Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
If you know, you know. Chris Sarandon and Roddy McDowall get earned plaudits for this film, but don’t forget Geoffreys as the strangest and grossest of all, complete with an unforgettable ending. He grants the film energetic, funny personality.
If you know, you know. Chris Sarandon and Roddy McDowall get earned plaudits for this film, but don’t forget Geoffreys as the strangest and grossest of all, complete with an unforgettable ending. He grants the film energetic, funny personality.
This is a gross and unique take on possession horror, and a lot of it rests on Riseborough’s blank, bizarre, detached character. It’s probably her best work, winning a film that has Christopher Abbott, Jennifer Jason Leigh, and Sean Bean.
This is a gross and unique take on possession horror, and a lot of it rests on Riseborough’s blank, bizarre, detached character. It’s probably her best work, winning a film that has Christopher Abbott, Jennifer Jason Leigh, and Sean Bean.
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
As a horror-mystery, Shults’ movie was wildly divisive. But most people would agree the cast is one of its top strengths. The always immersed Keough is best in show, and her tense talk with Kelvin Harrison Jr. is the film’s high point.
As a horror-mystery, Shults’ movie was wildly divisive. But most people would agree the cast is one of its top strengths. The always immersed Keough is best in show, and her tense talk with Kelvin Harrison Jr. is the film’s high point.
Every Keaton performance is too undeniable to call forgotten, but this is definitely one more young film fans should see. It’s a complex moral balance of tone work from a great director, and rests on her expressive face. RIP to one of the best.
Every Keaton performance is too undeniable to call forgotten, but this is definitely one more young film fans should see. It’s a complex moral balance of tone work from a great director, and rests on her expressive face. RIP to one of the best.
The less revealed about this haunting horror-dramedy, the better. But Grenier does the depressed, pained, best work of his career here sparring with greats like Sally Kirkland and Fionnula Flanagan. Buried family secrets ensue and explode.
The less revealed about this haunting horror-dramedy, the better. But Grenier does the depressed, pained, best work of his career here sparring with greats like Sally Kirkland and Fionnula Flanagan. Buried family secrets ensue and explode.
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
Everyone brings their A-game in Jackson’s horror-comedy, but McBride’s permanently ‘70s-styled, shouting ghost is a real treat. He exists for jokes but has an emotional arc too, and lovely banter throughout with Michael J. Fox and Jim Fyfe.
Everyone brings their A-game in Jackson’s horror-comedy, but McBride’s permanently ‘70s-styled, shouting ghost is a real treat. He exists for jokes but has an emotional arc too, and lovely banter throughout with Michael J. Fox and Jim Fyfe.
Michael J. Fox and Sean Penn go so big in this movie that the supporting cast’s naturalism saves the tone of the harrowing true story. Harvey is haunting as the most monstrous and animalistic of the soldiers. He deserves a comeback film role.
Michael J. Fox and Sean Penn go so big in this movie that the supporting cast’s naturalism saves the tone of the harrowing true story. Harvey is haunting as the most monstrous and animalistic of the soldiers. He deserves a comeback film role.
Often the best romcom stars are those who never expected to lead one, and career character actor Dooley is the epitome. As square Alex, he blusters around making mistakes with his girlfriend (Marta Heflin) and domineering father (Titos Vandis).
Often the best romcom stars are those who never expected to lead one, and career character actor Dooley is the epitome. As square Alex, he blusters around making mistakes with his girlfriend (Marta Heflin) and domineering father (Titos Vandis).
This entrance must be seen to be believed. Redford was always at home bouncing off the world’s other greatest actors, and few casts were ever this stacked. Somehow even a man this striking knew how to blend in and still stand out. RIP
This entrance must be seen to be believed. Redford was always at home bouncing off the world’s other greatest actors, and few casts were ever this stacked. Somehow even a man this striking knew how to blend in and still stand out. RIP
It makes perfect sense someone with instincts this keen, specific, and unexpected would fast become one of the important and iconic female filmmakers. Loden shoulders strange and dark scenes as Warren Beatty’s sister, a 1920s flapper.
It makes perfect sense someone with instincts this keen, specific, and unexpected would fast become one of the important and iconic female filmmakers. Loden shoulders strange and dark scenes as Warren Beatty’s sister, a 1920s flapper.
Too few people know Reisz’s addictive gambling masterwork anchored by James Caan’s best performance. His greatest equal in the film is Sorvino as Hips, the mafioso bookie who is Caan’s frustrated frenemy. It’s one of his finest roles.
#filmsky
Too few people know Reisz’s addictive gambling masterwork anchored by James Caan’s best performance. His greatest equal in the film is Sorvino as Hips, the mafioso bookie who is Caan’s frustrated frenemy. It’s one of his finest roles.
#filmsky
It’s likely you’ve never seen anything quite like Pisanthanakun’s romance-horror-comedy-parody about ghosts. Thai star Davika is a riot, slaying and haunting a true idiot protagonist in the folklore-based story of a rather cursed village.
It’s likely you’ve never seen anything quite like Pisanthanakun’s romance-horror-comedy-parody about ghosts. Thai star Davika is a riot, slaying and haunting a true idiot protagonist in the folklore-based story of a rather cursed village.
Neeson really gets to flex different muscles than usual with his emotive roles in the Jordan movies. What seems like an early cameo here returns as the heart of the story in a loaded, beautifully performed reunion with Cillian Murphy as Kitten.
Neeson really gets to flex different muscles than usual with his emotive roles in the Jordan movies. What seems like an early cameo here returns as the heart of the story in a loaded, beautifully performed reunion with Cillian Murphy as Kitten.
Moodyson made one of the only great and appropriately sensitive films about human trafficking. A big part of the reason is giving most of the film over to trust in Akinshina’s totemic performance of resilience, always more than a victim.
Moodyson made one of the only great and appropriately sensitive films about human trafficking. A big part of the reason is giving most of the film over to trust in Akinshina’s totemic performance of resilience, always more than a victim.
One of the best Sayles regulars, Tighe made a fantastic villain smirking and snarling as Hickey, with Gordon Clapp as his psychotic attack dog. They shine as detective/enforcers for the mining company exploiting the miners led by the great Chris Cooper.
One of the best Sayles regulars, Tighe made a fantastic villain smirking and snarling as Hickey, with Gordon Clapp as his psychotic attack dog. They shine as detective/enforcers for the mining company exploiting the miners led by the great Chris Cooper.
RIP to the English badass from many underrated gems: Theorem, The Collector, Poor Cow, Billy Budd… His role in The Hit is a thrilling co-lead versus a chilling John Hurt. As the gangster witness, Stamp was the picture of slippery, wily competence.
RIP to the English badass from many underrated gems: Theorem, The Collector, Poor Cow, Billy Budd… His role in The Hit is a thrilling co-lead versus a chilling John Hurt. As the gangster witness, Stamp was the picture of slippery, wily competence.