the armholes of the suit are purposefully unfinished. The Model wears wide-legged, slouchy pants and the double-breasted suit has four large buttons on the front of it. The suit has contrasting fabric swatches in various shades of black, with a long black train, as if it was in the process of being fully finished.
October 26, 2025 at 1:34 AM
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CHENEY CHAN F/W 2025/2025 COUTURE COLLECTION.
The first look of the collection, symbolizing "Birth", the model lays in a pile of white feathers and stares directly at the camera. They have dramatic eyeliner and red hair, with a dramatic lip and bleached eyebrows. The feather pile they lay in is actually the feather-fringed cape that makes up 1/2 of the look. The model wears a white, high-necked dress with long sleeves and a form-fitting silhouette. The dress is made of white lace, embroidered with hollow-cut embryo-like motifs. The dress is partly sheer, revealing parts of the model's skin. The last look of the collection, symbolizing "Death", the same model from the first photo wears a huge, blue-black, feathered cape inspired by a raven's wings. The dress below is full-body, from neck to wrists to ankles, made of sheer, perforated black lace with floral emboridery. The majority of the dress is covered by the cape, which reveals only the neck and shoulders of the lace, the model holding the cape to their body. The second look of the collection, named "Dance", the model wears a ivory suit with a knee-length pencil skirt and long sleeves. The suit has sculpted, structural shoulder pads and the model wears sheer white gloves. The outfit draws inspiration from a bird of paradise and features a large plume of frothy of-white tulle that covers the model's torso. The plume also features long feathers, brown with black stripes, shaped by metal wires and inspired by the plumes of Peking Opera performers. The model wears a feathery fascinator on their head that obscures the top part of their face. The fourth look of the collection, named "Defence", the model wears a light cream dress. The dress is covered in a rhinestone-embellished mesh, stretched over a bodice that accentuates the hips of the model into two sharp diamond points. The dress bares the shoulders, with mesh, elbow-length globes and a sheer skirt over a satin bodysuit. The dress features a 3D sculpture of boned lace, extending from the chest to over top the head in seven petal-like forms. The petals have translucent embroidery inside, with delicate patterns meant to resemble the underside of a cockatoo's feathers.
October 24, 2025 at 6:52 PM
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SIYUN HUANG 2/2 2024 "Immateriality" COLLECTION.
The model wears a two-piece gown with a black bandeau top and a long, sarong-style skirt that puddles to the floor. The skirt has a slight up the side, revealing part of the model's leg, and the waistline of the dress imitates a tucked-in look. The black fabric is slightly metallic, catching the light. The bandeau top has a dramatic bodice made of carved bamboo sticks, possibly flutes. The bodice has a series of thin metal rods that extend to either side, where metal dragonflies made of bamboo sticks and leaves perch. The model wears a gown in various shades of purple: both a light dusty-grey purple and a dark, near-black purple. The dress integrates techniques of traditional Chinese ink wash, freehand brushwork, and line drawing from Chinese art. The dress has a high-neck, sleeveless bodice with images of fossils and animals and a ruffled, full train with multiple bunches of fabric. The fabric has a gradient of dark to light, with many hanging folds. The various layers of the dress train are meant to recreate scattered lotus leaves. The dress has a loose cape, meant to imitate smoke, that begins under each arm. Per the designer: "Some looks use the handmade textile of the Miao minority in southwest China, which is a type of craftmanship on fabric, but the process is complex. It requires indigo dyeing, attaching egg white or cow‘s blood on the surface, constant pounding and steaming, it often takes months to produce a 45cm wide fabric, its surface is shiny but not dazzling." Although not shown in motion, the model wears a kinetic dress with floral, gauze accents that bloom and twitch like flowers constantly growing and dying. The dress itself is a dark black, with sculptural flowers with a dark purple to light purple gradient. The sculptures flare out, giving the dress a ruffled appearance. The model wears a kinetic robe made of shiny, black material with visible white stitching. This dress is also kinetic, as the metal dragonflies that perch on the dress move and spin using sound sensors. The dragonflies are hand-sculpted and rest on the model's torso and shoulders using thin metal poles. The dress also features green leaf sculptures, which also move when seen in video.
October 24, 2025 at 6:27 PM
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ANGELA CHANG'S "Seek For Light" WORLD TOUR - Custom Guo Pei, Cheney Chan, KWK, and Robert Wun.
Singer and actress, Angela Zhang Shao-han (also known as Angela Chang) wears a custom Guo Pei gown created for her Seek for Light World Tour 2025. The gown was created in collaboration with The Hong Kong Polytechnic University Team. The gown is form-fitting, with a phoenix feather design on the bodice and dramatic, feathered shoulders with a looping fiber-optic cape. The textile used in this gown glows and was custom developed with Guo Pei based on patented technology developed by Prof. Tan’s research team. "It integrates intelligent photonic systems with precision knit engineering to produce an interactive, illuminative material with stretchability." Chang wears a custom lavender Cheney Chan gown with a high leg slit up to her left thigh and an intricate crescent moon headpiece. The gown has a sculptural bodice with feather accents and a long train, embellished with multiple sequins. The gown is floor-length and has matching elbow-length globes. Chang wears custom KWK made for her tour. The dress is light pink, with spaghetti straps and a fitted, mini pencil skirt with a long train that drapes over Chang's right hip. The dress has a strait across bodice and matching gloves. it features a sculpted corset bodice made out of metallic pink molded plastic (? perhaps), with bright silver accents. The bodice swoops to one side, like cloth caught in water. Chang wears a matching spiderweb crown. Chang wears a custom Robert Wun, a common collaborator with the singer. The dress features a black gown with white accents, tied around the neck with a wide halter top, and matching black gloves. A corseted overdress covers Chang from bodice to the floor, formfitting with flared accents on the bottom. She wears a coat with a long train in the same white as the overdress and finlike cuffs that open at her elbows. The dress features a massive, white butterfly headpiece.
October 24, 2025 at 6:08 PM
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DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [3/3].
The model walks the runway proper at the Ponte di Castel Sant’Angelo. The bridge (circa 134AD) was originally built by Emperor Hadrian to connect Rome’s city center to his future mausoleum and has since been used for both a roman fortress and a papal residence. The model wears white pants and white gloves embroidered with gold floral patterns. They wear a heavy, cape buttoned up along the chest. The cape has images of roman statues on plinths, standing against a blue "heaven-like" background with clouds and embellished shoulders. The model wears a gold papal cross. Ooohhh you wanna watch Conclave (2024) so bad. Three models look at the camera, the one in the middle staring directly at it while the other two flank them and look over their shoulder. The one on the left wears a starched linen tunic, partnered off a traditional surplice, sleeveless and embellished with pearls and jewels. They carry a small golden box as a purse, the metallic gold strap looped around their wrist. The model in the middle wears a dramatic robe with a wide, stiff collar and wide cuffs. The robe is dark, covered in red, green, and gold embroidery. The model to the right wears a deep purple robe with gold embroidery and gold fringe epaulets The model from the first photo in part two of these posts now walks the runway proper. They wear a deep purple floor-length coat, like an open monsignor's cassock, with gold metallic accents on the bottom and gold, matte accepts on the shoulders, sleeves, and chest. They wear a white lace shirt with high-waisted red pants with a deep burgundy fascia (the waist sash worn by cardinals) wrapped around their waist. They wear jewelry on their torso, made of gold, black stones, and pearls, with a hanging cross, that imitates a human rib cage. Their gloves are embroidered in gold. The model walks the runway in a black suit. They wear a black shirt with a white clerical collar, like a classic priest cassock. Their pants are black, which match their gloves. Their suit jacket is black with white lace detailing. The white lace looks like a cardinal's ceremonial dress, specifically the bottom hem of a rochet: a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. "The lace is made according to the personal taste of each cardinal. In the past, rochets were only made by hand. Today, for economic reasons and for durability, they are also machine-made." The double-breasted jacket has six black buttons.
October 24, 2025 at 4:43 PM
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DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [2/3].
There are two models in the photo, in front of a brick wall. The model on the left wears a dark coat with embroidered floral (acanthus? arabesque? baroque?) designs on the shoulders, collar, and front. They wear a white lace shirt with high-waisted red pants with a scarlet fascia (the waist sash worn by cardinals) wrapped around their waist. They wear jewelry on their torso, made of gold, black stones, and pearls, with a hanging cross, that imitates a human rib cage. Cathedral saints coming back strong here. The model on the right wears a beaded cream tunic, inlaid with multiple colored stones around a central design (like the eponymous sacred heart) in the middle of the chest made of multiple red stones. They wear a high-necked lace collar. Their arms are bare. Three models all stand in front of the camera, wearing classic suits in black, white, and a powder blue. The suits are covered in multiple jeweled crosses. Three models all wear heavily embroidered clothing based primarily off papal wear. The model on the left wears a red velvet robe with an embroidered sash tie, white gloves, and a white lace shirt. The model in the middle wears a beaded and embroidered version of the Pope's "Ordinary Dress" (the classic white outfit aka the simar). The model on the right wears a deep red sequin over white and red pants with a white lace collar and white gloves. Two models wear full-white suits embroidered in gold, with white seed bead embellishments. The model on the left has most of the embroidery on their arms, the front of their jacket, and the wide lapels of their coat. The model on the right's jacket is covered in beading, the collar left bare. They both wear dramatic gold necklaces, like a pectorale minus the cross. Can you all be so proud of me that I have a bunch of Catholic vestment references pulled up for this alt text? I'm Orthodox only if you squint really, really, really hard. Please clap.
October 24, 2025 at 4:30 PM
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DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [1/3].
The model is staged backstage at the Ponte di Castel Sant’Angelo for D&G's Alta Sartoria show inspired by Catholic priests and vestments. The model wears a heavily embellished chasuble, a sleeveless outer vestment, over a white lace shirt with a folded over collar. They wear a large, ornate cross around their neck. There are two models in the photo, one closer to the camera, in front of a brick wall. The closer model wears a red silk outfit, patterned after the classic scarlet cassock worn by a cardinal. They wear an ornate cross around their neck, and a shirt with a high lace collar. The model farthest from the camera wears an ornate red and gold breastplate, like the sorts worn by cathedral saints, leaving their arms bare. They wear deep red silk pants with a tie waist. Three models face the camera wearing a series of lush, embroidered suits. The model on the left wears a plum suit with ornate, gold (how many times can i say ornate here, let's find out) cross embellishments and embroidered gloves. The suit is made up of a plum silk fabric, tied in strips around the torso. The model in the middle wears a blue suit with a hanging, gold scarf, tucked underneath the waistcoast. The suit is heavily embroidered with blue floral designs. The model on the right is wearing numerous contrasting arabesque patterns in reds and golds on their suit jacket, shirt, and high-waisted pants. The jacket is red, the shirt burgundy, and the pants are black and gold. The model faces the camera and wears a suit with high-waisted pants and an open jacket. They wear a sheer, black shirt, with embroidery that uses catholic imagery and designs. The suit jacket and pants match: black with gold embroidery. They wear black gloves.
October 24, 2025 at 4:15 PM
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XANDER ZHOU SPRING 2026 COLLECTION [2/2].
The model wears a white dress shirt with a matching ivory vest and black tuxedo pants. They wear black velvet dress shoes with a heel and a white fedora cap that's been duplicated and "glitched" four times, low over the top of their face. They wear a cross-body sash that looks like the collar of a dress shirt, duplicated three times. The glitches all have black bow ties. The model wears a black, open suit jacket over a white dress shirt and an ivory waistcoat. They wear matching black pants and dark dress shoe with the throat/laces repeated in the same glitch effect so that it reaches all the way to the tip of the shoe. Over their pants they have six duplicated, glitch effect tuxedo shorts The model wears a pearl-grey suit with a matching jacket, pants, and a cream cummerbund. They wear a silver shirt with a duplicated collar and carry a glitched, grey fedora that's been smeared into four distinct shapes. The model wears black dress shoes. The left side of the suit has been duplicated multiple times, appearing as if it's in motion like a flip book animation. The model wears a grey, featureless mask that's been glitched numerous times and slides up and to the left of the model's face. It completely obscures their features. They wear a black suit: the jacket is a series of duplicated sleeves that covers their torso, as if seen from the side. The pants are five duplicated legs and black, heeled boots, once again as if seen from the side. It gives the look a sense of the model walking to the right, despite facing the camera.
October 18, 2025 at 6:42 PM
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XANDER ZHOU SPRING 2026 COLLECTION [1/2].
The model wears a light grey tailored suit with matching pants and a matching fedora hat. The model wears dark dress shoes. The hat, jacket, and shoes of the look have been duplicated in a "glitch" effect, creating doubles like you're dragging an open window across a computer screen. The model wears a white tuxedo with black lapels and black dress shoes with the same glitch effect that is standard throughout the rest of the collection. In this look, the glitch is dozens of duplicated sleeve cuffs that hang down from behind the model's wrists and drape to the floor like ribbons. The model wears a blue dress shirt underneath a vest in the same blue. They wear a frilly sash across their chest and have one hand tucked into the pocket of their high-waisted grey dress pants. They wear white dress shoes with glitched details and carry a grey fedora that's been duplicated four times into a smear. The model wears a dark, pinstripe suit with a white dress shirt. They wear a crossbody sash that has duplicated front pockets, with matching silver kerchiefs sticking out of them, down the chest. It's tied above the right hip with a large statement bow. The model wears dark dress shoes and wears a duplicated, black-feature grey mask that smears up and to the left.
October 18, 2025 at 6:35 PM
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HASSIDRISS "Echoes of the Abyss" 2025 COUTURE COLLECTION [2/2].
The model wears a gown in a textured purple to grey gradient with a scalloped bodice that turns into criss-cross ropes around the sternum and waist, till the models hips. It reveals the skin underneath. The skirt of the dress hangs to the floor, with the gradient effect, and the dress features long ribbons that wrap around the neck and wrists. The model wears a red dress with a straight across bodice with a keyhole between the breasts. The gown has a corset bodice with long, near-sheer flowing sleeves that obscure the arms. The gown features a deconstructed bolero top with jagged cutouts and a high neck. The model wears a brown gown with numerous cutouts and light blue detailing around the lines of the bodice. The dress has epaulets with cutouts, revealing the skin below, and a long cape of sheer, brown fabric. The bodice of the dress has an art deco aesthetic and the skirt has two slits for the legs up to the model's hips. The model wears a gown in metallic gold, white, russet, and black. The patterns gradient from one shade to the other, making the dress look almost feathery. The bodice of the dress is made up of numerous ribbons that criss-cross the model's body tightly, forming a high-neck and a tight top. The skirt is floor-length and shimmery, with a black to gold gradient.
October 10, 2025 at 6:15 PM
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HASSIDRISS "Echoes of the Abyss" 2025 COUTURE COLLECTION [1/2].
The model lies on their back in a puddle of silvery lavender fabric---the skirt of the gown they wear. The bodice of the dress is comprised of shibari-style rope work. The photo is slightly out of focus. "What the fuck is silvery lavender." I don't know, man, I've turned into one of those paint mixing accounts on tiktok. The model wears a red dress with a long skirt made up of numerous ribbon panels in a deep red. The corset bodice of the dress has rivets in it, more ribbons attached to the eyeholes. The model wears a cage-like mask that obscures the top of their head and eyes. The model wears a long, floor-length gown in a linen-white, studded with numerous red beads. They wear sheer elbow length gloves with the same beads. The dress has spaghetti straps, with a fitted sweetheart bodice. The beading on the bodice imitates the musculature of a torso. A second photo of the first model, wearing the same silvery lavender gown as before. They lean up slightly, braced on an elbow. The angle reveals more of the ropework on the torso of the dress.
October 10, 2025 at 6:03 PM
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This was the first show in decades that Armani was not physically present for, due to health concerns. He was a meticulous, obsessive designer who understood that power and elegance could go hand in hand in fashion. A visionary in his field, or, as writer Tiziana Cardini once put it:
Fashion designer Giorgio Armani, seated in his office on Via Borgonuovo in Milan, photographed via Zoom. Photographed by Annie Leibovitz for Vogue, May 2021. He sits in front of a bookcase fit to bursting, filling most of the office space behind him, bracketed by two staircases. He sits at the end of a long desk and faces the camera with a contemplative expression. A screenshot of an article from the coverage of Armani's Fall 2025 Couture Collection. In full: "In truth, he’s been an eccentric of the rarest kind all along: the kind whose discipline is so unwavering, it reads as obsessive tunnel vision. That, perhaps, is the secret to why his über-consistent style resonates so strongly today, particularly in a moment in which fashion seems to be rediscovering the pleasures of dressing with polish and intention, finding the cool in timelessness, crediting wearability as an agent for stylish finesse and not only a synonym for anemic commercialism. Giorgio Armani got there long before most, wrote the blueprint, and never played catch-up. It’s fashion that’s finally caught up to him."
September 4, 2025 at 10:54 PM
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ARMANI PRIVÉ FALL 2025 COUTURE COLLECTION.
The model wears a lush, black velvet catsuit with cuff sleeves and a statement bow around their neck. The bow is structural and large, stiff with embellishments. It's a charcoal grey that matches the cuffs and small purse the model is carrying. The cuffs are also embellished with beads. The model wears a beaded cap and statement black earrings. The model wears a black velvet, strapless dress featuring a sweetheart neckline dramatic, deep v plunge down the front of the dress. The gown is ringed in fine bead work, with a bow on the front at the bottom of the plunge and a beaded line following the silhouette down to the floor. The gown is floor-length. The model wears a grey boa made of ruffled, green-black fabric and an embellished cap. The model wears a sleek, lean, black, fitted tuxedo in a rich velvet. They have a sequined bowtie and wear a white dress shirt and a black beret. They carry a classic cigarette holder. The trousers of the "tux" are fitted and tight to the legs and the jacket has a single button at the front, forming an hourglass silhouette. The jacket and pants are outlined in small beads. The model wears a black, corseted suit jacket gown embellished with glittering beads. The gown is floor-length and hangs off the shoulders, with a structured bodice and long sleeves. The sleeves end in black velvet cuffs, and the bodice of the gown mimics the lapels of a suit in the same black velvet. The model wears a black bow tie and statement earrings, along with a beret. They carry a sheer, unfurled fan covered in sequins.
September 4, 2025 at 10:47 PM
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LENA HOSCHEK F/W 2025-2026 COLLECTION.
The model wears a cotton-wool hybrid ribbon skirt featuring heritage patterns and a fringe-trimmed hem. They wear a cropped trench coat with four buttons and cuffed sleeves, tied at the waist. They have bold gold jewelry. The model wears a deep blue dress with red, white, and cream floral accents (complete with green leaves) and lies on their back, reaching for the camera. The cotton dress features a fitted bodice with a narrow neckline and long sleeves, with their classic, flowing skirt: bänderrock. The model wears a flannel-inspired cotton dress with a corset-style bodice. The bodice has a criss-cross ribbon front and is fitted. It flares ouit into Hoschek's signature bänderrock skir. The dress is grey and black, falling to midi length with side pockets. The model wears knee-high brown boots, and a light brown long-sleeve turtleneck underneath the dress. The model wears a white cotton blouse with mother-of-pearl buttons and elbow length sleeves. The blouse features a mid-rib button placket, with a statement bow at the collarbone. The blouse is paired with ankle-length trousers in dark navy, belted at the waist, and brown flats.
September 2, 2025 at 6:33 PM
sadaboutchiffon.bsky.social
PHAN HUY PRE-FALL 2025 COLLECTION [2/2].
The model wears a white halterneck A-line dress with a stiff, floor-length skirt and mid-waist cutouts on either side. The model wears elbow-length white gloves, and a fine mesh veil. The model wears a black sleeveless ball gown in cascading layers. The dress starts as black and gradually is covered in gold leaf appliqué until the floor-length hem, like striations in stone. The model wears a ruffled black veil that fully obscures their features. The model wears a tulle peplum bustier dress in pale pink. The dress is structured with a bell-shaped cage that starts at the waist and extends to the hips. Beaded fringe falls from the cage in long strands, surrounding a sheer tulle under skirt. The model wears a tulle empire waist dress in pale pink, with darker pink inner linings. The dress has embellishments along the bust, middle, and ribs. The skirt is pinned in the middle of the bodice and falls to the floor, revealing darker shades of tulle underneath.
July 10, 2025 at 9:40 PM
sadaboutchiffon.bsky.social
PHAN HUY PRE-FALL 2025 COLLECTION [1/2].
The model wears a sleeveless tulle wedding dress in white with a sweetheart bodice. The bodice of the dress is covered in water-drop beadwork that extended onto the multi-layered tulle skirt. The model wears a sleeveless column dress in metallic gold, featuring featuring fish-scale textures. Each scale is embellished with bulge beads. and the dress is floor-length. The model wears a white off-shoulder wedding dress with a sheer corset and beadwork over the bodice and tulle layers of the skirt. The sleeves of the gown featuring long tulle trains that reach the floor. The skirt has many layers of tulle. The model wears a off-shoulder trumpet wedding dress in off-white, covered in sequins and floral wires. The dress puddles to the ground, with long sleeves that almost fully cover the hands. The embellishments group mostly around the bodice, hem of the sleeves, and the hips of the dress. The model wears a white mesh mask.
July 10, 2025 at 9:33 PM
sadaboutchiffon.bsky.social
MAISON MARGIELA FALL 2025 COUTURE COLLECTION [3/3].
The model wears a duchess satin dressed with a wide boat neck that turns into a cowl worn as a draped hood. The model wears a metallic full-faced mask of crumpled metal, covering their head and shoulders entirely. The gown has detached sleeves that end in the middle of the model's upper arms, with pointed ends. The model wears a full-form gown of metallic gold, crushed velvet that completely obscures them. The gown has a full-faced mask that attaches to a skin-tight, long-sleeve top. The skirt of the gown is voluminous, with large panniers and a heavy skirt that forms an upside down clover (as in: classic playing cards) shape. The model wears a gown inspired by wallpaper patterns, in faded dusky greens and pinks. The gown has a corset waist, with a straight, floor-length skirt with floral patterns. The top of the gown is cut into crescent moon, pleated ruffles like the top of a classic stage curtain. They hang at uneven lengths along the arms and bodice. The model wears a metallic full-faced mask. The model wears an oversized, distressed, leather motorcycle jacket in a warm, saddle brown. The jacket has pitch black, embossed smears along it, and is worn over the model's shoulders. Underneath they wear a long gown of duchess satin, in pearl. They have a full-faced metallic brown mask. They grip the side of the jacket through an opening in the front, revealing fingers dipped in pink paint.
July 10, 2025 at 4:59 PM